Miss Temple ignored him, suppressing the burn in her throat.
“And where is Colonel Aspiche?” she croaked.
Fochtmann frowned at the interruption.
“Where is Robert Vandaariff?” he demanded.
“Where is Mrs. Marchmoor?”
“Where did he take all the machinery?”
“Where is Mrs. Marchmoor?”
“No, you must answer me! Where is Robert Vandaariff? Why does he want this particular tool? Why did he send you?” He slammed both fists onto the table, his long arms like the forelegs of a powerful horse. “You cannot brave me unless you are prepared to brave Mrs. Marchmoor! However… if you cooperate with me now…”
Miss Temple shivered to recall the glass woman hammering her mind.
“You have no choice,” he said, gently as a farmer easing a lamb onto the block.
“It's because you can see, isn't it?” she said. “You understand what this glass can do, perhaps now more than any man alive… they have employed you like a coachman, but they do not comprehend that you will gain an advantage over them all… over her, over the world.”
Fochtmann smiled tightly, immensely pleased with her description.
“What will you do with me?” Miss Temple asked.
“That depends. You must do what I say.”
“Must I?”
He chuckled. Miss Temple leaned across the table, as if to share a final secret, daring him to hear it. Despite himself, Fochtmann leaned down to meet her. Her voice was a whisper.
“You were given a chance.”
She swung the case with all her strength, for it was well made, with sharp metal corners—one of which caught Mr. Fochtmann's shining forehead like the spike of a chisel. He reeled with a cry, one hand to the wound, blood already pouring through his fingers and across the Comte's papers.
“O! O damn you to hell! Help! Help me—help!”
Instead of running to the door, which had been her first impulse, Miss Temple instead went directly at the weaving, keening man. He saw her coming and croaked his defiance, waving a spattered palm to ward her off, but she swung the case again, with both hands, hard, cracking it straight into his right kneecap. Fochtmann toppled with a squawk at her feet. Miss Temple felt the sickening black presence in the back of her throat. She brought the case down once more on Mr. Fochtmann's head and stopped his movements altogether.
HE WAS still alive, for the bellows of his chest beat like the wet wings of a newborn insect. Miss Temple seriously considered cutting his throat with the knife in her boot—inflamed without even noticing by seven different memories of that very action, nose thick with the remembered smell, hands twitching at how hot the spray—but instead she sensibly crossed to the door and locked it. She returned to the prone man—curious at how out of their element a tall person seems when on the ground, like fish on a tar-baked dock. Ignoring the dark coagulated smears above his face, she stepped to his topcoat, hung on a chair: cigars, matches, a scented handkerchief, a brass case of visiting cards printed with swirling script on a pale green bond paper (Marcus Fochtmann, Theoretical Engineer, 19 Swedter Street).
The outer pocket contained something heavy and clinking, and Miss Temple extracted a canvas pouch, sewn shut, like a bag of grape-shot for a tiny cannon. She sensed a glimmer of nauseating memory and forced it away—any more and she would vomit. What did every detail matter—no doubt the bag held machine parts—and she shoved it angrily back into his coat.
The final pocket was custom-made, for it was long and perfectly suited for what it in fact held, a rolled piece of stiff vellum. Miss Temple hesitated, but could not prevent herself from unrolling the paper. The sheet held an elegant sketch by the Comte d'Orkancz of a slotted brass pedestal, trailing thick metal tubes and black hoses. At the sight of the sketch a black acrid surge brought Miss Temple to her knees, gagging, but the harsh strain on her throat was subsumed by a wave of perception as to the pedestal's function. The slot held a glass book. The tubes and hoses were attached to a person, laid out upon a table—the machine serving to connect the glass book to that person's mind. Depending on how one set the seven brass knobs, alchemic energy could flow in either direction. If the energy was directed toward the book, the person's mind was drained and the book inscribed with their memories. If the energy was directed toward the person, the book's contents were imprinted on the person's mind, obliterating their own memory—and possibly, if one chose to use the word, their soul.
Miss Temple gasped as if she had been submerged in water and with desperate fury ripped the vellum drawing in half and then half again, pulling the pieces to ragged bits. Her mind swam with black loathing, and when her eyes found Fochtmann laid out next to her, his eyelids fluttering, she was at once caught between the futility of any action and the sharp urge to end his life. The knife lay in her boot. Fochtmann's right hand feebly groped the carpet. He was an enemy. If one saw the world with open eyes, was it anything but cowardice to halt half-way? Chang would not have scrupled to kill him. The Contessa would have slain the man without a qualm. Miss Temple wanted to believe her rage was her own, but as she swayed on her feet she knew it had been contaminated every bit as much as her desire.
