A tiana waits in the dark, willing Ishkyna to hurry. Her awareness is drawn outward until it encompass the Shattering, where her body-along with Ishkyna and Ushai-lies in an ancient and abandoned stone pool. Other than the streltsi who guard the building, there are very few Baressans brave enough to live in the Shattering, but even they stay along the edges, afraid to step too far into the cursed lands.
Atiana’s awareness expands even further, until she’s pulled toward the straits. It is difficult to remain near the Shattering, but it is important that she do so to guide Ishkyna and prevent her from losing herself, and so it is with a growing sense of unease over the strength of the swirling aether around the straits that she strengthens her footing until she can remain close. About Ushai she is not as worried; while she is young in her craft, she has managed the dark here in Baressa before.
At last Ishkyna’s presence comes to her, tentative and scared. It is so unlike her sister that Atiana nearly loses control. That one moment of weakness is all it takes. The weight of the city presses in, and it is all she can do to control it. As she restores her tentative balance, her senses become more attuned, and she realizes there is one place in particular that presses her the most.
The tower.
Sariya’s tower.
The fear within her grows, and her balance is once again thrown off. Like a hulled ship taking on water, she begins to list, leaving her vulnerable to the growing strength of the waves.
Soon the tower is the one thing she can focus on. The only thing. She is being drawn toward it. This is Sariya’s doing-a trap set for the unwise, the unskilled in the dark-and yet knowing this does her no good. She is powerless to prevent it.
But then she feels Ishkyna’s touch, feels her guiding hand. She feels Ushai’s as well. Even though she cannot pull her attention away from the pure white of the tower against the blackened landscape of the aether, her awareness begins to expand.
Like a drowning woman, she clings to the lessons of her mother. She strengthens her bonds with the other two. Together-especially as close as they are to one another in the physical world-they are able to do so quickly. She can already tell that Ushai is unskilled in this, but not so unskilled as Atiana might have guessed. She has come far.
This is… difficult, she hears Ishkyna say.
Atiana expected a biting response from her, an admonishment over her lack of control, but instead here is Ishkyna, humbled.
You become used to it, but the influence of the straits is stronger today, so take care.
I can feel the tower even now, Ishkyna says.
Da. She is there, waiting for us.
The fear within Ishkyna and Ushai grows. Atiana can feel it like a glowing brand moving closer to her skin.
Do not worry, Atiana says. We are prepared.
Before they begin, Atiana reaches out to the south, toward Vostroma. She feels the other Matri there, waiting. She does little more than this. It is understood that they will approach Galahesh en masse at this signal.
Atiana waits, holding tight to Ishkyna and Ushai for the time being, until she feels the attention of the tower shift. The pressure on her fades, and she knows that Sariya has taken the bait.
We go, Atiana says.
They move as one toward the tower.
It is a beacon that stands upon the Mount, staring down over the city below. The emotions of so many people-more than Atiana has ever experienced at once-come to her. They assail her, and again it is Ishkyna more than Ushai that provides shelter against this unexpected storm.
What’s wrong? Ishkyna asks.
I don’t know, Atiana replies.
Ushai and Ishkyna have ceded control to her. There is no other choice-they aren’t strong enough to lead-but her inability to master the aether, even knowing how turbulent the straits are, scares her. This day of all days she cannot allow her mind to betray her.
Beyond the tower, the ceremony at the bridge is about to begin. There are wooden cranes and scaffolding at the gap, which is now only several yards wide. Four keystones swing beneath the armature of the cranes, awaiting the masons who stand stoically nearby to lower them into place. A pavilion stands on the southern side of the gap, its canvas walls blowing in the gusting wind. A gathering of thirty nobles stand within it, waiting as Bahett delivers to them a speech.
Atiana feels Ishkyna tug upon her. Come, sister. It is time.
The tower is difficult to approach. Rather than shy away from it, however, Atiana opens herself to it. If it wishes to shed light, she will let it. She allows it to fall upon her, allows it to fall upon the others as well, and when she does, she finds it bearable.
She approaches the tower wall, and though there is part of her that pleads for caution, she ignores it. She is done listening to her fears.
