"Oh, I have no idea. Somewhere in town – I don't know. He stays overnight, sometimes. I suppose he brings girls there." Mrs. Longworth looked at me. " Girls, decent girls, not… prostitutes."
I wondered how the young women who had sucked her son's cock in his 'bachelor pad' got to be considered decent girls, but I suppose everything's relative.
"Would your husband know where the place is, ma'am?" Karl asked.
"Perhaps he would, I don't know. You may feel free to ask him – once he gets back from Tokyo. That will be sometime next month, I believe." The tiny smile was back in place now.
"Can you give us a phone number where we can reach him? Or his email address?" I said.
"Oh, I'm sure I have all that somewhere, but I can't lay my hands on it right at the moment. Why don't you leave me your card, and I'll have my secretary locate that information and call you."
I was betting we'd hear from that secretary at about the time they opened a skating rink in Hell, but I took out one of my business cards and handed it to her. She immediately placed it on the nearby coffee table without even looking at it, as if afraid she might catch something.
"Would it be all right if we took a look at the room your son uses when he's here, ma'am?" I asked. "There might be something to help us find him – just so we can ask him a few questions."
"Would it be all right?" She pretended to consider it. "Well, I suppose so." The smile widened. "Just as soon as you show me your warrant, or court order, or whatever it's called. I have my doubts that any judge in the city would sign such an order – everyone but the police, apparently, knows what a fine young man Jamieson is. But in the event that you should obtain one, I'll have to have my attorney present, of course."
Three minutes later, we were being shown out by the housekeeper. Following Karl out the door, I started to say something when I heard Mrs. Moyle's voice behind me.
"Detective?" She held up a folded piece of paper. "I think you dropped this."
It didn't look like anything I'd had in my pockets, and I was about to say so when I noticed the intense way Mrs. Moyle was looking at me. "I'm getting careless," I said, stepping back to the doorway. "Thank you."
Mrs. Moyle didn't speak as she extended the hand holding the paper, but I saw her mouth form words that I'm pretty sure were "I never liked the little prick, anyway." Then she closed the door in my face.
I waited until we were well aMrsom the house before unfolding the slip of paper. In a careful cursive hand was written "157 Spruce St # 304."
We were working a double shift, so it was just twilight when we left the Longworth place. That used to be my favorite time of day, when I was younger. The light gets softer and the world seems to quiet down a little, if only for a few minutes. But now I look at it as nothing more than the calm before the storm, and the storm comes every night.
As we approached the car, I was scanning the street and noticed a lone figure standing on the sidewalk three or four houses down. I tensed, and said, "Karl." to let him know we might have trouble. It would be just like that prick Jamieson Longworth to set up an ambush outside his own house.
Then I heard a woman's voice singing, an achingly clear soprano that sounded familiar. I relaxed. Nothing to worry about – except for the people living in that house.
"It's okay, but give me a minute, will you?" I said to Karl, and walked toward the woman in the gathering gloom. I saw her watching me approach, but her voice never paused in its melody.
If she'd been silent, I might have missed her in the near-darkness. As always, this stunningly beautiful woman was dressed in black – dress, hose, and shoes, with a black knit shawl wrapped around her thin shoulders. Seeing the outfit, along with her pallor, you might mistake her for a Goth, or maybe a vamp wannabe. Until you heard her voice.
She wasn't singing very loud, although I knew she had the ability to rattle windows up and down the street, if she wanted to. We'd had a conversation about it some time back – that, and the screeching. She'd eventually agreed that, tradition notwithstanding, she could carry out her duty without freaking out the whole neighborhood.
I didn't understand the words of her song, although I assumed they were Old Gaelic – very, very old. The simple melody was sad enough to get you crying without even knowing why. It didn't affect me. I'd cried myself out a long time ago.
I knew better than to interrupt her, but after another minute or so, she let her song fade away into silence. That was only temporary; she'd stay here, singing softly, until what she was foretelling had come to pass inside the house.
It was another big, ritzy place, and the people inside probably lived a comfortable life. But no matter how much money you have, or how nice your house is – if you belong to one of several Irish families, sooner or later you'll get a visit from this lady, or one of her sisters.
"Hello, Siobaghn," I said quietly.
"Sergeant," she said with a nod. "Tis a surprise seein' ye about, it not even full dark yet."
"Putting in some overtime," I said with a shrug. A few seconds passed before I said, "Can I ask who…?" I nodded toward the house.
"The clan Kavanagh. The youngest son, Edward, is about to hang himself in his room, over a love affair gone wrong." Her voice wasn't cold, exactly, just matter-of-fact.
If he hadn't done it yet, maybe there was still time. But before I could start toward the house, Siobaghn laid a gentle hand on my arm.
"No, Stanley, no. Tis already too late – else I would not be here. Ye know as much."
She was right, of course. The banshee doesn't bring death – she just foreshadows it, and she's never wrong. There was nothing I could do.
Nobody knows for sure why the banshee manifests for some Irish families and not others, or why it's only the Irish. I doubt Siobaghn herself could tell you. She just does as she is bidden, and she's been doing it for centuries. p; I was about to say goodnight to Siobaghn when I heard Karl's voice shouting, "Stan! We got a ten double-zero! Come on!"
Ten double-zero is radio code for "officer down."
I was moving even before he'd finished, pulling the car keys from my pocket as I ran. Behind me, I heard Siobaghn take up her mournful song again.
A few seconds later, I was behind the wheel and reaching over to unlock the passenger door for Karl.
"Where?" I said as I started the engine.
"It's at 1484 Stanton."
I peeled away from the curb and hit the button that would get the siren going and start the headlights flashing red. We were halfway down the block before it occurred to me that the address Karl'd given sounded familiar, and we'd almost reached the first intersection when I realized why.
It was Rachel Proctor's house.
I wasn't surprised by the flashing red lights that greeted us as we drew within sight of 1484 Stanton Street. Ten Double-Zero doesn't just mean "Officer Down" – it also means every available unit within a one-mile radius is expected to haul ass to the scene at once. By the look of it, five or six black-and-white units had done that already.
Karl and I were just a block away when the radio sparked to life again: "All units, all units: be advised that the ten double-zero at 1484 Stanton has been revised to ten double-zero, Code Five. I say again, the call is now ten double-zero, Code Five."
Magic involved.
As if we'd been practicing for weeks, Karl and I said at exactly the same time, "Fuck!"
As we got closer, I saw two ambulances heading away from the scene. One was moving fast, lights flashing and siren screaming.
The other ambulance wasn't using its lights or siren, and was traveling at a normal speed. Whatever that one was carrying to the hospital, there was no hurry to get it there.
The ranking uniform on the scene was a sergeant named Milner. He looked so white, you could've mistaken him for a ghost, especially in the crazy light being thrown by all those squad cars. And this is a cop with fifteen years on the job, maybe more. He'd seen it all – or so you'd think.
Something else I noticed right off was the silence. Get a bunch of cops together, even at a crime scene, and they're gonna talk to each other – about the job, the wife, sports, who's screwing whose ex-girlfriend, something. But there were eight cops standing around here, and not one of them was saying a word. I could hear the radio calls coming through the lowered windows of their cruisers, but otherwise – nothing.
I had no intention of taking over command of the scene from Milner, even though I was pretty sure I had rank on him. A lieutenant was probably already on the way. Nobody had told me it was a case for Supernatural Crimes anyway, despite that Code Five on the radio.
We walked over to where Milner was standing, looking at nothing. I expected Karl to say "What do we got here?" But he was silent, too. Maybe he had picked up on the vibe, which was more like a wake than a crime scene.
Maybe that's what it really was.