123399.fb2 High Priestess - читать онлайн бесплатно полную версию книги . Страница 4

High Priestess - читать онлайн бесплатно полную версию книги . Страница 4

"That's right," said Remo, holding his finger steady because it would hold the Magnum steady.

The gunman squinted at Remo in the yellowish haze of a nearby streetlight.

"Yeah?" he asked curiously. "What is it? Crystal meth? Crank? Acid?"

"Sinanju," said Remo.

"That's a new one on me," the gunman muttered. "What kinda high do you get from it?"

"The ultimate high. It teaches you to breathe with your whole body, think with every part of your brain and not the ten percent most people use-in your case, two percent-and become at one with the universe."

"Sounds like acid," the gunman said in a disappointed voice. "You trippin' on acid, man? Acid ain't new."

"No," returned Remo. "But this is."

And holding the .357 Magnum steady with his right index finger, Remo used the stiff, steel-hard fingers of his right hand to spank the heavy cylinder out of the frame.

The cylinder flew a short distance and bounced off the Plexiglas door, scattering soft-nosed bullets on the walk.

The gunman's reflexes weren't bad. He was pulling the trigger at the first loud sound. He never saw Remo's hand or felt the cylinder jump off its sheared pins. He was reacting to the impact of the cylinder against the door, never realizing he was dropping the hammer on thin air.

The gun went click. The gunman blinked. Remo let a cool, insolent smile touch his thin lips. His dark eyes, set deep in his skull, grew grimly humorous.

The gunman kept pulling the trigger and getting noisy ineffectual clickings.

Removing his index finger, Remo brought the precision-machined weapon up and turned it sideways so that the gunman could see the square aperture where the cylinder had been. For an instant in eternity the gunman saw it for what it actually was-a crude contraption of steel.

Then it turned lethal again as Remo's hands drove the shiny barrel up and back into the gunman's surprised brain.

Remo left him jittering on the sidewalk, the maimed weapon sticking out of his shattered forehead, gun hand frozen on the grip as if he had lain down preparatory to putting a bullet in his own brain.

The next morning, when the police found him there, they would run a check on fingerprints found at the crime scene. When all was said and done, every set would be accounted for, and every possible suspect questioned and released. Except one set: Remo's. The police never found that set in any fingerprint file on record.

They had no way of knowing the file on Remo Williams had been pulled two decades ago. After he was pronounced dead.

As he walked home, whistling, Remo didn't think of himself as dead. He felt very much alive. The night wind was blowing the cool salt tang of the Atlantic Ocean inland. A sea gull perched on top of the street lamp, eyeing the ground for scraps.

As he walked, Remo thought that he was a long way from the orphanage of his earliest memories, from the jungles of Vetnam, where he had been a Marine, from the Ironbound section of Newark, New Jersey, where as Patrolman Remo Williams, he had tried to protect honest citizens from the kind of criminal scum who changed only their tactics, and from death row in Newark State Prison, where he had lived out his last days. He was home.

It had taken a year to come to think of Quincy, Massachusetts, as home. Not that it was a bad place to live. It was fine-a residential suburb of Boston with a nice beach busy with cormorants and sea gulls, sand you could sit on and calm blue water you could swim in when the fecal coliform bacteria count was safe. Usually twice a year.

It was convenient to Logan Airport when work called him to travel and handy to the Weymouth Naval Air Station when a national emergency required flying at taxpayers' expense. You could be on the Southeast Expressway within five minutes of starting the car-not that you ever really wanted to be in Boston traffic-and except for the odd convenience-store robbery and night burglary, it was pretty quiet.

No, the problem with getting used to Quincy, Massachusetts, was not in thinking of it as home, but in thinking of the house where Remo lived as home.

As he turned off Hancock Street and came within sight of the high school, Remo was reminded why he had had such trouble adjusting.

There it was, a warm golden brown in the light of the street lamps, tucked behind the high school. Once it had been a Congregational church. According to neighborhood legend, it had served as a Sikh temple after the church fathers had sold it. Then, at the height of the condo craze, a real estate developer had condoized it into its current state.

Technically it was still a condo. There were sixteen units, but only Remo and the man who taught him Sinanju, which was not a drug but a way of life, lived there. But it looked like some mad cross between a church and a Tudor castle.

It was ugly. The peaked roof had been built up to form a third floor with rows of closely spaced dormer windows. The outer walls were fieldstone and set with Tudor-style decorative panels high up in the eaves, and the concrete foundation had been painted beige. Here and there a few jewellike stained-glass windows remained.