The structure of the tower is echoed here in the aether, but she realizes that it is also echoed beyond the veil, in the world of Adhiya. Never has she seen such a thing, and she wonders how Sariya could have created it.
She is born of a different age, Ishkyna says.
And wise beyond our reckoning, Ushai echoes.
This is something she must remember if she is to continue.
As she passes through the wall, she knows she is doing something that cannot be undone; she has taken a step into a world of Sariya’s making. Sariya herself is here. She sleeps in a bed at the top of the tower. She is alone-unguarded-which gives Atiana pause.
Atiana moves to the bedside. Looking upon Sariya is unsettling. She has looked upon Matri as they tread the dark, but this is strangely different. The Matri are her sisters. Even Ushai-though Aramahn-follows the ways of the Matri that have been passed down from generation to generation. Sariya is something else entirely. She is a woman who has lived to see centuries pass. She was trapped on Ghayavand for most of those years and knows little of the world as it is today. She knows more of the old world, the world she left behind-that and the never-ending nightmare of her time while trapped on Ghayavand.
The strikingly beautiful woman lying on the bed seems foreign. Not at all like Mother, or Mileva, or Saphia. She is more like a wasp-venomous and filled with ill intent.
It is then that Atiana realizes Ishkyna and Ushai are no longer with her. She immediately expands her awareness, searching for them, the terror of the early moments of the aether returning to her.
She cannot allow this. This is but the first of the traps Sariya has laid for her. The worst thing she can do is to give in to her own fears. And yet already she can sense nothing outside the tower. She can feel neither the Matri nor the straits. She cannot feel the city, the bridge. She cannot feel Father.
She can feel Sariya, however. Her mind is focused to the northeast, toward Ghayavand. Within that room in the tower, Atiana moves to the window facing north. It looks out over a wide sea.
Atiana touches the glass.
And it is bitterly cold.
She turns.
And the world around her has taken shape. The walls of stone are gray. The sky outside is blue. The blanket upon the bed is a rich brown.
She knows she’s been taken by Sariya-taken by her tower-and she has no idea how to return. This creates a sudden need to leave this place. She feels it in her throat, a tightening that takes hold and threatens to cut off her air. She swallows and runs down the spiraling stairs. She picks up her pace, faster and faster until she’s flying down them to the lowest floor where a thick, ironbound door bars her passage to the outside.
She pulls the handle, but the door refuses to yield. She tries again and again, jerking at the handle, and all the while, welling up inside her is a fear that she will fall to the cold stone floor and never wake up.
She tries once more, not yanking, but pulling with all her might, and at last the door groans open and she is out into the cold, fresh air.
She sprints away from the tower, her feet thumping through the thick cover of snow. She does not stop, but continues into the nearby woods until at last the tower is lost from view. Only then does she pull up, gasping for breath, steadying herself against the rough bark of an ancient larch.
The forest-now that she’s able to consider it-stands serene. The wind blows, cold and biting, and yet she herself is not cold. The trunks of the trees sway, they creak. The sound is sharp and confusing, as if there is some infernal purpose behind it.
She heads northeast. She knows not why.
The way is slow, even beneath the trees, for the snow is thick. She tires as she trudges her way down a gentle slope, but then she hears voices, and she slows.
She recognizes one-Arvaneh, Sariya, who knows how many other names she might possess? And the other? A man’s voice, rich and light with the cadence of the Aramahn. There is something familiar about his voice, but she cannot place it.
She approaches carefully.
The forest opens up into a clearing, and within it stands a white monolith. The top of it stands tall over the tops of the ancient trees.
Sariya, her golden hair flowing softly in the breeze, stands near its base. As does a young man.
Atiana jerks as she recognizes him at last.
Nasim.
But what can he be doing here?
As Sariya and Nasim stare up at the monolith, Atiana feels the power emanating from within it. She feels it in her heart, in her gut. She feels it at the back of her throat. But it is not the power of Sariya. Nyet, this is something different, something foreign to this place. It is strong and ancient as the bones of the earth.
