The same day.
The seventh hour of the day.
“Name and unit, centurion?” Brusque tone, Pliny admonished himself. Assert your authority at once.
“Titus Ursius Valens, sir.” The officer sketched a salute. “Twelfth Cohort, City Battalions.” He was a bristle-headed, big-boned man and stood a head taller than Pliny. “And your name would be, sir, if I might ask?”
The tone was faintly insolent-the professional policeman suffering the meddling amateur. Pliny ignored the question.
Gaius Plinius Secundus was thirty-five years old but had the smooth, boyish face of a much younger man. It was not a handsome face but a pleasant one: pink cheeks and mild blue eyes. His family hailed from the Lake Como region, where Celtic blood mingled with the Italian. It accounted for his rosy complexion and the light brown hair that lay in soft curls across his forehead and neck. He worried that his appearance lacked the gravitas of a Roman senator and so he frowned whenever he wanted to impress. He was frowning now. “Where are your men posted, centurion?” “Two upstairs guarding the slaves, sir. Two more at the front and back doors, one more for relief.” “Quarters comfortable enough? You may be here for several days.” Valens smiled crookedly. “Compared to the camp, sir? This is a holiday.”
The City Battalions, under the command of Aurelius Fulvus, the prefect, shared a camp with the Praetorian Guard on the outskirts of Rome. Rivalry between the two forces was intense; insults and fistfights were a common occurrence. The five thousand Praetorians, pampered and well-paid, were the emperor’s household troops. The troopers of the City Battalions, on the other hand, were the poor relations-understaffed, underpaid, with little chance of promotion. But it was they, nonetheless, who did the hard work of policing this great, teeming beehive of a city with its million inhabitants, half a dozen languages, festering slums, and casual brutality, to the extent that it could be policed at all. “Hardly a holiday,” Pliny said, maintaining his scowl. “We’ve serious business to do here.” “Quite so, sir.” Again, the mocking tone. “And where’s the new master, what’s his name, Lucius?” “Sleeping late, sir. I’ve sent one of the lads to rouse him. With the slaves all locked up, the house has stopped running.” “And where have you put them?”
“We’ve crammed ’em into two large rooms upstairs. Forty-six all told, about equally male and female with some kids. The prefect has ordered them all shackled and collared, just to be on the safe side. If they all decided to make a break for it we aren’t enough to hold ’em.”
“Hardly likely, Centurion.” Pliny found this business of chaining distasteful, but he couldn’t countermand Fulvus’ order. While they waited for Lucius to appear, Pliny looked around the atrium. It was twice the size of his own and ornamented everywhere with symbols of the cult of Isis. One whole wall offered a crowded panorama of imaginary Nile scenes done in exquisite mosaic: reed boats plied the river, crocodiles yawned, palm trees swayed, throngs of happy worshipers crowded little temples. Elsewhere in the room stood statues of Queen Isis holding her sistrum and water jug, and bearded Serapis, her consort, and jackal-headed Anubis.
It was no surprise, Pliny reflected, that Verpa and his family had become enthusiastic devotees of the cult which the emperor himself favored. All of it mere fawning imitation probably. As far as he knew, Verpa didn’t have a spiritual bone in his body. Of Lucius and Scortilla he was uncertain.
Lotus flowers floated in the impluvium and a couple of fat carp could be seen gulping at the surface. There was no sign of the carnivorous lampreys which, it was rumored, Verpa fed his unlucky slaves to. Still, one never knew. The man had a sinister reputation. “What about Verpa’s papers? I’d better have a look around the tablinum.” “Already done, sir. Two men from the prefect’s office were here at the crack of dawn and left with a bushel basket of stuff.” “I see.” But he didn’t see. If the investigation had been given to him, why were things being done behind his back?
At that moment Lucius Ingentius Verpa shuffled into their presence, sleepy-eyed and unshaven. He looked like a man who had spent the night drinking and dicing, which, in fact, he had. The last of his friends had shuffled off at day break and he had thrown himself on his bed still in his clothes. He was in no mood to be awakened at this ungodly hour, whatever it was.
Pliny guessed he was in his late twenties and thought he could see the father’s dissoluteness in him but nothing of the old man’s thrusting, bullying energy. He took an instant dislike to him.
It seemed to be reciprocated. Lucius glared in open hostility and acknowledged Pliny with a sullen nod. As custom required, they gripped forearms; Lucius’ grip was as weak as a girl’s. There followed an uncomfortable silence.
“Yes, well,” said Pliny finally, “let’s have a look at the body.”
