“Caleb Crowe,”-Phoebe turned her chair sideways and looked up at her brother-“that key was made in 1954 to fit the lock on the steering column.”
“And it was just what I needed.”
“So where does that leave us?”
Caleb crossed his arms over his chest and stared over the choppy waves. The divers had been under for close to an hour. His guess was that they were in the main chamber by now, at least exiting the water tunnel and approaching the first sign.
“We wait,” Caleb said.
“What are they going to find?” Phoebe asked.
“You know what they’ll find. Do you want to watch?”
She looked down at her hands. “In a minute. First, tell me what you know. If they don’t have the right key, then where is it? Or did Dad move it?”
“He didn’t move it,” Caleb said calmly, and he breathed in the crisp air and watched the gulls circling over the spot where the divers had entered the harbor. Overhead, cirrus clouds streaked across the sky. “It’s still there.”
“It is? Then, we’ll have to go back and get it!”
“No, we won’t. We have what we need.”
Phoebe looked around. She looked at Caleb, at her chair, her feet.
“Actually, Phoebe, you have it.”
“Me?”
“Yes, you. You were its part-time curator. You know Old Rusty’s history.”
“Of course, but what does that have to do with anything? Is the key on the boat or not? If it is, what could it be? There’s nothing that old. Whatever that Keeper Metreisse stole and passed down in his family from generation to generation, from boat to boat, all those lightships can’t be anything I’m familiar with. Maybe there’s something in the hull, or stored in a hollow mast?”
“Nope.”
“Big brother, you’re really pissing me off. Okay, I give up. Tell me.”
“You’ll kick yourself.”
“If my legs worked, I’d kick you. Tell me!”
“Thoth was intimately associated with the number eight, as we know. But also with music, with the octave. It is said he set creation going by the sound of his voice, by a single uttered word.”
“Yeah, yeah. Get on with it. What about the key?”
“The key, Phoebe. The key isn’t on the boat.”
“But you just said-”
“It is the boat. ” Caleb took a deep breath and scanned the crowd, making sure no one had gotten too close, that no one could overhear. “It’s all the boats we’ve seen in our dreams, all those red and white sails, all those dinghies, lightships, galleys and frigates. Metreisse figured it out. We know he had the talent as well. He experienced a psychic trance and went back, visited that last chamber, and he heard them speak the word. A single word. Then he planned, so his descendents would pass it on, ship to ship, as each one wore out. Generation to generation, every vessel-”
“-With the same name!” Phoebe shouted. “Oh, I do want to kick myself! Rusty’s real name-”
“Let me guess,” Caleb said. “Something Greek, or Egyptian?”
She smiled and folded her hands together. “Only the symbol for the rebirth of the land, the flooding of the Nile. The rising of the star, Sirius, also called-”
“Isis.”
Phoebe nodded. “Wife of Osiris, mother of Horus.”
“Thoth helped her reunite with her murdered husband, and brought magic to her kingdom. Isis. Just one word, spoken properly, and I believe the door will open.”
“But can you say it properly?” she asked. “Egyptian phonetics were tricky, right? And that language hasn’t been spoken in thousands of years.”
“I’ll find out,” Caleb said. “I’ll peer back to when Sostratus last entered the vault. I’ll listen for myself.”
“You can do that?”
“It’ll be easy, now that I know to ask the right question.” Isis, he thought, and had to smile, thinking back on the marble head he had first plucked out of the harbor’s muck, the artifact that had started it all.
Together, he and Phoebe gazed out over the waves and listened to the roving helicopters. Cameras were flashing at their backs, video feeds running. The whole world, it seemed, held its breath. Caleb glanced back and thought he saw a face in the crowd he recognized. A man in a dark green coat, scruffy pants and black boots. Hair falling in unkempt strings over his eyes. But he looked… happy.
The crowd moved, surged, and the man was gone. And for a second Caleb caught a glimpse of another face he knew, a man with a bald head and dark glasses. Watching from a short distance away.
Victor Kowalski.
“Well, big brother?” Phoebe tugged at his hand. “I bet they’re almost to the door. Want to take a peek?”
Caleb looked away from the crowd. “Should we?”
She squeezed Caleb’s hand. “Oh, yes.”
They strip off their tanks, fins and masks and bring their gear up the stairs, past the great statues of Thoth and Seshat, and place it out of harm’s way. “Wait on the stairs,” Waxman orders as he tests the chain and harness attached to the ceiling above the third trap. The seven men climb two flights and remain there, watching impassively.
Waxman strides to the great seal, steps over the chains that he and Helen had left for the second trap. He proceeds to turn the seven symbols in the proper order, and then calmly walks back to the first block, and waits. He passes through the realms of the Below: Calcination, Dissolution, Separation, Conjunction. He is relaxed, as if he has practiced this a hundred times. He ascends through the Above: Fermentation, Distillation, and finally Coagulation.
After the seventh test, he is covered with a fine gold dust that has drifted down from a sifting stone overhead. The scent of sulfur still hangs in the smoky air, and water is heard trickling below, down the stairs and out the vent.
And the great seal opens majestically at his touch, withdrawing and allowing him inside.
“Come!” he shouts, and his men follow, igniting their lamps and flashlights, bringing their torches and gas tanks. They leave the cameras behind. There will be time enough to film another arranged descent, once the room below has been emptied of everything but ashes.
