"Mr. Bartlett asked me to give you this," Kenji Noda said handing her a large manila envelope as they stepped off the elevator. "It's a copy of the original plans. And also, there's a blueprint for the current layout, along with measurements."
She took it, looking him over again as she did. There was something very fluid about his motions. He could have been a dancer. There was a softness about him, and yet you got an unmistakable sense of inner strength. She suspected he had something to do with Bartlett's incredible collection of Japanese katana. He looked like he could have a connoisseur's eye.
She walked into the belowstairs service space and looked around. The back part, which was the kitchen, had stone walls that had been whitewashed. There also were two massive fireplaces, which, she assumed, had once housed coalburning stoves. Large greaseandsootcovered gas ranges were there now.
But the space was fabulous. Massive loadbearing columns went down the center, and a partition separated the front half of the space from the back. The front traditionally would have been the nursery and sewing room, in short, the maids' working quarters.
She turned to the man Bartlett had called Ken.
"Does Mr. Bartlett have a cook?" she asked. "This kitchen doesn't look used."
"No," he said. "Actually, he almost never dines here, and Mrs. Bartlett has her meals delivered from various restaurants. Though she does go out sometimes as well."
This was the first time she had heard any mention of Eileen Bartlett.
"She resides on the top two floors," he went on. "She has her own dining room up there, where she takes her meals, along with an efficiency kitchen."
So the Bartletts did live completely separate lives. That explained a lot.
"Okay," she said, "I want to look around and get a feeling for the space and start putting together some ideas." She was starting to focus on the job. The ceiling was lower than upstairs, but still the space had enormous possibilities. "Off the top, I'd probably suggest we open this out. Remove that dividing wall and make a great room. With the right kind of kitchen, this could be a marvelous contemporary space for semiformal dining and entertaining." Assuming, she thought, Winston Bartlett actually wanted a renovated space to entertain. She still had the nagging suspicion that he just wanted her. "I'd use materials that have a really warm tone."
Mix different materials for the different parts of the kitchen and the room, she thought. The cabinets could be mahogany, to echo the extensive use of that wood upstairs, and the walls around the stove area and the fireplaces could be an earth colored slate. And that look could be accented with polished granite countertops in a slightly darker hue. There would need to be a highBtu stove, probably a big Viking, with a slate backsplash all around. A couple of stainlesssteel Sub Zero refrigerators and a large Bosch dishwasher could be spaced along in the slate and granite. And if Bartlett wanted it, there could be a place for a temperaturecontrolled wine cellar. Highend design.
There also would need to be a large stone island-say a Brandy Craig-with a couple of sinks and-depending on what he wanted-maybe another high Btu stovetop there.
She turned to Ken. "If you have something else to do… I just need to walk around and live in this space a little. Then I want to make some notes on the plans. Possibly take a few photos."
"Take your time," he said. "I'll be upstairs."
He disappeared into the elevator, with his curious catlike gait, and was gone in an instant.
As she looked around she realized the thing that was missing was light.
Wait a minute, she thought, there must be a garden at the rear of this building. There are windows in the front, so why aren't there any at the back?
She turned to examine the back wall. It was, in fact, clearly of recent origin, and there was a door at one side. She walked over to the door, which was locked with a thumb latch, and opened it.
And sure enough, behind the building was an unkempt space the width of the building that ran back for a good thirty or thirtyfive feet. When she stepped out into the latemorning sunshine and looked at the back of the building, she realized there also was a row of windows facing the garden that had been bricked shut. What a travesty.
The whole design would depend on whether those windows could be reopened. But if Bartlett would allow it, then there were tremendous possibilities. With all this light, you could-
"Who the hell are you?" came a raspy, oversmoked voice from behind her. "Are you his new tart? We agreed he would never bring his whores here."
Ally turned to see a tall, willowy woman, who appeared to be in her midsixties. She had shoulderlength blond hair, clearly out of a bottle, and a layer of pancake makeup that looked as though it had been applied by a mortician.
"Perhaps it would be helpful if I introduced myself." She squeezed past the woman in the doorway and walked over to the counter, where she had left her bag. She extracted a business card and presented it.
The woman squinted at it, obviously having trouble making out the print.
"I work with the design firm CitiSpace, and I was asked by Mr. Bartlett to give him an estimate for some renovations." She had quickly acquired the sense that the less said to this woman, the better.
"I'm his wife and I still don't know who the hell you are." She squinted at Ally a moment, then glanced back at the card. "What is… CitiSpace?"
"It's an interiordesign firm."
"What are you, then? Some kind of decorator?" She grasped the door to steady herself and Ally suddenly wondered if she was slightly tipsy.
"Actually, what we do is probably closer to architecture."
Ally was collecting her belongings, hoping to get out before Eileen Bartlett decided to do something crazy.
"This is the first I've heard about all this." She turned and slammed the rear door.
"Mind if I ask you a question?" Ally said. "Do you have any idea why those back windows were bricked over?"
"It's for security," she said. "No one is ever down here."
That's obvious, Ally thought, which is why this job is so odd. This space clearly isn't being used now, and the social dynamic here doesn't bode well for a lot of cozy entertaining and dinner parties in the foreseeable future. So why is he spending money to renovate? And in this big hurry? And he just happened to pick me to do this as an audition for designing an entire museum. No, this whole thing definitely does not compute.
But of course it does. The job is a blatant bribe. To butter me up for something.
"Look, Miss Whoeveryouare, I want you to leave. I don't appreciate strange women walking around unescorted in my house."
"I'm going right now. Perhaps you should speak to Mr. Bartlett and decide together what you want to do about this space."
"I'll tell you right now what I want to do. Nothing. For all I know, he's fixing this up so he can move in some tart. We've lived here for twentyeight years and he's never done anything down here. So why is that tightfisted SOB suddenly deciding to renovate?"
"That would be an excellent question to ask him."
"You're screwing him, aren't you?" she demanded, wrinkled brow furrowed and dim eyes seething. "Like that other little whore of his. That's why he hired you. Well, let me tell you something. I'll outlive you both."
Without another word she turned and got into the elevator.