When I got to the Warren home it was still standing. There was no fire, no hazy smoke blotting out a blood-red sun, no siege tower breaching the front wall. It was dark and cool and pleasant, the way it gets at twilight just as the sun settles beneath the horizon. Hatcher sat in the same light blue Titan Securities Thunderbird and watched me pull into the drive and park. He came over. He didn't look too worried.
I said, "Everything all right?"
"She phone you about the call?"
"Seemed pretty upset."
"Yeah. Well." He hacked up something thick and phlegmy and spit it at the bushes. Sinus.
I said, "You don't act like anything out of the ordinary has happened."
He patted his jacket below his left arm. "Anything out of the ordinary comes around here, I'll give it some of this."
"Wow," I said. "I'm surprised she bothered to call me with you out here."
Hatcher snorted and went back to the T-bird. "You'll see. You're around here enough, you'll see."
The voice of experience.
I walked over to the front door, rang the bell twice, and waited. In a little bit, Sheila Warren's voice came from behind the door. "Who's there?"
"Elvis Cole."
The locks were thrown and the door opened. She was wearing a silver satin nightgown that looked like it had been poured over her body and silver high-heeled sandals. Her eyes were pink and puffy and her mascara had run and been wiped away and not fixed. She was holding a handkerchief with dark blue smudges on it. The mascara. She said, "Thank God it's you. We've been terrified."
I shrugged toward the front gate. "Not much is going to get past Wyatt Earp."
"He could've been clubbed."
Some things you can't argue. I went in past her, watched her lock the door, then followed her back through the house. She walked with a slight lean to the right as if the floor wasn't quite level, and she cut too short through the doorways, brushing her inside shoulder. "Who's home?" I said.
"Just myself and Mimi. Mimi's in the back."
She led me to the den. The bar was in the den.
"Tell me about the call."
"I thought it was Tammy. Tammy's my girlfriend. We play tennis, we go to movies, like that. But it was a man." There was a capless bottle of Bombay gin and a short heavy glass with a couple of melting ice cubes in it sitting on the bar. She picked up the glass and finished what was left, and said, "Would you like something to drink?"
"You got a Falstaff?" I walked over to the big French doors that open out to the rear, and looked behind the drapes. Each door was locked and secure.
"What's that?" she said.
"This beer they brew in Tumwater, Washington."
"All we have are Japanese beers." Her voice took on an edge when she said it.
"That'll be fine."
She went behind the bar, put more ice in her glass, and glugged in some of the gin. That brought the Bombay down about to the halfway point. The bottle cap was sitting in an ashtray at the end of the bar. A strip of bright clean Bonded paper was lying beside it. The Bombay had been full when she'd started. She disappeared down behind the bar for a little bit, then stood up with a bottle of Asahi. There was a tight smile on her face and a smear of mascara on her left cheek like a bruise. "Did I tell you that I find you quite attractive?"
"It was the first thing you said to me."
"Well, I do."
"Everyone says I look like John Cassavetes."
"Do they?"
"I think I look like Joe Isuzu."
She cocked her hips and her head and rested her drink along her jawline, posing. She still hadn't given me the beer. "I think you look like Joe Theismann," she said. "Do you know who Joe Theismann is?"
"Sure. Used to quarterback for the Redskins."
She gave me a giggle. "No, you silly. Joe Theismann is married to Cathy Lee Crosby."
"Oh. That Joe Theismann."
She opened the Asahi, put a paper coaster that said New Asia Hotels on the bar, then set the Asahi on the coaster. She took an icy beer mug from somewhere beneath the bar and put it beside the bottle. I ignored the mug. "You were telling me about the call."
The smile went away. She looked down into her drink and swirled it and her eyes began to redden and puff. "He had an ugly voice. He said he had that goddamned book, and that he knew we had the police involved and that we had hired a private investigator. He said that was a mistake. He said if we didn't stop looking he was going to do things." Her voice got higher, probably the way it had been ten years ago. It was nice. "He said they were watching me and could strike at any time. He told me when I left the house this morning and what I was wearing and who I met and when I came back. He knew my perfume. He knew I use Maxipads. He knew Tammy came over at four and that we played tennis and that Tammy was wearing green shorts and a halter top and-" She closed her eyes and took more of the gin and said, "Damn."
"Did you call the police?"
She shook her head, keeping her eyes closed. "Bradley would shit."
"Calling the cops is the smart thing."
"We do things Bradley's way, mister, or we never hear the end of it." She shook her head again and had more gin. "God damn him."
I said, "Did you recognize the voice?"
She took a deep breath, let it out, then came around to my side of the bar and stood next to me. Petulant. The first fright was past and the gin was working. She said, "I don't want to talk about this anymore. I needed someone here." I guess she hadn't recognized the voice.
"I know. I'll check the house and make sure it's tight. You'll be all right. A guy calls like this, it's only to scare you. If he was going to do anything, he'd have done it."
