The beach sands blew on the stone walk around the luxury high-rise building, collecting around bushes and posts and his bare ankles. Behind him, the sun rose red over the dark Atlantic. Miami Beach was quiet but for the distant scratching of rats in the garbage cans. He felt the salt sea air on his skin, moist and warm and fertile as the things of the sea. His lips tasted faintly of salt and white brick wall loomed up above him, straight up above him fifty stories into the last of the night sky.
It had been so easy for so long, and now he was doing it again. The first time, so many years before, he had started at the top and descended. But that was a test of fear, that was a test of controlling the one thing that stopped the body from moving at its optimum.
He touched his open palm to the brick and felt the mortar joints, concrete crumbling under his fingerpads. His body moved into the wall so that there was a true pressure against it, from his spine, from his breathing, from the human form that so rarely in all history was used to its full. His toes felt the moisture on the brick, and set themselves ever so precisely to balance his body against the wall with an even force. And then fingerpads against mortar, toes against brick, the body moved upward into the building, so that Remo could feel with his cheek the very vibrations of the foundation sunk into the supporting rock of Miami Beach.
The brick brushed the cheek, and the hands, as though swimming, pressed down against the wall as his toes pushed upward. And the trunk rose, smooth as a yawn, hands up and down, feet together, toes pushing down, hands up, toes down, hands down, toes up, faster and faster until the yawn became a rapid whisper up the walls. As he moved past windows and ceilings, as the brick went by and the roof came down to the rising figure, it was all the same again. Smooth again. Perfect again. As he had been told it would be.
If someone had been watching he would have seen a man swim up a wall. That was how it would have seemed. But the miraculous thing about it would have been that it would not have seemed miraculous at all, because the way this man moved his body was in unity with all living things. Someone seeing it would have seen the most natural thing in the world.
"Not jerky," came the high-pitched voice from the roof. Remo topped like a diver at the apex of his jump, and landed on the roof. He was thin but with thick wrists. He had dark eyes and high cheekbones and thin lips. He wore dark slacks and a dark shirt.
"Maybe," he said, "I am feeling at one with myself again."
"That is not the one to be at one with, yourself. I am the one to be at one with. That's why you got into trouble. That's why we are relearning. What will happen when I am not here anymore?"
"I'll probably have a moment's peace, little father," said Remo.
"Death is the most relaxing experience of all," came the squeaky voice from the shadows. The breeze on the roof rustled the dark robes of the old man who had just spoken. The wisps of hair around his ears floated like pennants, but the body was centered with more firmness than the very foundation of the building. He raised a single finger, its nail like a curving quill, long and smooth. "Death," said Chiun, "is the easiest thing of all."
"Well then, little father," Remo said. "It's my death."
"No," said Chiun. "Not anymore. You do not have a right to die, any more than I did before I found a Master to take my place, a Master of Sinanju."
Remo did not answer. He knew the old man was right. He had endangered himself by exposing his highly sensitive nervous system to radioactive materials. Normally he would have noticed, sensed it. But Remo had been desensitized by anger. Chiun had declared that the substance was cursed, and Remo did not believe in curses, especially not the curses recorded in the histories of the House of Sinanju. Therefore he did not listen to his body, which would have warned him about the radioactivity. After he had been weakened by it, he could sense it even less.
Chiun had nursed him back to health, but had never let him forget that the histories of Sinanju would have saved him. Remo's problems with the histories of Sinanju began with Chiun, because he read what Chiun wrote, and he knew the reports were highly shaded. For one, Chiun avoided mentioning that he had trained not only the first nonresident of the village of Sinanju, but also the first non-Korean to be a Master, and the first non-Oriental to boot. A white man.
To read a current history of Chiun and the new world, America, "A happy but nervous people, quick to anger and even quicker to do nothing about it," one could imagine that Remo could be a Korean. There were many references to Remo feeling an attachment to the waters of the West Korean Bay, when actually Remo had been to Sinanju only once, and then for a fight. Almost every time Chiun mentioned Remo he stressed how different his high cheekbones were from those of the normal white.
And the fact that Remo was an orphan meant to Chiun that he could not definitely say his mother or father wasn't Korean.
"I can and I do. I'm white," Remo had repeated. So Chiun had taught Remo everything, but not how to make an entry into the histories of Sinanju. And Remo still did not believe the histories of Sinanju, even though as he relearned the wall ascent Chiun commented:
"The great Wang perfected that. We owe all ascents to the great Wang. If I were not here, you could have read the histories and known how to do it again."
