They say every story has three sides. Two are the sides of the people fighting or loving each other, and the third side is the truth. The third voice is the one people hate more than anything because it shows the lies in the first two sides, and most people have already picked their favorite of the first two—the one they want to believe, and they hate hearing that they were wrong—they despise hearing anything different than what they want to be true.
The third point of view puts an end to the discussion—the fight they’ve been enjoying over and over again—whether the hero will live, whether the good guy gets the girl, or what suitor the fickle heroine will choose. The third voice ends it all—no more imagining how things will turn out, no more arguing with other fans about how it should all end, no more teams rooting for their chosen character to be the winner.
The third p.o.v. declares a clear victor, making all their cleverly-worded phrases and insults at the other side worthless and outdated. Even the wittiest snarky comment attacking the winner is worthless because, if it held any truth, the winner would not have won. If someone says something will happen and it doesn’t, that someone is wrong. Period. No amount of nasty criticisms will ever change that. All of their claims at coolness and all of their weapons against their opposition are made obsolete.
My name is Edgar. I am the outside point of view, and there’s no shortage of people I’ve made hate me.
Pulled into this by Roderick. His angry voice waking me this morning from the deep sleep at the end of a rowdy night. My bloodshot eyes were angry as they opened to see his furious face peering down on me, but I knew I had to obey.
Was impossible to look past him to the yellow, smoke-stained, sagging motel ceiling. Hard to look past him at anything else. His form demands attention.
Roderick’s presence is a magnetic darkness. No matter where he goes, eyes follow, imaginations race to keep up, and courage flees the viewer’s chest.
If I summoned the sun amazingly close to the earth, right at the edge of the horizon—a giant fireball singeing and melting all that we hold dear, and if I placed Roderick in front of it, his shadow would be all you’d notice. Were he standing between the jaws of a monstrous shark the size of a shopping center—tearing through the water toward you at terrifying speed, you’d look past the raw pink gums, razor-like triangular teeth, and emotionless black eyes to the man standing in the ghastly mouth staring into you as if he knows all of your secrets and all the good things you wish you could do while he smirks at how little he cares about any of it or about what he is going to do to you.
I hate Roderick like the addict hates his dealer. Just as dependent on the decadence he brings me. My body aches, waiting for the terrible hit to fill the hole inside of me, feeling as though I’ll die the worst, sweaty, shaky death ever experienced—until I see his unholy form with my relief.
He’ll supply the hit I need. For a moment I’ll feel euphoric, but at the peak of the relief I’ll turn sour, knowing the next urge will be all the stronger, knowing with every fix that I’m sliding deeper from the light of freedom, feeding the withdrawal that grows wider as it devours me more every day. Every time I quench the need, it only makes the next need stronger—demanding more juice to fill it.
I hate the narrowing light of hope for reminding me that I could climb out, I hate Roderick for giving me the poison that I begged him for, and I hate myself for not thinking I’m worth the fight to quit.
I’ve done terrible things to fill a terrible need. Time and again.
I don’t know what Simon’s done to bring on the wrath of Roderick, but I’ll bring Roderick what he wants, even if it means I’ll do terrible things to Simon.
The girl needs to be taken alive. Simon can be dragged back either way.