She gave her head a flick to get the hair out of her face. Her hair was lush and rich and if it was dyed it was a helluva good job. She reached out and touched my forearm with her finger. "I'll walk with you."
I moved my arm. "You look cold," I said. "Go put something on."
She looked down at herself. The silver gown made an upside-down V over each breast with a thin silver cord running from the apex of one V up her chest and around behind her neck and back down to the apex of the other V. Her shoulders were smooth and bare and tanned. She said, "I'm not cold. See?" She picked up my hand in both of hers and brought it to her chest.
I said, "Your daughter's in the house."
"I don't give a good goddamn who's in the house."
"I do. And even if she wasn't, your husband hired me, and he didn't hire me to lay his wife."
"Do you have to be hired for that?"
"Go put something on."
She pressed against me and kissed me. The silver gown felt warm and slick. I eased her back. "Go put something on."
"Fuck you." She slid past me and hurried out of the room, bouncing a thigh off the near couch as she left. She hadn't seen her daughter standing in one of the doorways leading from the rear of the house, as motionless as a reed in still air. Neither had I.
I put the Asahi on the bar. "I'm sorry that happened," I said. "She's very scared and she's had too much to drink."
Mimi Warren said, "She's very good in bed. Everyone says so." Sixteen.
I didn't say anything to her and she didn't say anything to me, and then she turned and walked away. I watched little drops of condensation sprout on the Asahi until their weight pulled them down to the bar, then I took a rambling tour of the house, checking each window and door and making sure they were tight and locked and that the alarms were armed. I looked for the girl.
At the back of the house, a little hall branched away from the kitchen with a couple of doors on one side and glass looking out toward the pool on the other. If you looked out the glass you could see down across the lawn to the flat mirrored surface of the pool and the dark silhouette of palm trees behind it. I watched the quarter moon bounce on the pool's still surface, then tried the first door. It was open and the room was dark. I turned on the light.
Mimi was lying on her back across a single bed, legs straight up against the wall, head hanging down over the bedside, eyes wide and unfocused. I said, "You okay?"
She said nothing.
"You want to talk to your mom, we can do it together. That might be easier."
She did not move. The room was white on white, as stark and cold as the Wyeth landscapes she had been staring at earlier. There were no posters on the walls or record albums on the floor or clothes spilling out of a hamper or diet soda cans or anything at all that would mark the room as a sixteen-year-old girl's. On a glass topped white desk at the foot of the bed there were three oversized art books by someone named Kiro Asano and a paperback edition of Yukio Mishima's The Sailor Who Fell from Grace with the Sea. The Mishima looked as if it had been read a hundred times. There was a small Hitachi color TV on the desk, and a scent in the room that might have been marijuana, but if it was it was not recent.
I said, "You gotta be angry." Mr. Sensitive.
"To be angry is to waste life," she said, not moving. "One must have a cruel heart."
Great.
I finished my circuit of the house and found my way back to the den. Sheila was there, sitting on a bar stool, sipping from the short glass. She was wearing a man's denim work shirt buttoned over the gown and she'd done something about her makeup. She looked good. I wondered how anyone who drank so much could stay that lean. Maybe when she was on the court she played harder than I had thought.
I said, "The house is tight. All the windows are secure and the doors are locked. The alarm is armed and in order. With Hatcher out front, you're not going to have a problem."
"If you say so."
I said, "Your daughter saw you kiss me. You might want to talk to her."
"Are you scared Bradley's going to fire you?"
A pulse began behind my right eye. "No. You might want to talk to her because she saw her mother kiss a strange man and that had to be frightening."
"She won't tell. She never says anything. All she does is sit in her room and watch TV."
"Maybe she should tell. Maybe that's the point."
Sheila drained the glass. "Bradley's not going to fire you, if that's what you're worried about."
The pulse began to throb. "I'm not worried about it. I don't give a damn if Bradley fires me or not."
Sheila set the glass down hard. Red spots flared on her cheeks. "You must think I have it pretty good, don't you? Big house, big money. Here's this woman, plays tennis all day, what does she have to gripe about? Well, I've got shit is what I've got. What the hell's a big house if there's nothing in it?" She turned and stalked out the way she'd seen women do a hundred times on Dallas and Falcon Crest. Drama.
I stood by the bar and breathed hard and waited for something else to happen, but nothing did. Somewhere a door slammed. Somewhere else a TV played. Maybe this was a dream. Maybe I would wake up and find myself in a 7-Eleven parking lot and think, Oh, Elvis, ha-ha, you really dreamed up some zingo clients this time!
I let myself out and got in the Corvette and had to stop at the gate to let a yellow Pantera with two teenagers in it pass. Hatcher was in his T-bird, a smug grin on his face.
I leaned toward him. "If you say anything, Hatcher," I said, "I'll shoot you."