Dr. Julius Goldman entered the magnificent doors leading into the sacrosanct interior of the Boston Museum of History. He was late. His footsteps clattered over the polished marble floor, his own sense of urgency seeming to precede him with the echoing sound as he passed the priceless relics of antiquity, the emblems of vanished civilizations. Vases from China. Amphorae from Greece. Each a lonely and mute survivor of its past. Ancient weapons. Time-forgotten ornaments. Each seemed ready to speak, to tell some dark secret of the ages. Despite his haste, Goldman felt the atmosphere of the museum seeping into his brain.
He turned left down an exhibit hall leading toward his destination, the newly acquired exhibit of Mesoamerican art from Mexico. On the way, though, he approached a well-used and exquisitely preserved set of Roman gladiatorial armor, its great helmet and famed Roman short sword hanging expectantly in the silent museum as though suspended in time. Involuntarily his steps slowed, and he stopped in front of the carefully mounted pieces. A gash ran along the belly of the armor, exposing the leather wrappings beneath. Goldman wondered how the man who had been wearing it had come out. As he stood before the armor, images flashed in his brain, and a feeling of second sight came over him, a tumbling of memories lost and found and then gone again before awareness. He saw in his mind's eye a massive stadium filled with people crying for blood. He saw men wearing the armor of the Secutor and the Mirimillone locked in mortal combat, straining to let the lifeblood out of their opponents, and not with any reluctance for they were glorying in their strength. Goldman felt himself part of the Roman games. The smell of the blood-soaked sand stank in his nostrils.
He turned from the armor and entered the Aztec exhibit. The museum had just opened and was practically empty, but Goldman had been here the previous week and he recalled with particular distaste seeing two aficionados of this pre-Columbian culture standing before these exhibits, indulging themselves in a form of controlled, vicarious, mental masturbation… as if by touching and looking at these relics they could claim some kinship with the ones who had actually worn and used the items. Their attitude had been not dissimilar from the motorcycle gangs who wore the swastikas and emblems of Nazi Germany the iron crosses and German helmets and somehow felt that owning and wearing such items imparted the strength and ability to inflict their will on others through terror.
Yet Goldman, too, felt a strange fascination emanating from the exhibits. The artistic level achieved in many of the items was astounding in its detail work. One item particularly arrested Goldman: a feathered shield of cobalt blue feathers with the emblem of the Jaguar god superimposed in tiny gold feathers. It must have taken over a thousand birds to make this one shield for some unknown noble.
Representations of the gods of the Aztecs stood in their cases, imperturbable, the countenance and dress showing the overwhelming Aztec fascination with death. Most horrible of all was Coatlicue, the mother of the Aztec pantheon. Her image towered over the others by the sheer force of her accouterments. Her dress was made of serpents woven together as if they were reeds. She wore a crown of two snake heads. This was set off by a necklace of chopped-off hands and hearts, while monstrous claws took the place of human feet. She and her children seemed to wait patiently for the time when they could again feed on the living hearts and blood of sacrificial victims. In their time, blood had fed them and the Aztecs made sure the gods never hungered for long.
One god, a powerful priest-king, was the most powerful figure in their mythology. Quetzalcoatl and his symbol, the feathered serpent was honored in almost all of ancient Mexico's panoply of gods. Even the Toltec and the Maya knew of him. The Maya honored him under the name of the Kukulcan and told of his coming.
Perhaps because this god was so different from the others, Goldman lingered before his emblem. The fascination of the museum had gripped him.
Part of his mind told him to hurry toward his appointment. Part held him here, immersed in the aura of the land of the feathered serpent.
The Aztecs had inherited Quetzalcoatl along with several other gods when they conquered the Valley of Mexico and its inhabitants. There, at the ruined city they called "The City of the Gods," Teotihuacan, they had found the great temple of the feathered serpent and of Tlaloc, the rain god. Goldman considered the irony of the Aztec inheritance. Many of their names for the gods, many of their words for daily terms came from a bastardization of the captured people's tongue and with the words had come a fateful legend that of the return of Quetzalcoatl. From the conquered people the Aztecs had learned of the great metropolis that had once stood there and how it had fallen to disease and curse when the inhabitants had lost faith with Quetzalcoatl. Their shamans had then foretold that Quetzalcoatl would return in "one reed," which occurred every fifty-two years. And the Aztecs, taking over the calendar of their predecessors from the few remaining survivors, had also taken over not only the legend, but the predicted time of Quetzalcoatl's return "from the sea."
