The villa was, as Kathleen had said, a truly horrible pink. It stood on an isolated site on the crest of a curving road which defined the limits of Camp dels Pilans, the only suburb of L'Escala to the west of the main road to Girona and Figueras. Set in the awful stucco, the two small windows on either side of the front door resembled, Skinner thought, hooded eyes looking northwards with embarrassment.
He pulled the BMW to a halt at the garden gate, and stepped out, picking up Pitkeathly's folder from the front passenger seat. He opened the gate and walked up the narrow path to the front door, timing his approach to avoid the sweep of a badly adjusted lawn-sprinkler, which seemed to be watering mainly the path and beyond it — to the right of the house — the driveway up to a single garage integral with the villa. Much of the spray was falling on a big Peugeot saloon, then running down the sides, creating zigzag patterns through the coating of reddish dust which the car had picked up since its last official wash.
To the left of the front garden, beside a path leading to the rear of the villa, a large mongrel dog was chained. As Skinner approached the door, a low growl in the animal's throat turned into a ferocious, snarling bark. It made towards him, but was pulled up short by its chain a good six feet away. Skinner shot the beast a glance which made it think again. Suddenly its ferocity was spent, and it slunk back to its place in the shade, beside empty food and water bowls.
A round brass bell-push was set in the centre of the studded door. Skinner pressed it and stood back, waiting for Alberni, or his wife to answer its call. But no one came. He rang the bell again. Another minute elapsed without a response. He pounded the door with his fist, but with no greater success.
Exasperation grew in him. 'Come on, you bastard,' he muttered. 'I'm supposed to be on my fucking holidays, and here I am chasing you around L'Escala.'
He abandoned his assault on the front door and walked around the corner to his left, towards the rear of the house, past the dog, which gave another token growl, then fell silent again quickly.
The back garden was a shambles. Plastic poolside chairs were gathered around a small white table on which was scattered an assortment of empty beer and wine bottles and half a dozen empty glasses. A cigarette packet was floating in the middle of the pool.
`You've been on the piss last night, Santi my son.' Skinner spoke the thought aloud. He looked around. The sliding patio doors were wide open and pink curtains as hideous as the house itself flapped limply in the gentle breeze. He walked across to the doors and stuck his head inside. Despite its airing, the villa still smelled stale. He listened, but there was no sound other than, from another room, the soft buzz of a refrigerator motor.
`Senor Alberni! Senora!' He shouted loudly into the empty room, with unconcealed impatience. He waited and listened for sounds of human movement, but there were none. ` Senora, Senora!' he bellowed again, and waited once more, but the obstinate silence remained. He thought of searching the place, but decided that Pujol's brief did not extend that far. Angry and exasperated, Skinner retraced his steps through the untidy garden, to the front of the house.
This time the dog merely whined. The sound was so different to its earlier reaction to Skinner's presence that he stopped. The animal looked up at him and whined again. `Come on, boy,' said Skinner. `I'm not that fierce.' He knelt down and stroked the mongrel. It whined once more, and this time the sound turned into a keen of distress. He looked at it closely and realised that it was sniffing, its nostrils flared. He followed the direction of its gaze, towards the garage door. It was the type that opened up and over, and it was slightly ajar. Skinner patted the animal's head once more, then stood up.
He walked over to the garage, grasped the door by its single, central handle, and pulled it up.
The sudden inrush of air made the body spin slowly round on the end of the rope.
`Sweet suffering Christ,' Skinner hissed into the garage gloom.
The man was hanging from a pulley set in the garage ceiling towards the far mall, and close to a heavy work bench.
The stout yellow rope on which he twisted was fastened into a classic hangman's knot, and was tied securely at its other end to one of the legs of the workbench, which was bolted to the floor. His feet, in hand-stitched brown shoes, were well clear of the ground, and his arms hung limply, hands unclenched.
One of the white plastic garden chairs lay on its side, on the floor.
Skinner stood in the doorway, frozen, for several seconds.
