BACK IN THE car, heading down the mountain to Pйtionville, Max heaved a big sigh of relief. He was glad to be out of that house. He hoped he never had to have dinner with the Carvers again.
He hadn't realized how much the pressure of the evening had gotten to him. His shirt was sweat-stuck to the lining of his jacket and he was picking up the beginnings of a stress headache behind his eyes. He needed to walk, unwind, be alone, breathe free air, think, put things together.
He got the men to drop him off at the bar he'd spotted on their way out. They weren't happy about it, told him "it not safe," and insisted that they had orders to drive him all the way home. Max thought of showing them his gun to reassure them but he told them everything would be OK, that he wasn't far from his house.
They drove away without so much as a wave. Max watched their taillights disappear in the night faster than pennies down a well. He glanced down the road to get his bearings.
At the very bottom was the middle of Pйtionville-the roundabout and marketplace-lit up in bright orange neon and totally deserted. In between was near-complete darkness, broken, here and there, by stray bare bulbs over doorways and in windows, small fires on the roadside, and random headlights. Max knew he had to turn down a side street, walk to the end of it, find the Impasse Carver, and follow it home. He now realized he should have let the men drive him back: not only would it be a bitch finding the gate to his compound in the dark, but, more immediately, he didn't know which street led to home. He could see there were at least four to choose from.
He'd have to walk down the hill and try each of the streets until he came to the right one. He remembered being in simple, stupid situations like this when he was younger, always drunk and stoned when he hadn't scored. He'd always made it home. Safe and sound. He'd be OK.
But first he needed a drink. Just one-maybe a shot of that six-star deluxe Barbancourt old man Carver had offered him earlier. That would see him home, help him along his way, isolate him from the fear that was starting to whisper in his mind. He was seeing Clyde Beeson in his diaper again and asking himself what had happened to Darwen Medd. He was imagining Emmanuel Michelange with his dick scissored off and stuffed down his throat and wondering if he'd been alive when they'd done that to him. And he was thinking about Boukman, sitting there, somewhere on the street, maybe by one of those small fires, watching him, waiting.
From the outside, La Coupole was a small, bright-blue house with a rusted corrugated-iron roof whose eaves were hung with a string of flickering multicolored bulbs, similar to the ones surrounding the sign-two wooden planks with the bar name painted in white in a crude, jumbled script: part block, part cursive, part straight, part bent. Small spotlights were trained on the walls and highlighted the chips and cracks in the concrete. The windows were boarded up. Someone had spray-painted LA COUPOLE WELCOME U.S. in black on one of the boards, and painted a list of drinks and prices on the other-Bud, Jack, and Coke were on sale; nothing else.
Music was thudding from within, but it wasn't loud enough for him to make out more than the bass. It was the only noise in the street, although plenty of people-all of them locals-were hanging around outside the bar, talking.
A bald teenager in a grubby white suit with no shirt and shoes was sitting on an old motorbike. The seat was sprouting springs and foam from its four corners. The kid was surrounded by a semicircle of little boys, also bald, all of them looking up at him with awe and respect. The picture belonged in a church or a modern-art museum-Jesus cast as a Haitian slum kid dressed in a soiled John Travolta disco suit.
Max walked inside. The light was dim and rust-tinted, but he could make everything out. It was a lot bigger than he'd expected. He could see where they'd knocked down the back of the original house and built an extension because they either couldn't afford or hadn't bothered to paint the walls a uniform color. A third of the interior was the same blue as the exterior, while the rest was rough, unadorned, unsanded gray brickwork. The floor was plain cement.
Wooden tables and chairs stood around the edges of the room and clustered up in the corners. No two tables and chairs were matched. Some were tall and round, others squat and square, one was made up of four banged-together school desks, another was once part of a larger table that had been sawn in half and modified, while there was one table with brass-or copper-capped corners that looked suspiciously like an antique.
There were plenty of people inside, most of them white males. All off-duty American and-he supposed-UN troops. Max could spot his countrymen. Twice as big as their multinational counterparts; one part exercise, one part overeating, one part genes-hefty arms, broad shoulders, small heads, and no necks; just like him. Most of the few female soldiers who were around were put together the same way. They were all talking among themselves, telling stories and jokes, laughing, drinking only Bud or Coke out of bottles. They gave Max a blatant once-over when he passed them by. He stood out in his suit and shiny black shoes, overdressed in a room of jeans, shorts, T-shirts, and sneakers.
He made his way to the bar. There were no stools, only standing and leaning room. There was exactly one bottle on display behind the counter-standard Barbancourt rum, unopened, yellow-paper cap seal still intact. The beer and Cokes were being served out of a cooler.
Max surprised the barman by asking for rum. The barman got the bottle down, opened it, and poured out slightly more than a double measure in a clear plastic beaker. He was going to dump a handful of ice into it but Max shook his head no. He paid in dollars. Two bucks. No change.
The music was coming from the courtyard to the left, through a doorway with no door. An amused-looking Haitian DJ was manning a CD player behind a table, pumping some God-awful HiNRG with an androgynous singer rhyming "love" with "dove" in a German accent, while in front of him a few dozen off-duty peacekeepers were dancing like epileptics having fits on an ice rink.
Max felt eyes on him. He turned his head and followed the feeling back to a dark corner near the bar. Two Haitian women were smiling at him, catching his eye, beckoning him. Prostitutes. They had the same look the world over. He felt a tug in his groin, a pull on his balls. Black women and brown women were his favorites, the ones he always gravitated to, the ones who made him stop and do a double take.
One of the whores started coming over to him, walking awkwardly in a too-tight black dress and tall silver heels. He realized he'd been staring at them without seeing them, all the while playing host to his memories and fantasies. They'd sensed his need in an instant, smelled the curdled lust on him. Max stared the woman in the eye and stopped her in her tracks, her smile giving way to a worried look. He shook his head and looked away, back at the DJ and his dancers.