So it was in the year of Our Lord, 1519, on Good Friday or one reed, as the Aztecs reckoned that a fair-haired man set foot on the shores of Mexico. Hernan Cortez had arrived with his men, in suits of shining armor, with horses, with weapons of steel. To the Aztec king, Moctezuma, it was the fulfillment of the ancient legends, for the original priest-king had been fair of hair and had come from the sea. The legends had said that he would return in the same manner as his first appearance.
Moctezuma, believing that Cortez really was the returning Quetzalcoatl, waited too long to resist the Spaniards. It was his belief, not his lack of power, that caused his defeat, for when he had ascended to the throne he had ordered 30,000 people sacrificed to celebrate his becoming emperor. There were only several hundred Spaniards, and Moctezuma could have destroyed them easily. The legend's power was fatal; not until Moctezuma's own son, Qualtemoc, ordered his father killed, was the power of the Aztecs used. They promptly drove the Spaniards from the Aztec capital city, Tenochtitlan. Though many Spaniards escaped, not all did, and for the next several weeks the terrible gods of the Aztecs fed on the blood and beating hearts of Europeans.
But the Aztec triumph was short-lived. The gold of Moctezuma was an irresistible lure, and the doom of the proud Aztec nation was inevitable. Greed coupled with the religious fanaticism of the Spanish Jesuits, those devoted followers of the Inquisition as ordained by the pious Torquemada conquered. Goldman pondered the paradox of the Jesuits. Here were men who felt themselves to be soldiers of their crucified God, Jesus, and in His name, and in the name of pity and love and mercy, they did not hesitate in their holy duty. In a religious fervor that approached ecstasy they were able to burn thousands of heathen sinners alive at the stake. This was done, of course, in order to save the heathens' immortal souls to open the way to the glories of heaven for these heathen. By no means did the Jesuits consider their acts to be acts of cruelty. On the contrary, what they did was done from love. Ironic, Goldman thought, that the Spaniards considered themsebes so different from the Aztecs. For, of course, the heathen Indians had sent their sacrificial victims to their gods in order to deliver their prayers…
And while the priests of the gentle Jesus had burned the unredeemed alive, the soldiers of Cortez had raped and looted and destroyed the remnants of a great people, all in the name of glory: glory and loot for themselves and for the King of Spain. The story was an old one, and a common one, and for a moment Goldman, thinking of it, lost the sense of mystery that had engulfed him in the museum. He turned away from Quetzalcoatl and walked past other relics and art objects, and then he saw the one for whom he had cancelled his day's appointments and had rushed through the packed, horn-honking, morning traffic of Boston.
The man's back was to Goldman, and he was leaning over a glass display case, but there was no mistaking who it was. The back was broad, and the muscles beneath the conservatively cut suit seemed almost ready to burst through.
Making his way past several other display cases and standing slightly behind the man, Goldman started to clear his throat in order to announce his presence, but, before he could, the man at the display case spoke, his voice deep and steady:
"Welcome, Dr. Goldman. It is good of you to come at such short notice." And with that he straightened from, the display case and turned to face Goldman.
Goldman was speechless.
The stocky man locked his gray-blue eyes on Goldman and scanned the doctor up and down. "You're looking well, Doctor," he said. "The years have obviously been good to you. I'm glad you were able to come. For some reason we seem to have our lives involved with each other ever since that night in the Eighth Field Hospital in Nha Trang."
Goldman's mind did a quick retake, an instant replay of that astounding night in the hospital ward, when, after removing a piece of shrapnel from the brain of the man now confronting him, an unbelievable story had unfolded unbelievable except for the living proof of it, which was a man known then as Sgt. Casey Romain. At least that was what his dogtags and personnel records said he was called…
"Casca," Goldman said. "Is that what I should call you?" He shifted uncomfortably, but the steel-colored eyes of the man he called Casca held an amused glint.