“Not possible,” Lucius said. “It’s gone to the embalmer’s. There’s to be a funeral according to the rites of Isis-mummification and all that rigmarole. Scortilla’s idea, not mine.”
“I see. Well I’ll have a look at the bedroom anyway.” He resumed his frown of authority. “Come along, centurion. You’ve seen the room already, I suppose.”
“Oh, yes sir.” Valens’ eyes glinted with amusement. “All the lads have seen it.”
With a shrug, Lucius led them through a series of public chambers off the atrium which brought them to the east wing of the house and a grand staircase that led to an upper story. Along the way they passed columns and walls in every hue of the rainbow. Fine old mosaics covered the floors, and painted vistas seemed to make the walls dissolve. Verpa had amassed Corinthian bronze vases and massive candelabra, marble statuettes on onyx pedestals, and bric-a-brac of jasper and agate. Here priceless citrus-wood tables stood on spindly ivory legs, there water tinkled in silver fountains.
Pliny, whose own house was not nearly so grand, was impressed in spite of himself. The stairway led up to a second story gallery that ran the length of the house, its tessellated floor glittering like glass.
“That’s my room ahead, if you care to know.” Lucius halted at the top of the steps. “Go left, my father’s room is at the end there.” “Five, six doors down. Who occupies those rooms?” “No one, at the moment. They’re for guests. Sometimes my friends sleep over if they’re too drunk to find their way home.” “Did any of your friends happen to sleep over the night before last?” “Maybe-I mean, no, no one.” Pliny lifted a quizzical eyebrow. “And the room below his?” “His room overlooks the back corner of the garden. Below it is a shed for garden tools and whatnot. No one sleeps there.”
They stood in the doorway and Pliny took in the scene at a glance: a small desk and chair, a lamp-stand and a gilded chamber pot with handles in the shape of urinating Cupids; and Verpa’s bed, its costly Babylonian coverlet tangled and spattered with blood. All at once an unexpected thrill of excitement shot through him. The thing began suddenly to seem real to him. Here a man had died, butchered by a resentful slave, a castoff lover or perhaps some other enemy.
“Of course, without our slaves there’s no one to clean,” Lucius said in a petulant tone.
“Uncommonly large for a bedroom, isn’t it.”
“The family that built the house bedded a dozen slaves here. My father felt that was far too generous. One only needs to squeeze slaves closer together to get them in smaller quarters.
Pliny seemed to recall that this mansion in the Vicus Pallacinae had formerly belonged to a senator whom Verpa had denounced years ago for dabbling in philosophy. It was a beautiful house, far the grandest in a neighborhood of grand houses, and the emperor gave it to him as his reward. Informing on one’s colleagues paid well.
“My father took this room as his private, ah, lair, if that’s the right word,” Lucius continued. “He wanted someplace that was more secluded than the downstairs bedrooms. He was a secretive man who craved privacy-not easy to achieve in the houses we Romans live in. The rest of us have seldom had occasion to enter it. As you see, he decorated it to suit his taste.”
Until now, no one had called attention to the room’s most striking feature-the murals. On every wall, horse-tailed Satyrs with bulging eyes and huge curving penises performed sexual acts in every imaginable position with naked women, their hair loose, their mouths open in shrieks of ecstasy. The figures were life-sized, painted by an undoubted master of anatomy, color, and modeling.
Pliny, like any Roman, was not easily shocked. Sex was celebrated everywhere in the city; you could see similar things in the public baths. Still, his Northern conservatism was pricked. His parents’ house had allowed no such stuff as this. “Great gods, it looks more like a brothel than a gentleman’s bedroom.” All this to stir the man’s flagging libido or, more likely, to instruct the younger slave girls in what was expected of them. What shameful sights these walls must have seen.
Valens grinned. No doubt he and “the lads” found frequent occasion to come up here. Lucius stared straight ahead and said nothing.
Pliny hastened on, “Lucius Ingentius, tell me in your own words what happened that night.”
The young man shrugged-shrugging seemed to signal the way he dealt with the world-and explained how he and a few slaves had burst in at dawn when Verpa failed to answer their knock and found him naked, on his stomach, one leg curled under him, the other extended straight, his back and buttocks shredded with bloody slash marks. The body was cool to the touch and already stiffening. “And there was no one else in the room when you entered?” “No one. “And no one heard a struggle, a cry for help?” Lucius hunched his shoulders again, “I was out most of the night. Scortilla’s room is downstairs.” “What about the slaves?” “I’ve already questioned them, sir,” Valens struck in. “None of them admits to hearing anything.” “And none of them ran away?” “No, they’re all here,” Lucius said. “Interesting. How did your father get along with them.”
