Precinct House
November 17, 6.20 a.m.
After a four-hour sleep in the bunkhouse and a trip to the department doctor, Harper took his bruised but unbroken knuckles back up to the precinct house. His role in the investigation was to find a way into the case, which meant getting to know the killer, and he had some catching up to do. He wanted to see the crime scene for Mary-Jane’s murder and called Eddie Kasper at home. ‘You need to take me through the reports of victim number one. I know the basics — I’ve got the autopsy protocol right here. I know what he did to her, I just want to see how it happened. This first kill triggered off the next two, that’s my thinking.’
‘It’s six a.m., Harper. Don’t you sleep?’
‘We got a case to crack. Eddie, I expected a little more commitment from you of all people.’
‘Fuck that, I’m kinda busy on a different kind of commitment here. Can’t it wait?’
‘I’m back on the case, Eddie, and that means you’re mine. Now get over here.’
On the other end of the phone, a woman’s voice came on the line. ‘There’s only one woman in Eddie’s life and she’s lying next to him, so who the fuck are you?’
Eddie and Harper agreed to meet in the Upper East Side residential street where the first victim was found. Eddie drove up with a look of disapproval on his face. He jumped out of his car and threw the door shut.
‘It’s no good you smiling, Harper, you don’t have to face her. She’s not a woman you want to displease. Especially not when it comes to her conjugal rights.’
‘It was six a.m. You two were fast asleep.’
‘It don’t matter to her. I need to be right there on tap, should she have any such need.’
‘Well, she’s a lucky lady.’
‘That’s what I tell her. Shit, man, what the hell did you do to your hands?’
Harper started walking. ‘I got them caught in a door.’
‘Both of them? That’s a hell of a door.’
Harper kept Kasper walking towards the first crime scene — a four-bed apartment in a luxury building. Mary-Jane had been found dead in the hallway of her own home.
Harper opened the door to the apartment. The family had since moved out. They’d never move back, either. Their lives had been destroyed. Mrs Samuelson had come home, opened the door and seen her daughter, exposed and bloody on the floor. Harper held up a photograph of the scene.
‘She was right there, legs facing the door, head propped up on two pillows,’ Eddie said, pointing at the stained carpet.
‘He posed her for maximum shock and humiliation.’
‘Her mother’s not recovered,’ said Eddie. ‘I interviewed her twice. She’s bad, Harps.’
‘I imagine,’ said Harper, moving through the apartment. ‘How did he get in?’
‘He had a key or she let him in. No sign of forced entry.’
‘You mean you don’t know yet?’
‘He gets in and out without being seen. The only witness we got on this one is dead. I don’t think anyone’s come up with anything more yet.’
Harper walked through the beautifully furnished rooms. The trail of blood ran from the hall into the living room. The windows looked out across Fifth Avenue. ‘What do you think happened?’
Eddie shrugged. ‘He took her in here. We think he raped her on the couch. They found seminal fluid on the cushions. He wasn’t careful with this one. Left us his DNA, but so far no hits on CODIS and if he’s not on any DNA database then he might not have killed before.’
‘What next?’
‘He strangled her, went to the kitchen to find a knife, came back and took his trophy. After that, we think he sat staring at her for some time before he moved the body. Medical Examiner thinks she was lying in that spot in the living room for a good half an hour.’
Harper wandered around the room. ‘Two things are different here. I saw the report. The knife he used was from the rack in the kitchen, right?’ Eddie nodded. ‘He didn’t have a knife with him. The second thing that’s different is that he left his DNA and fibres all over this one. Amy and Grace were cleaned. I think he took their clothes to be sure, but he left Mary-Jane’s on the floor.’ Harper looked closely at the carpet. ‘Any tripod marks?’
‘No. But Mr Samuelson’s camcorder was missing.’
‘She didn’t struggle at all, did she? There’s not a thing out of place. My guess is that he controls them with fear and promises. He promises that he’ll let her go so she does what he wants. He either has them out cold or he controls them. I guess he felt safe with Mary-Jane because she was younger.’
‘Yeah, that’s too true.’
‘What I don’t get is why he goes for such high risk targets. It’s strange for a killer to start so confidently. He seems fearless. He takes big risks to kill the most difficult victims. Why? What’s so important about their wealth and privilege?’
‘Jealousy?’ said Kasper.
Harper shook his head. ‘It’s more than that.’ He had read the department reports and autopsy protocols on the first two murders and was convinced that the killer was an organized type of sociopath. He not only had a personal vendetta, he had a thing against society in general. He most likely chose these girls because their deaths caused maximum fear and maximum national heartbreak. Killers usually chose their victims from within their own social strata, but Harper couldn’t see it in this case. There was punishment going on here. And then the strange confessional poses and blossom. The poses that suggested the killer didn’t feel like he had the right to do what he’d done. He seemed to show remorse.
Harper spent an hour walking through each room, piecing together the last few minutes of Mary-Jane’s life. ‘All three kills show confidence and hatred,’ he told Eddie as they left. ‘There’s an increasing degree of overkill. In all cases, the killer posed the corpses and took a trophy, and he sprinkled cherry blossom like confetti over the first two. Why is that?’
‘He’s a fucking mental case. That’s the only explanation you ever gonna get from me.’
‘Yeah, he’s crazy, but he took time to shift each body to expose them. He wants to degrade them — to hide their faces and expose them as if he was suggesting that that was all they were worth. I know they were all wealthy, but if you want my opinion, I think this is personal. He sees something in these girls that no one else sees.’