"It's good enough, Doctor. I will answer to that or to any one of a number of others." Extending his right hand to the doctor, he said easily, "Here. This is for your collection. I should have left it with you when last we met, but after carrying it around in my leg for the last two thousand years I grew kind of attached to it." He dropped into Goldman's palm a shining bronze arrowhead. " You deserve it, Doctor. After all, you're the one who removed it from my leg."
Casca smiled and looked the doctor over carefully. " Yes, you are looking prosperous. The hair is a little thinner, and the extra pounds look good on you. In Nam you had that half-starved look that people who have either religious or work fetishes get along with hot eyes and thin bodies. But, yes, now you do look well." Abruptly he took the doctor's elbow with a grip that had the feel of cold steel in it and directed Goldman's attention to the object in the case over which he had been bending when Goldman arrived. The object, the case placard said, was one of the rarest and most priceless of its kind, one of the prizes the museum was able to get the Mexican government to lend for this exhibit.
Casca pointed at the object.
"Beautiful, isn't it?"
It was beautiful, this life mask of deep sea green Mexican jade, full human size, looking as though it had been worn by a living man only yesterday. The workmanship, the artistry, was superb; the mask was detailed to the last degree. The only thing out of place were the eyes. They were a peculiar gray-blue turquoise. There was something strange about the mask, and, had Goldman still been in the awed mood that had first overtaken him in the museum, he might have reacted differently. As it was, he was a little puzzled by Casca's interest. He said, impatiently, "Yes, it is beautiful. But it's just a turquoise mask of some ancient king or priest from one of the Mexican empires. Perhaps Toltec. Or even Maya."
Casca smiled, an odd, tolerant Goldman would have swom ironic twist to his lips… as though he knew a secret the doctor did not.
"No, Doctor, that is not where the mask is from. It's from the city of Teotihuacan in the Valley of Mexico hundreds of years before the Toltecs. There, when the shamans sacrificed special victims on the most holy of days, a mask was made in the likeness of the victim's face, and the victims would wear these masks when they were brought up to the altar on the pyramid and had their hearts cut out with flint or obsidian daggers. The mask was then taken and placed in a shrine along with all the others that were worn on similar occasions. Actually, only seven were ever made, but they were held as holy objects something like the relics of the saints that the Europeans worshipped and thought had mystic powers." Casca's smile tightened, became even more ironic. "But, look closer at the mask, Doctor. Look closer. What do you see?"
Goldman let his eyes run over the sea green surface of the mask, examining it millimeter by millimeter. At first he was puzzled by Casca's insistence, for he saw nothing unusual.
And then it hit him.
On the left side of the mask, almost invisible, was what appeared to be a thin line where the jade pieces were joined, but on closer inspection, Goldman saw that the thin line was not a break in the jade, but that it had been intentionally carved to represent a thin hairline scar running from the eye to the corner of the mouth.
Goldman turned back to Casca, and his mouth dropped open in shock.
The same scar was on Casca's living face: the thin hairline scar that left Casca with a permanent smile or grin or as some called it leer. The correspondence leaped out at the doctor. He looked quickly back at the mask. The rest of the features fell into place.
"It's you," he said. "That mask is a mask of your face."
Pleased as though he had pulled a practical joke on the doctor, Casca grinned. "Yes, it's me. And how did I get my face on a Teotihuacano sacrificial mask? Look at the mask, Doctor." Casca's voice took on a commanding quality that was not to be disobeyed. Twice before Goldman had heard that tone of voice. "Look at the eyes of the mask, Doctor. The story is there."
Goldman turned back to the mask, and the gray-blue eyes of the sacrificial mask seemed to blaze with an inner fire, forcing his attention upon them, pulling him into their glowing depths. As his consciousness sank into the turquoise flames, Casca's voice accompanied him:
"Remember, Doctor, where I stopped before? I was at the Hold of Helsfjord, and Lida had died. The year was A.D. 252, by the Christian reckoning…"