"Can't you get me there?" Barry Schweid said. "This is an important meeting."
"Don't worry," the driver said. "He'll wait."
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242
Inside Barry Schweid's home, Dr. Harold W. Smith had the telephone hookup in place. He had learned a lesson from the last fiasco of trying to move CURE's records to St. Martin Island. Never again would he put all his eggs in one basket.
He listened over the telephone for the signals that indicated both receivers were ready.
Then he pressed the transmit switches on Schweid's word processor computer, and listened as the tapes began to whir.
It took seventeen minutes for all CURE's records to be transmitted across telephone lines to St. Martin. And back to CURE headquarters at Folcroft. From here on in, CURE would maintain double files.
As the computer continued to whir, Smith allowed himself a small smile. CURE was still operating; the battle against America's enemies had not yet been lost.
Twenty-seven minutes later, the taxicab pulled up to the curb.
Schweid looked out the window and squawked, "Hey. This is my house again. What are you doing?"
The driver ignored him. He rolled down the front passenger window and called out: "Got him, Smitty."
As Schweid watched, a thin man in a three-piece gray suit stepped from the bushes alongside his front entrance, walked quickly to the taxi, and got into the backseat alongside Schweid.
243
"You want me to drive, Smitty?" the cabby said.
"No. Just stay here." The gray-suited man turned to Schweid. "I'm Mr. Smith."
"Well, I'm really glad to " But before he
could extend his hand, Schweid was cut off by Smith.
"You should know this," Smith said. "Bindle and Marmelstein are planning to steal your screenplay. They've already tried to sell it to me."
"My assassin movie?" asked Schweid.
"Right," Smith said. "According to them, they've got it tied up tight."
"I'll burn it before I let it be stolen," Schweid said.
"That's just what I want you to do," Smith said. "I want you to go inside your house and erase that screenplay from your computer. Wipe the tapes clean. And there'll be a check for you in the mail tomorrow."
"I knew it was too good to be true," Schweid said. "I just knew that movie would never be made. I'm going to destroy the screenplay right now. And all that other stuff I've got in my machine."
"Good," said Smith.
Schweid started out of the cab. "It didn't have a chance," he said. "I knew that."
The cabdriver said, "What do you mean? It didn't have a chance?"
"It was just too farfetched and too unbelievable," Schweid said. "A superkiller working for the government. No one would buy that."
"I guess you're right," said Remo Williams as Schweid left the cab and walked toward his house.
244
After he had gone inside, Remo turned around from the driver's seat and said to Smith, "Suppose he doesn't wipe his tapes clean?"
"It doesn't matter," Smith said. "I already did. There's nothing left on them. And he just didn't have any idea of what the information was. He's harmless."
"Good," said Remo. "Where to?"
"Let's go see Bindle and Marmelstein," Smith said.
Hank Bindle and Bruce Marmelstein smiled in unison as Mr. Smith walked into the office, followed by a dark-haired young man in a black t-shirt and chinos.
"Mr. Smith, I presume," said Marmelstein, extending a hand in greeting.
"I want Schweid's screenplays," Smith said coldly.
"Which one?" said Marmelstein.
"All of them."
"You're going to produce them all?" asked Bindle.
"Yes," said Smith. "I want my creative people to read them over first. Then the three of us will have a meeting to discuss them. And the price."
"Okay," said Marmelstein. "We'll give a meeting." He pointed to Remo. "Who's he?"
"He's my creative people," said Smith. "Do something creative."
Remo creatively broke Marmelstein's marble desk top in half.
The two partners handed Smith a packet of screenplays.
245
"They're all in here," Bindle said. "Every one of them."
Smith glanced through them to make sure the one he wanted was there. He saw the title: Loves of an Assassin.
"Did you two read these?" Smith asked.