With a tremor of fear she tried to remember some moment of her own—some instant she could claim—but found only a new swirl of visions, like the flutters of a dovecote, set loose inside her head. She squeezed her thighs together and sucked hard on her lower lip, appalled at the sudden rush of sweetness in her loins, and groaned (… smooth cool marble against her bare buttocks, her fingers, heavy with ecclesiastical signets, forced into a grunting man's mouth…), willing her thoughts to something else—to someone else—but it seemed as if every bit of care and affection in her heart had been translated to mere hunger, the impulse of animals, a callous cycle of need and dissipation, of emptiness and death at the end of everything, woven into each moment, inevitable and cruel. She remembered Chang's hand on her body and gagged, steeped in the horrid futility of each morsel of longing.
MISS TEMPLE wiped her eyes on a sleeve, wishing herself back to a time when everything had always seemed so clear. But how long ago was that? Before leaving her island? Before Roger's letter ended their engagement? Before the glass book? Miss Temple was not one to care about causes, or about cares in the first place—it was a simpler life without them—but she could not bear being so subject to forces she insisted on seeing as external, as unthinkable plagues. A larger thought hung within her reach—the differences between one death and another, or between her killing of Roger and the hanging of a renegade by her father's overseer… her benefit from each, her participation in each. More examples flared from the Contessa's book, murders and executions and desperate struggle, those collected lives rising to mirror a secret history she could not deny—how violence, rather than gold, was the true currency of her world, and how in such a world, to her sharp shame, she remained a very wealthy girl indeed.
But Miss Temple appreciated shame no more than criticism, and shoved this unwelcome conclusion away as if it were a malingering servant in her path. On her way to the door she paused to wipe the edges of Lydia's case on the carpet. The last thing she needed was to stain her dress.
MISS TEMPLE realized she had not properly understood the glass woman. Fochtmann must have been sought out some time ago, perhaps as soon as the airship had been aloft. Even if only in the interest of survival, Mrs. Marchmoor was casting a wider net—hiring her own expert on the glass, hunting down Charlotte Trapping, ransacking the minds around her for diplomatic advantages. But the Duke's usefulness was only a matter of time, and the glass woman would need another mouthpiece.
At once Miss Temple saw the glass woman's plan, and the reason she had come to Harschmort: to implant the contents of the book— the Comte's memories and sensibility—into the vacant mind of Robert Vandaariff. With both the Comte's knowledge and Vandaariff's vast fortune at her call, what need she fear from any survivor of the Cabal— what from any quarter anywhere?
Yet this book was now Miss Temple's. And the Comte's machinery— whose now was that? And where was Robert Vandaariff? Every element of the glass woman's plan had gone wrong. Miss Temple's torment of minutes before was shoved aside by her own ably working mind—these plagues would prove as tractable as any other apparently devastating tragedy. Did the loss of a mother or a father's violence dog her every step as a woman? Of course not—she scarcely recalled either to mind at all.
Her intention had been to climb through a window and hike across the fens to the train. Yet as she sought the proper ground-floor room, Miss Temple was aware of another possibility, like the echo of her boots against the marble. If Harschmort was riddled with her foes, they were now scattered and beset: Fochtmann bloodied, Rawsbarthe debased, Mrs. Marchmoor perhaps quite literally broken… she asked herself what Chang would do in the same circumstances and knew he would hunt down whoever had offended him. Miss Temple turned to the more rational Doctor Svenson, and immediately remembered the sad face of young Francesca Trapping. If he were here, the Doctor would no more leave Harschmort now than take the child's life himself.
She allowed herself a sneer at the Doctor's tractability, just on the off chance such sneering might convince her that she could in fact walk on, but it did not, and so Miss Temple stopped, besieged all the more by her own meanness of spirit. There really was nothing wrong with simply saving herself. Indeed, she was certain the Doctor and Chang would both advise this exact course of action for her, while never once considering it for themselves. This realization settled the matter at once.
SHE REACHED an odd hallway lined with marble heads (Romans—a doomed cruelty marked the faces, like animals still ferocious in a cage) and she stopped. On the floor lay a jumble of clothing and broken glass—shattered champagne flutes by what remained of the stems. The wine was dried but was still tacky beneath her boots. Miss Temple stepped over the mess, but as she went she found more debris—spilled food that had been stepped on, broken masks from the final night's ball, female undergarments—the corridor looking as if it had not been visited once by a servant in the whole intervening week. Finally she reached a set of double doors left ajar, and heard running water, the murmur of voices—and strangest of all, the plink of an out-of-tune piano.