“There are those on Ghayavand who need me,” Nasim is saying.
“Ashan,” Sariya replies.
“Among others.”
“You may think him a bright star, Khamal, but had he been alive when we were at our height, he would have shined no brighter than a wisp.”
Nasim’s face turns angry. “I am not Khamal, and you may all have been bright-you may be bright still-but look where things have come from such brightness.”
“We can return to our greatness, Khamal. But if you feel that the path lies through Ghayavand”-she motions up to the monolith-“then so be it.”
And with that Sariya turns and leaves. Atiana hides behind the trunk of the tree, waiting until Sariya is gone. Atiana worries that she is allowing Sariya to gain access to her tower once more, but she cannot leave. Not yet.
Nasim watches Sariya go. Only after her form is lost through the trees does he consider the monolith once more. He reaches a hand up and places it against the white surface of the stone, and when he does, she feels the response from within. The power there knows him. It wants Nasim to find it.
But there is something else. A noose is closing around this place. She can feel it.
Nasim, Atiana calls out. Nasim, you cannot do this.
Nasim stops, looks through the forest, wondering where her voice is coming from.
But she cannot reveal herself. If she does, Sariya will know.
She knows what you’re doing, Atiana tells him. She’s allowing it.
He ignores her. When he reaches out to touch the monolith again, it begins to powder, white dust falling and blowing with the wind like the finest of snowfalls.
The wind blusters through the forest.
The stone crumbles, more and more of it sloughing away as the tops of the trees dance with the wind.
Nasim, run!
He does, and Atiana is ready to as well, but the scene before her gives her pause. The white dust of the monolith swirls like a dervish at the center of the clearing. She can feel its unfettered power, and it is terrible.
What in the name of the ancients has Nasim unleashed? And what might happen were Sariya to get her hands on it?
Atiana readies herself. She prepares to sprint forward to see what might be waiting when the swirling dies away, but the wind does not die away. The sand is drawn up. It spins and twists, and where it touches the trees, they spark. They smoke. They burn.
Some of it strikes Atiana’s skin, and like hot ash it scorches her. She staggers away, but the forest above her is now ablaze. She wants to follow Nasim, but already this place is beginning to falter. She cannot follow him, not if she wishes to live.
She heads back toward the tower.
And stops.
For in her hand is a stone. It is unlike anything she’s ever seen before. It is blue-the blue of the ocean shallows-and striated with bronze and copper and nickel. It is beautiful and heavy and deep. Holding it is like holding a piece of the world in her hands.
The fire is spreading. It has moved beyond her along the tops of the trees, and the wind now carries the smoke down to her. It chokes her, makes her eyes water.
She runs, but she is weak, and soon she begins to stumble and fall, coughing until her chest burns and her throat is raw. She can breathe better here, but she is so weak she can hardly move. The stone sustains her, however. She can feel it, lending her its strength. There is more hidden beneath its surface-much more-but she has no idea how to unleash it.
This is enough for now, she decides.
At last the winds shift. The thick haze of smoke is pulled away, and she sees standing just beyond the trees the tower she left to enter the forest.
As she watches, a crack forms near its foundation. It runs up the tower’s length, the stone shattering as it goes. Other cracks form. And widen. Stones along the topmost edge break and fall away.
With the stone lending her its strength, she stands-still coughing, still unable to catch her breath-and shambles forward, knowing she must get inside before the tower crumbles completely.
Larger pieces of stone, and even sections of the tower’s wall, fall away, striking the ground before her. Scree bites into her skin, drawing blood along her arms, her forehead, her cheeks. A larger piece cuts into her shoulder and knocks her down. She gets up, realizing she has lost the blue stone.
She looks for it frantically, feeling faint and afraid, until she sees a glimpse of it beneath a heavy stone.
She pushes it, but it is too heavy, and she cannot move it.
Nyet! she screams.
She gathers herself and tries again. And slowly the stone tips.
As the sound of the crumbling tower reaches new heights, she grabs the stone and sprints for the tower door. The door twists unnaturally. The supports buckle as she leaps toward the frame.
And then she is through.