Down the stairs, twisting through the octagon section. The tramping of their feet issue pounding echoes against walls unused to anything but the silence of the centuries. Dust follows at their heels, sparring with the brilliant shafts of light.
Then, the final room. The low-hanging ceiling. The non-descript door with the symbol for Exalted Mercury.
Waxman removes the key from his belt. “Here we go, men. What we do today we do for humanity’s future. We close Pandora’s Box for good.”
He extends the key toward the hole as someone shines a light for him. “Goodbye mother,” he whispers. He inserts the key partially, and it jams. “What…?” is all he can say. He frowns and withdraws it with a jerk, scraping the key against the inside of the hole. A tiny spark appears, nearly lost in the flashlight’s brilliance.
Waxman lets go as the key falls, and he steps back. A multitude of sounds arise at once: something hisses, like a flame has just ignited and is heating a small tank of water; sliding noises like thin metal flaps opening along the walls and on the ceiling.
Flashlight beams whirl around, stabbing at shadows, blinding his eyes. Waxman covers his face and tries to peek through his fingers when suddenly he is struck with something hot and wet, steaming. His fingers close around it, and over the hysterical screaming of the men around him, he realizes he holds someone’s guts.
Something whistles through the air. He ducks, and a great scythe rips through the man standing behind him, cutting his head lengthwise and spilling out his brains. Another scythe, rusted and serrated, gleaming in the spastic lights, whispers across the room sideways, and two more of his men fall to the floor, in pieces, twitching, their mouths open in silent screams.
Waxman runs toward the exit. Somehow the blades have missed him. He still has a chance. This tower hasn’t killed him the last two times. Surely, he has been saved for a reason. He thought he’d learned it, had understood that patience was needed. Patience and humility. He had proven both, and had come back this time prepared.
But it still wasn’t enough.
He sees the stairs and he runs, but slips in a rising pool of blood. His other hand catches at a protruding rib cage. He looks back and, there on the floor, his mother’s head is lying along with the other grisly remains. And she’s laughing, cackling and spewing out continuous insults.
He falls to his knees and faces the door, where that symbol stares at him, scolding, reinforcing his unworthiness.
Both blades emerge again, one after the other, and retreat into their resting places with barely a sound, their purpose served once more.
Quartered, Waxman makes a sound like a wet sigh, then slides apart.
A rumble vibrates from the walls, the stairs tremble, and a rush of sea water floods into the room from above, swirling, sifting, lifting, cleansing.
The Pharos protects itself.
“They’re coming up!” someone shouted, and the crowd surged.
Shapes appeared in the water. Small, irregular forms that never really surfaced. Divers without their diving gear. The water stained red, a spreading, inky pallor, and the men kept floating up. Five, six, seven, eight… nine…
Then more.
A woman with binoculars screamed. The floating bodies were in pieces: a head here, a torso there, legs and arms jumbled together with severed chunks of flesh. The helicopters dipped, rolled and scattered. The ambulances’ engines sparked to life, followed by their sirens.
And more screams shattered the morning air.
Eighteen Keepers, each wearing black Ray-Bans, moved through the crowd of spectators like a tide of gray death, each member keyed in on a target that, as soon as they had come into Alexandria, arriving ahead of George Waxman as his personal contingent, had been identified and secretly tagged with a chalk mark on the upper shoulder, visible only to those wearing the specially tinted sunglasses.
The Keepers moved quickly, efficiently, and with a determination borne out of not just duty, but revenge. Each of them had a metal cap on their index finger with a tiny needle that had been dipped in concentrated tarantula venom. One jab would paralyze and induce convulsions, and sometimes-if it happened, it happened-death.
Simple pinpricks. Eighteen Keepers struck with subtlety and swiftness, poisoning and then moving on, disappearing into the crowd. Only one Keeper stayed a bit longer over her victim.
The bald man dropped to his knees, his hand at his neck where something had just “bitten” him. Victor Kowalski felt strange; a numb sensation, bitterly cold, almost ecstatic, cascaded through his veins. Suddenly, he couldn’t move, and felt inertia pulling him sideways. People were screaming, rushing past him, pushing, trampling. He fell. Rapped his head on the flagstones, but felt no pain, just cold. So cold. Someone stomped on his arm, and still he felt nothing but a frigid arctic gale sweeping through his body, chilling his very core. His vision was stuck, looking straight up at a familiar face, someone wearing a baseball cap and gray sweatsuit, someone lording over him with a smile of retribution.
The exquisite rush sped to his heart, encasing it in ice, and the world drowned in bitter darkness.
“What do we do now?” Phoebe asked. Emergency units roared to the water’s edge as the police herded the spectators away.
“We wait,” Caleb said, backing away. “I think a few days, maybe more. The Egyptian authorities and the Council of Antiquities will place another ban on investigating the harbor. They’ll declare that there’s nothing down there but dangerous old tunnels. And the story will rest.”
He exhaled slowly. “You can go back to Mom, if you like.”
“No,” Phoebe said. “I want to see this through. I can’t help her there, anyway.”
“Okay, then we’ll wait for this circus to die down. We’ll wait for Qaitbey to be alone again, sneak inside, and do this our way.”