Still, it was home. Remo was used to it now. The crenellated tower was like a lighthouse shedding an amber glow that called him home.

Yes, it was a long way from his past life, where he had been Patrolman Remo Williams, veteran, honest citizen and patsy. It had not been a great life. What child who couldn't remember his parents could say he had enjoyed a great life? But the nuns at St. Theresa's orphanage had raised him right, the Marine Corps had made him a man, and in police work he had found something he could believe in.

Until the detectives came to arrest him.

It was easy to fall into the trap of thinking a mistake had been made. Remo had been an honest cop. But his badge had been found next to the pusher's body lying in an alley on his beat. No cop would have gone to trial on such circumstantial evidence, but Remo Williams had. No cop would have been convicted. But Remo Williams was.

By the time he found himself on death row, Remo still hadn't stopped believing in the American justice system. But he had begun to wonder if he was being railroaded because he was honest.

He still wondered who among his higher-ups had hung him out to dry when the Capuchin monk came to deliver the last rights. The monk had slipped him a black pill and whispered instructions to bite down when they pulled the knife-blade switch that sent current to the electric chair. Then they took him to the death house of Newark State Prison.

He had bitten down on the black pill just as the first jolt ripped through his shaking body.

When he'd woken up, Remo had a new face, no last name and two options, neither one good. No higherup had framed Patrolman Remo Williams. His own government had set him up. His name had been on file ever since a one-handed spook of a CIA agent had noticed his cool, methodical ability to kill Vietcong snipers with a bolt-action Garand rifle. The file had been pulled, and as a result Remo Williams became a living dead man. Officially in his grave, file closed, end of freaking story.

But the grave, Remo was told, could be opened at any time and he could be dumped into it, his body cooked by electrocution, if he chose not to cooperate.

Remo chose to cooperate. And so became the sole enforcement arm for CURE, a supersecret government organization created in the early 1960s by a United States President who would not live to see the experiment he had launched come to fruition. Because in those dark days, the American flirtation with democracy was close to the breaking point. Organized crime was reaching high into the government. Laws designed to protect the lawful instead shielded the lawless from simple justice. The young, idealistic President faced two choices-suspend the Constitution and admit that democracy was a dead end, or set in place a secret agency to bridge the gap.

Thus CURE. Not an acronym, but a code name. It represented a remedy for America's social ills. And when CURE, working quietly behind the scenes, reached the point where its anonymous brand of justice was not enough, the director of CURE reached out and chose honest, patriotic but lethal Remo Williams to be the assassin sanctioned to destroy a struggling country's enemies, foreign and domestic. The Destroyer.

It had been so long ago that Remo had all but forgotten the early days when he had been retrained in weapons handling, exotic poisons and other deadly arts that became instantly obsolete once he was introduced to the elderly Korean who was the Master of Sinanju, a discipline that people who thought kung fu was something special would call a martial art.

If Sinanju was a martial art, it was the original martial art. The ultimate system of attack and defense. It was practiced by the greatest house of assassins in human history, taught to only one man in a generation and never taught to anyone who was not born in the obscure Korean fishing village of Sinanju-until the American government asked the last living Master of Sinanju to train a white man in the forbidden discipline. Remo Williams.

Now Remo would no sooner carry a gun than wear a gorilla for a hat. The sight of a firearm no longer triggered his survival instincts. And he walked the earth, one hundred fifty-five pounds of lean muscle and perfectly coordinated bone, the most remorseless and implacable killer since Tyrannosaurus rex.

It felt good. It always felt good. His blood surged through his circulatory system pure and untainted by chemicals or drugs, and his lungs processed oxygen with such efficiency that every cell in his body worked like a miniature furnace. Whatever the human body was capable of at its maximum potential, Remo could do on his off days. And more.

Across the night came a strange haunting sound. Aummm. . . .

It came again. "Aummm. . . . "

Then Remo saw the unfamiliar silhouette in the north window of the square tower.

He ran, shifting from an easy, efficient walk to a graceful run that looked slow but covered space like a ray of light.

He hit the front door and went up the stairs. Every sense was operating. He smelled death. And unfamiliar living bodies. Not Americans. No American had such a buttery smoky odor.

At the top of the stairs, his reflexes carried him over the scattered luggage without thinking, and he hit the door to the tower room.

In the center of the square room, squatting in a lotus position, sat an Asian in a saffron robe. His head was shaved close to his skull, and his face was as smooth as soaked tissue paper.

His mouth was parted and out came a mournful sound.