Atiana knows immediately she has returned to Baressa. No longer is she caught by the spells that surround Sariya’s tower.
She cannot for the moment feel Ishkyna’s presence, nor can she feel Ushai’s. She reaches out for them, but as she does she senses a disturbance near the Spar.
The ceremony.
The ceremony Father is attending.
She rushes toward it and is relieved to find that little has taken place since she left. Either the ceremony has crawled at a glacial pace or little time has passed since she entered Sariya’s tower. Whichever the case, dozens are still gathered beneath the pavilion. The keystones have been set into place, and the Kamarisi is speaking to the assemblage on a platform carpeted in red and trimmed in gold.
Father stands at the front of the crowd. Vaasak Dhalingrad and the men of their retinues stand patiently behind him. Near the back of these gathered men and women, spaced along the balustrade, are the men of the Kilic S aik, the Kamarisi’s personal guard. They stand at attention, legs spread, arms behind their backs, the plumes attached to their rounded turbans tossed wildly by the winds.
The Kamarisi seems to be finishing. Many begin to clap, and in the manner of Yrstanla, Hakan raises the back of one hand to all who stand before him.
Near the balustrade, one of the guardsmen steps forward toward those who stand at the rear of the tent-the streltsi of Vostroma and Dhalingrad. Before Atiana can understand what is happening, the lone guardsman has pulled his sharply curved kilij sword. This seems to be a signal of sorts, for in a flash, all of his men-a score of them-have pulled their kilij as well.
Father, behind you!
Her father reaches for his chest, grasping for his soulstone, which lies hidden beneath his coat.
Turn, Father, now!
But it is too late.
The men of Yrstanla cut the streltsi from behind.
Many in the crowd scatter, their eyes wild and their mouths wide with shock. Father pulls his shashka, as does Vaasak and many of the men of Anuskaya, but the streltsi have already fallen, and they are faced with impossible odds.
Do not fight! Atiana urges.
She doesn’t know if her father heard her, but he lowers his sword at the command of the Kamarisi’s guard.
Most of those who ran are herded back into the pavilion. All are relieved of their weapons.
And then Father is led away from the pavilion by three guardsmen. Hakan follows. His face is serene, as if this all has gone according to plan.
Father is brought to his knees with a sharp strike from the flat of one of the guardsmen’s blades. It is the one who first drew his sword, a man who Atiana saw with Siha s in the kasir but does not otherwise know.
As the two other guardsmen pull Father’s arms wide, holding him in a kneeling position, the first steps to Father’s left side.
Hakan watches this. He speaks, eyes closed, as if reciting a chant.
Or rendering judgment.
And then Atiana realizes. Father has been positioned over the keystones. He’s been positioned over the centermost of them, the one that lies at the true center of the Spar.
This is not a simple act of war. This is a sacrifice.
They are consecrating the bridge.
Father, fight them! Do not allow this!
But he makes no move against them.
She assails Hakan’s mind, trying to assume him as she would a rook, but the currents of the aether are too wild. Each time she tries, she nearly slips from the aether.
Vaasak! she calls. Save him!
She calls to others, but she already knows it is too late.
The sword is lifted high.
Hakan finishes his speech.
And the sword swings low.
Atiana sees the sword strike home, sees it sever the neck of her father. Sees his head roll across the stones.
His blood spills, staining the central keystone.
In the aether, Atiana stares. The world, so often wide and expansive in the dark, focuses tightly on her father’s body, on the blood still pumping from his neck, on his head as it rocks to a stop.
Atiana is frozen. The scene before her is frozen, imprinted on her mind like blood upon stone. Shock gives way to horror. A thousand implications swirl through her mind, but she can focus on none of them. She can only think of one thing.
Her father is dead. Gone forever. Taken from her by the whims of a sick and twisted emperor, the lord of a slowly dying state.
And then Atiana’s mind fills with rage. Her emotions-vengeful and primal and brutal-make it more and more difficult to remain.
She wants to stay, wants to rend Hakan’s mind to shreds, but in the end, her emotions run too high, and she is thrust from the aether as if it were repulsed.