As soon as Henning gets home, he sits down at the kitchen table and plays the recording of his conversation with Pulli. He listens to it a couple of times and notes down items to follow up. He registers with irritation that he forgot to ask one or two important questions.
It dawns on him that he should make a chart of the key people in Tore Pulli’s life to make it easier for him to keep track. He tears a sheet off the pad and starts writing.
In addition there are Irene Otnes and Robert van Derksen, various girlfriends and boyfriends, the staff at Fighting Fit, people who work out there, other friends who might potentially know something. There are just too many of them, Henning thinks. He really needs help. Pulli’s appeal is coming up very soon.
Henning recalls the conversation he had yesterday with Frode Olsvik, Pulli’s lawyer. The first question Henning asked him was ‘Do you remember me?’ because they hadn’t spoken for a long time. Pulli asked Henning the very same question during their telephone conversation last Saturday, but Henning didn’t think anything of it at the time. Now that the question has resurfaced, the choice of words intrigues him. Is it really what you would say if you were a celebrity and you hadn’t spoken to the media for some time?
Henning shakes his head. No, you would say, ‘Do you know who I am?’ Pulli’s question indicates a kind of relationship that belongs in the past. So why would Henning remember Pulli?
Brogeland jokes that Henning has a photographic memory. It’s not all that far from the truth. Henning has forgotten a great deal, but he rarely forgets a face and a name. The only thing he can’t remember clearly — with the exception of the memories of his late father — are the weeks before Jonas died.
Henning looks up from the sheet. Is it possible that Pulli and I had something to do with each other in those weeks? Could that explain why Pulli was sitting outside my flat that night?