Lucius looked doubtful. “He was a strict master, but hardly the monster people made him out. Not loved. But this? I don’t know.” “And where do the slaves sleep?” “There are two other big rooms at the other end of the house. Most of them sleep there.” “Under guard?” “They’re counted every night, but not locked in.” “You said most of them sleep there.” “A few privileged ones sleep elsewhere.” “And they are?”
“The night staff, the door slaves, the clock slave. Oh, and Iarbas the dwarf. He’s Scortilla’s pet and plays the clown in her pantomime troupe. He sleeps with her.”
“Her own troupe?”
Lucius had the grace to look faintly embarrassed. “I know, frowned on in these virtuous days, but her tastes are old-fashioned. Harmless, really-bit of slapstick, rude songs, boy ballet dancers.” “Quite,” Pliny interrupted. “And so she and your father never slept…” “Together? No, not for years.” “Did any other slaves have the freedom of the house at night?”
“Phyllis, one of the slave girls, generally slept with my father, she was his current favorite. And there’s Ganymede, the cinaedus in our troupe.”
“And where does he sleep?”
There was a half-smile on the young man’s lips. “Ganymede sleeps wherever he likes.”
“Hmm. Well, I will question them all in due course. None of them sounds like a likely suspect. But your father didn’t have Phyllis to bed that night, or anyone else?”
“No, he didn’t. It was his custom when he had important business to transact the next day not to squander his vital force in lovemaking.”
“And what business would that have been?”
“I’ve no idea. But he seemed agitated at dinner and drank more than usual. Something was in the wind.”
“Sir.” Valens had been circling the room, doubtless with the object of appreciating the muralist’s extraordinary technique. “Look at this here. We never noticed this before.” He was pointing at what appeared to be a charcoal sketch of some kind high up on the wall beside the bed: three semicircles one above the other, the largest one at the bottom bracketing the other two. A vertical slash drawn through their centers connected them and protruded a little way above and below them.
“By the gods,” whispered Lucius, squinting up at it. “Jews! My father prosecuted them, you know, and their friends, the ones who call themselves God-fearers.”
Pliny cast him a questioning look.
“What, you don’t know about the God-fearers? Romans, people of our own class, mind you, who attend the lectures of the rabbis where they listen to a lot of nonsense about how their books contain wisdom the equal of Plato or Pythagoras. They worship a god with no image, if you can imagine it, and not only that but he’s worse-tempered than Zeus with a hang-over, spouting rules about this, that and the other. But they eat it up. I had to sit through hours of it, pretending to be one of them, and it all went over my head, I assure you. The only thing that was clear to me is that they’re traitors. But that’s how we caught Clemens and Domitilla. It was my father’s idea.”
What a long speech suddenly from this reticent young man, Pliny thought. “But what does that have to do with this scrawl on the wall?”
“I know what this is a drawing of,” Lucius replied. “And so do you, vice prefect, think about it.”
“ Mehercule, he’s right!” Valens exclaimed. “On the Arch of Titus, sir. That bloody huge seven-branched candlestick from the temple in Jerusalem.”
Of course! He’d seen it a hundred times. Every Roman knew those bas-reliefs that depicted the triumph of the emperor Titus, Domitian’s lamented elder brother, over the Jews. All the treasures of the temple had been paraded through the streets of Rome more than a quarter century ago and commemorated in carved and painted stone on the triumphal arch that Titus built near the Forum. “Sir?” Valens scratched his jaw. “If I might make a suggestion, sir.” “Yes, what?” “Ask about the murder weapon.” “Right, of course, centurion. I was just going to.” In fact, it hadn’t occurred to him. He was no policeman, damn it! “I have it,” said Lucius. “We found it on the floor by the bed. I took it to my room, I’ll get it.”
Lucius returned moments later with the dagger and held the hilt toward Pliny, who took it in his hand. It was a heavy piece with a wicked-looking curved blade incised with symbols in a foreign script. Black flakes of Verpa’s blood clung in them.
“A Jewish sica,” said Valens. “An uncle of mine worked for tax farmers in Judea before the revolt. The Zealot terrorists used to slash Roman throats with these.”
“You’re a font of information, centurion.”
“Thank you, sir.”
“Here, you’d best take charge of it. It’s our only evidence so far.” He handed it to the centurion. Turning back to Lucius, he asked, “Are there any Jews in this house?” The young man looked at his feet. “Well, yes, one among the slaves that I know of. But really, I don’t think…” “And who is that?” “Old Pollux, a former boxer, who guards-guarded-my father’s door at night.” “Then, I think we’d better speak with him.”