She entered an entirely lovely atrium, with a glass ceiling and a stone fountain set into the floor, the whole surrounded by tall potted trees. The piano sat beneath the wide, splitting leaves of a banana plant and the man slumped against it—thick-waisted, in his shirtsleeves and stocking feet, a gold-leather mask pulled down around his neck—did not play, but picked at the keyboard with one index finger, like a sated chicken amongst scattered seed. The atrium held at least twenty more people, lolling on chairs and benches or on the tile— men and women kissing each other quite openly, others fast asleep, half-dressed, the floor more littered than the hallway, with bottles and plates and rotting food. Every third person still wore a mask. All had once been arrayed in the finest evening attire, now rumpled or discarded—even exchanged, for more than one woman wore a topcoat or evening jacket, and at least one man—the opened bodice strange against the hair on his chest—a lady's gown. This was the last band of the Cabal's adherents, confounded by appetite and the excess that Harschmort could supply. Miss Temple studied the still bodies she first assumed were asleep and wondered how many might be dead.
Her foot kicked a toppled wineglass. The man at the piano stopped, turning to her. Others looked up from their absorptions, and soon they were all staring.
“Who is it?” one fellow whispered to a bearded, shirtless man crouched at his feet.
“Have they come back?” called an older woman, her petticoats pulled up above vein-mottled thighs. “Is it time?”
“You don't have a mask,” a young woman chided Miss Temple. Another next to her poured brandy into teacups. Both their chins were matted with dried slime. “Everyone has been instructed to wear masks.”
“I have just arrived,” replied Miss Temple. “I am looking for three children.”
The young woman with the brandy bottle began to snigger. Miss Temple kept on, stepping around groping couples—in one case groping men—and felt the rising flush in her limbs. She reached the fountain—happy to find nothing worse than a sunken pair of shoes in the water. They all continued to stare at her.
“There has been a fire,” she told them. “Lord Vandaariff is gone.”
The woman with the bottle sniggered again.
“The soldiers are coming,” Miss Temple said. “You should be ready—all of you.”
But with the exception of the man at the piano, the tattered adherents had gone back to their dissipation. Miss Temple met the man's gaze, and then he too resumed his distended, internal melody.
IF TACKHAM had been taking the children to the main floor and Mrs. Marchmoor's hand had been mended in the kitchens, then that meant her enemies were gathered in the center part of the house. Miss Temple had just decided to cross the next hallway and try what doors she could, for the people behind her—like animals in a human zoo— made her shiver, when something caught her eye. At first she was frightened to turn, fearing it was another assignation that would bring her to her knees, but it was only a dark mark on the wall, a broken vertical line that indicated a hidden door. She could not stop herself, even if she assumed it to be full of more revelers. Miss Temple went to the door and opened it wide.
The room was very small, sized for a servant, with a daybed, standing cabinet, writing desk, and several lamps with brightly colored shades. The door from the atrium lacked a knob, opening instead by the pressing of a button—from the outside posing as merely another wall panel. Miss Temple laughed aloud, for the purpose of such a hidden bedchamber directly off such a romantic space as the garden conservatory was suddenly obvious. The bedcovers had been remade but not cleanly, and the writing desk lay cluttered with items more redolent of assignation than correspondence—ointments, a hairbrush, wineglasses, one of which was smeared with lipstick. Indulging her naughtiness this much, Miss Temple crossed to the bed and sat on it, bouncing to test the firmness. Flushing at the memories this action kicked up, she quickly stood again, grinning despite an uncomfortably growing itch.
Before her on the green blotter was a letter in the unmistakable hand of Roger Bascombe. It was addressed to Mrs. Caroline Stearne.
THE LETTER itself, read with a studied revulsion, as if she were peeling up a bandage to peek at her own half-healed wound, contained no particular point of interest, simply informing Mrs. Stearne—at no point did the familiar, Ministry-schooled tone of Roger's prose presume to “Caroline”—of the arrangements for Lydia's gala engagement party: that she would be collected by coach at the St. Royale Hotel, taken to Stropping—Roger himself would see her on the train—and from there to Harschmort, where she would be met by the Contessa di Lacquer-Sforza. He instructed her as to dress, and closed with a simple congratulations on her imminent embrace of the Process. Miss Temple read it again and set the paper onto the blotter so as not to notice her own shaking hands. Her eyes fell onto the rumpled bed, mocked by the book within her, knowing that upon it Roger and Caroline must have surely acted those visions out in flesh.
That the letter contained no evidence of affection meant nothing. Roger would not have crossed the street to bid good day to his mother if it meant appearing less than properly poised. And yet… She read the note a third time, and noted with a sour curdle in her stomach the appearance of certain words. Roger loved words very much, and took care to polish a handful of favorites, the pleasure they gave him attaching to the object of his affection, and here they were. She could imagine his tender smile at the writing of each one: “piquant”… “exactitude”… “tulle” …