“You misunderstand,” I say. “The concert was just a diversion.”
The cat moves like a black-and-yellow flame. Its claws flash, and the wrong master’s head comes off. I whimper at the aroma of blood polluting the godsmell. The cat licks its lips. There is a crimson stain on its white shirt.
The zeppelin shakes, pseudomatter armor sparkling. The dark sky around the Marquis is full of fire-breathing beetles. We rush past the human statues in the ballroom and into the laboratory.
The cat does the dirty work, granting me a brief escape into virtual abstraction. I don’t know how the master did it, years ago, broke VecTech’s copy protection watermarks. I can’t do the same, no matter how much the Small Animal taught me. So I have to cheat, recover the marked parts from somewhere else.
The wrong master’s brain.
The part of me that was born on the Small Animal’s island takes over and fits the two patterns together, like pieces of a puzzle. They fit, and for a brief moment, the master’s voice is in my mind, for real this time.
The cat is waiting, already in its clawed battlesuit, and I don my own. The Marquis of Carabas is dying around us. To send the master on his way, we have to disengage the armor.
The cat meows faintly and hands me something red. An old plastic ball with toothmarks, smelling of the sun and the sea, with few grains of sand rattling inside.
“Thanks,” I say. The cat says nothing, just opens a door into the zeppelin’s skin. I whisper a command, and the master is underway in a neutrino stream, shooting up towards an island in a blue sea. Where the gods and big dogs live forever.
We dive through the door together, down into the light and flame.