Suddenly the thought came to him that the hanging man might not be dead yet, and he snapped out of his trance. He rushed over to the body, but as soon as he saw the face he knew that it was too late for any heroic rescue. The man was small and lightly built but, even so, the rope was cutting deep into his neck. His face was blue. His eyes bulged horribly, as if about to pop from their sockets. His tongue, black and swollen, protruded grotesquely between lips and teeth drawn back as if in a last, strangling snarl.
Skinner's stomach turned. He snatched a single deep breath to bring himself under control, and looked away through the garage window, in which was framed the beautiful, jagged, snow-crested skyline of Canigou and the high Pyrenees.
When he had mastered himself, he turned back to the body. He touched a hand. It was still as warm as his own. He looked again at the contorted face. The man had a small black moustache, but otherwise was freshly shaved. His thinning black hair was well groomed. He was smartly dressed in expensive blue slacks and a white, short-sleeved Dior shirt.
`All spruced up and ready for work, Alberni. I can picture the whole scene. The wife thinks it's business as usual. She goes off to her day job, then you step into the garage and jump into eternity. Very nice. Very thoughtful. A real considerate guy, eh. You stupid bastard!'
There was something about the suicides of otherwise healthy people that always angered Skinner. The determin shy;ation and physical courage necessary for the act counted for nothing in his mind against the grief and the hurt that the victims, almost invariably, left behind. It was the sheer selfishness of the deed that enraged him.
He held the body with both hands to still its twisting on the rope, then turned and left the garage, closing the door behind him to hide the sight from any chance passers-by. Outside, he turned off the lawn sprinkler at its tap beside the garage door. Then on impulse he disconnected its hose, fetched over one of the dog's two dishes and filled it with water. The mongrel looked up at him, and Skinner could have sworn that it nodded its thanks.
He returned to the back of the villa, and entered the living area through the open doors. This time he searched without hesitation. He searched first for Senora Alberni, fearful lest her husband had decided — as he had seen others do before — that life for his beloved would be unbearable without him. He moved swiftly from room to room, but all he found were untidy relics of the previous evening, and signs of a rushed breakfast: an uncleared dinner table set for six, the remains of a selection of pastries set out on a dessert trolley, more glasses, more empty bottles, a single breakfast-sized coffee cup smeared with lipstick lying, with a cereal bowl, unwashed in the kitchen sink. In the Albernis' bedroom, the bed had been hastily made. The door of one of two fitted wardrobes lay open, revealing a rail of women's clothing hung inside. On the dressing table, a jar of make-up base lay uncapped.
Skinner, reassured that Senora Alberni was not in the house, returned to the living room. He found a telephone on a dark-wood sideboard, beside a number of framed family photographs. The largest showed a wedding scene. In this picture, the man now hanging in the garage wore a white tuxedo and black evening trousers. He smiled, looking youthful and handsome, and wore the same dark moustache; his hair, not so thin then, was immaculately groomed. The
bride was a striking, dark-haired woman, perhaps a year or two older than her husband. Skinner would have described her as handsome rather than beautiful. Her eyes were her best feature: dark, oval, warm, and inviting trust. Beneath the pair, on the photograph's surround, the names Santiago and Gloria were inscribed in gold leaf.
Skinner picked up the telephone and retrieved the Guardia Civil number from his mental filing cabinet. The call was answered by a gruff-sounding man on the fifth ring. 'Commandante Pujol, por favor. Commandante Skinner, Escocia.'
`Si, Commandante.'
A few seconds later, he was put through. Tiola, Bob.'
`Aye, hello Arturo,' he said, wearily. 'Listen, I'm at Alberni's. Not the office — the villa. You're in on this one, like it or not.'
`Why, won't he speak to you?'
'No. He's having trouble getting the words out, on account of he's hanging from a rope in his garage.'
`What!' Pujol's tone was incredulous. 'Is he dead?'
`If he isn't fucking dead, then he never will be! It looks like he topped himself as soon as his wife went to work.'
`Do you think he learned that you were coming to see him?'
`Could be. Let's see what we can find out. I've had a quick look round, but I can't see anything that looks like a "sorry" note. You and your guys better get up here right now.'