"If you were not here, little father, I probably would never read the histories of Sinanju. I don't read them now, come to think of it."
"You must again," said Chiun.
There was a banging on the door to the roof of the Miami high-rise.
"You out there, how did you get up there?"
Remo went to the door where the voice was coming from. It was locked. He enfolded the handle lightly in his palm and then, making sure the lock was tight against the handle, snapped it up. Metal parts flew like shrapnel and the door opened slowly.
A security guard stepped up onto the roof.
"Breaking and entering," he said, noticing the lock was no longer on the door.
"I only broke it to let you out here," said Remo.
"Then how did you get up?"
"You wouldn't understand," said Remo.
"Notice his low cheekbones," said Chiun to the guard. "That is a common ordinary white. Of course he wouldn't understand."
"Who are you jokers calling common?" said the security guard.
"He doesn't mean what you think he means," said Remo.
"Low cheekbones. Look at yours, buddy. You look like the old man, like a gook."
The guard stood ready for a fight. He had his hand on a billy club. He weighed as much as Remo and Chiun put together. He was sure one blow would do it.
When the old one moved toward him, he raised his club, prepared to bring down all its force right into the flowing robes of the old Oriental. His arm was coming down when he felt something against his cheek. Two lips. Then he heard a smack. The Oriental had given him a kiss on his cheek as he was trying to hit him. And then, more smoothly than the guard's eyes could believe, the Oriental was behind him.
"A Western custom of thanks," said Chiun, explaining the kiss, the first kiss he had ever given, much less to a white. In Sinanju there were tendernesses, but never delivered in this Western form. But the joy in Chiun's heart had demanded that he offer thanksgiving to the big white man in the guard's uniform of blue and the square badge of silver.
The guard somehow had missed the old man, but he wasn't going to miss the younger one. He swung the club at his midsection, swung it with the anger of a man who had tried to kill and been dismissed by a kiss on the cheek. Remo caught the billy club in his palm and pushed it back like a turnstile.
He had to catch up to Chiun. While the counterforce meant little to one whose every cell moved in unison, to the guard it was like swinging his body into an oncoming truck. The jolt of his body moving into Remo's shattered his pelvis, separated spinal disks, shredded the cartilege at the shoulders, and took a good half-hour out of his life as he waited unconscious on the roof.
Remo, on the other hand, did not miss a pace. He followed Chiun.
"That guard didn't see that well at night," said Remo.
"He was white. He saw as whites see."
"You yourself said whites have funny eyes, that they can't see well because round things never focus as sharply as pointed ones."
"His could see well enough," said Chiun. He was picking up speed. Remo followed. Down one flight after another to the tenth floor with the kimono whipping behind him, Chiun moved, faster than an elevator, faster than a sprinter on a dead run, but never without grace and flow in his movement. Into their temporary apartment he moved, right to the ink and scroll he moved, and then upon the rugged floor of this Miami condominium did Chiun, Master of Sinanju, write what he had beheld this very evening, even as Remo complained.
"Lo these many years, the Master of Sinanju had toiled with the new Master, Remo, as was his name, in the adopted country where Chiun had found him. And hence, he noticed the difference in him from his white surroundings," inscribed Chiun. Even with his awesome speed, each Korean character was perfect, aligned with greater accuracy than if on a grid. This dawn the Master was inspired. This dawn he wrote with joy.
"And lo, one night a simple white stationed to guard the environs of one of their minor castles for the common man, did set eyes upon Chiun and his pupil, Remo. And in that peculiar red light of the morning that allows round eyes to focus better than normal, he saw what Chiun had seen so many years ago. He saw it in the cheekbones and in the eyes. And what he saw was resemblance.
"Even the most common white could not miss the absolute Koreanness of Remo, humble though the white was. And he bespoke this fact to Chiun.
"This, then, raises the one question that had long haunted Chiun, discoverer of America, the nation (not the continent which was discovered in the first realm of the Maya by Master Can Wi). Which Korean had been ancestor to Remo?
"Was it the lost Master? Had he secreted his seed in the new nation so that later, Chiun might harvest? To which Sinanju parent could Remo trace his unknown ancestry?
Chiun had curved himself over to the paper as a flower bent above a white parchment pond. Now he straightened, and with satisfaction he handed the brush quill to Remo.
"You cannot say that this is not the truth. Write now your first sentences of the history."