He sipped his drink. The rum was surprisingly good: sweet and mellow on his tongue, easy on his throat. Instead of the bare-knuckle hook to the gut he was expecting, it gave him a cozy, comforting feeling. The embrace was warm and familiar.
You never really got over an addiction. You could stay clean for the rest of your life, but it was always there, the impulse to start again, shadowing you, walking parallel, ready to catch you if you slipped. It was best to quit a habit when the high was still greater than the low and the pleasure outweighed the pain. That way you kept good memories and had no regrets, like people you meet and leave behind on vacation.
Max hadn't been an alcoholic, but he'd been getting there. He'd had a drink at the end of every shift, no matter when they'd finished up. As early at seven or eight in the morning, he and Joe would find the first open bar and sit with people knocking one back on their way to work, and others getting ready to find breakfast after an all-night binge. It was always only the one drink in the mornings-a shot of Irish whiskey, neat, no rocks.
He'd drunk a lot when he'd gone out, but never so much that he'd lost control. It had helped him forget he was a cop and lose the telltale aura of battered rectitude and all-seeing otherness cops have about them. It had eased him through difficult social situations. It had gone well with meals and lonely nights. And it had helped him get laid. A lot.
Max had never taken his pleasures by halves. He'd smoked a pack of red Marlboros a day, more when he was drinking and even more when he was on the verge of cracking a case. He'd smoked plenty of reefer with Joe, too-good Jamaican shit that never failed to put him in a good place. Joe had stopped when he'd read that smoking too much weed made a man psychotic and gave him tits. Max dismissed it as a scare story dreamed up by the FBI's PR department, and carried on regardless.
Sandra had helped him quit it all-booze, weed, cigarettes, and his job.
Then she'd said yes to marriage.
The night before his wedding he'd deliberately slipped off the wagon. He'd bought a bottle of whiskey and a pack of Marlboros. He'd been free of both for a year, but he wanted to say good-bye to his old ways in style, just the three of them-cigarettes, booze, solitude-together one last time.
He'd driven out to Ocean Drive, sat by the sea, and got reacquainted. The cigarette had tasted horrible, the booze had scalded his throat, and he felt like a freak looking for trouble out there on his own in the sand, with the cruisers, petty criminals, beach bums, and dumb-ass tourists looking to get mugged. He'd doused his cigarette in the bottle, screwed it shut, lobbed it out into the sea, and walked away, feeling more stupid than satisfied.
Now the bottle had washed back.
No one was smoking in the bar. Max finished his glass and ordered another.
The drink was loosening him up, helping him to relax and think.
The Carvers: Gustav was scary, but remarkable. Max admired him. The old man ran the show, despite his illness. They'd have to pry the strings from his cold dead hand.
Allain was probably a nicer guy. He'd had other ideas about their business, a more inclusive way of running things. Though he was crushed at home, he wasn't lacking in courage.
There wasn't a lot of love between father and son-maybe none whatsoever-but there was respect-at least from Allain's side-and there was Charlie. Charlie Carver was holding the family together, uniting them.
And the same went for Francesca Carver. She hated him but he saw where she was coming from and he empathized with her, even pitied her. She wanted out of her marriage and out of the Carvers and out of Haiti, but she wasn't leaving without her boy-either literally or figuratively; not until she'd found out what had happened to him, not until she'd got closure.
The Carvers were dysfunctional but they weren't the worst family he'd ever met. They were standing together in adversity, supporting each other in their own way.
In all likelihood, Charlie had been stolen to get back at the old man rather than the son. Gustav was likely to have a long list of enemies. If they were rich, they'd have enough money and clout to delegate a kidnapping to hired hands that wouldn't know whom they were working for.
Or did they? Three private investigators had come and gone-one was dead, one was missing, presumed dead, one was gruesomely fucked up. All three must have come real close to finding the kid-or led someone to believe they were.
He downed his third rum. People were staying well out of his way. A couple of Americans were talking to the prostitutes. They were all on first-name terms but they'd never done any business. The girls looked disinterested. The soldiers probably didn't want to get AIDS, and there wasn't a condom thick enough to dispel the myth that the disease had started in Haiti.
A Haitian man was clinging to the fringes of a small group of Americans, listening intently to their conversation, hanging on to every word, parroting the ones he understood. If someone said "fuck" or "shit" or dropped a brand or celebrity name, the Haitian would echo it, slapping his thigh and laughing at an obscenity, or nodding his head and saying "Yes man!" or "That's right yo!" in his impression of an American accent, which sounded like Chinese yodeling. Once in a while the group would look at the guy and laugh, some indulgently, some mockingly. A few would stay quiet; they'd taken a profound dislike to their hanger-on. Max could see it in their faces, the way they stood, the smallness of their eyes when they tried not to look at him, the way they winced when they heard him imitating them. They'd probably wanted nothing more than a quiet night out.
The Haitian was wearing a baseball cap backwards, a baggy T-shirt with the Stars and Stripes on the front and back, loose jeans, and Nike sneakers. A real fan of his conquerors.
Then Max saw what was really happening.
The Haitian was actually talking to someone Max hadn't seen, standing in the middle of the group, hidden from view by his comrades. Max only noticed him when one of them went to the bar for more drinks.
He was a buzz-cut blond with a tiny nose and a thick mustache. He was having fun with the Haitian, pretending to teach the guy English when all he was really doing was making him demean himself.
Max listened in.
"Repeat after me: 'I,'" Buzz-cut said, hands moving like an orchestra conductor's.
"Aye-"
"Live-"
"Leave-"
"In-"
"Eeen-"