Jason grabbed the man by the neck, clawing at his throat, yanking him up off the seat. Then he raised his bloody left hand and thrust it forward, smearing the area of the killer’s eyes. He released the throat. surging his right hand down toward the guns on the seat. Bourne gripped a handle, shoving the killer’s hand away; the man screamed, his vision blurred, the gun out of reach. Jason lunged across the man’s chest, pushing him down against the door, elbowing the killer’s throat with his left arm, grabbing the wheel with his bloody palm. He looked up through the windshield and turned the wheel to the right, heading the car toward a pyramid of trash on the pavement.
The automobile plowed into the mound of debris--a huge, somnambulant insect crawling into garbage, its appearance belying the violence taking place inside its shell.
The man beneath him lunged up, rolling on the seat. Bourne held the automatic in his hand, his fingers jabbing for the open space of the trigger. He found it. He bent his wrist and fired.
His would-be executioner went limp, a dark red hole in his forehead.
In the street, men came running toward what must have looked like a dangerously careless accident.. Jason shoved the dead body across the seat and climbed over behind the wheel. He pushed the gearshift into reverse; the sedan backed awkwardly out of the debris, over the curb and into the street. He rolled down his window, calling out to the would-be rescuers as they approached.
“Sorry! Everything’s fine! Just a little too much to drink!”
The small band of concerned citizens broke up quickly, a few making gestures of admonition, others running back to their escorts and companions. Bourne breathed deeply, trying to control the involuntary trembling that seized his entire body. He pulled the gear into drive; the car started forward. He tried to picture the streets of Zurich from a memory that would not serve him.
He knew vaguely where he was-where he had been-and more important, he knew more clearly where the Guisan Quai was in relationship to the Limmat.
Geh! Schnell. Guisan Quai!
Marie St. Jacques was to be killed on the Guisan Quai, her body thrown into the river. There was only one stretch where the Guisan and the Limmat met: it was at the mouth of Lake Zurich, at the base of the western shore. Somewhere in an empty parking lot or a deserted garden overlooking the water, a short, stocky man was about to carry out an execution ordered by a dead man. Perhaps by now the gun had been fired, or a knife plunged into its mark; there was no way to know, but Jason knew he had to find out. Whoever and whatever he was, he could not walk away blindly.
The professional in him, however, demanded that he swerve into the dark wide alley ahead.
There were two dead men in the car; they were a risk and a burden he could not tolerate. The precious seconds it would take to remove them could avoid the danger of a traffic policeman looking through the windows and seeing death.
Thirty-two seconds was his guess; it had taken less than a minute to pull his would-be executioners from the car. He looked at them as he limped around the hood to the door. They were curled up obscenely next to one another against a filthy brick wall. In darkness.
He climbed behind the wheel and backed out of the alley.
Geh! Schnell. Guisan Quai!
He reached an intersection, the traffic light red. Lights. On the left, several blocks east, he could see lights arching gently into the night sky. A bridge! The Limmat! The signal turned green; he swung the sedan to the left.
He was back on the Bahnhofstrasse; the start of the Guisan Quai was only minutes away. The wide avenue curved around the water’s edge, riverbank and lakefront merging. Moments later, on his left was the silhouetted outline of a park, in summer a stroller’s haven, now dark, devoid of tourists and Zurichers. He passed an entrance for vehicles; there was a heavy chain across the white pavement, suspended between two stone posts. He came to a second, another chain prohibiting access. But it was not the same; something was different, something odd. He stopped the car and looked closer, reaching across the seat for the flashlight he had taken from his would-be executioner.
He snapped it on and shot the beam over the heavy chain. What was it? What was different?
It was not the chain. It was beneath the chain. On the white pavement kept spotless by maintenance crews. There were tire marks, at odds with the surrounding cleanliness. They would not be noticed during the summer months; they were now. It was as if the filth of the Steppdeckstrasse had traveled too well.
Bourne switched off the flashlight and dropped it on the seat. The pain in his battered left hand suddenly fused with the agony in his shoulder and his arm; he had to push all pain out of his mind; he had to curtail the bleeding as best he could. His shirt had been ripped; he reached inside and ripped it further, pulling out a strip of cloth which he proceeded to wrap around his left hand, knotting it with teeth and fingers. He was as ready as he would ever be.
He picked up the gun--his would-be executioner’s gun--and checked the clip: full. He waited until two cars had passed him, then extinguished the headlights and made a U-turn, parking next to the chain. He got out, instinctively testing his leg on the pavement, then favoring it as he limped to the nearest post and lifted the hook off the iron circle protruding from the stone. He lowered the chain, making as little noise as possible, and returned to the car.
He pulled at the gearshift, gently pressed the accelerator, then released it. He was now coasting into the wide expanse of an unlit parking area, made darker by the abrupt end of the white entrance road and the start of a field of black asphalt. Beyond, two-hundred-odd yards in the distance, was the straight dark line of the seawall, a wall that contained no sea but, instead, the currents of the Limmat as they poured into the waters of Lake Zurich. Farther away were the lights of the boats, bobbing in stately splendor. Beyond these were the stationary lights of the Old City, the blurred floodlights of darkened piers. Jason’s eyes took everything in, for the distance was his backdrop; he was looking for shapes in front of it.
To the right. The right. A dark outline darker than the wall, an intrusion of black on lesser black-– obscure, faint, barely discernible, but there. A hundred yards away ... now ninety, eighty-five; he cut off the engine and brought the car to a stop. He sat motionless by the open window, staring into the darkness, trying to see more clearly. He heard the wind coming off the water; it covered any sound the car had made.
Sound. A cry. Low, throated ... delivered in fear. A harsh slap followed, then another, and another. A scream was formed, then swallowed, broken, echoing off into silence.
Bourne got out of the car silently, the gun in his right hand, the flashlight awkward in the bloody
fingers of his left. He walked toward the obscure black shape, each step, each limp a study in silence. What he saw first was what he had seen last when the small sedan had disappeared in the shadows of the Steppdeckstrasse. The shining metal of the twisted chrome bumper; it glistened now in the night light.
Four slaps in rapid succession, flesh against flesh, blows maniacally administered, received with muted screams of terror. Cries terminated, gasps permitted, thrashing movement part of it all. Inside the car!
Jason crouched as best he could, sidestepping around the trunk toward the right rear window. He rose slowly, then suddenly, using sound as a weapon of shock, shouted as he switched on the powerful flashlight.
“You move, you’re dead!”
What he saw inside filled him with revulsion and fury. Marie St. Jacques’ clothes were torn away, shredded into strips. Hands were poised like claws on her half-naked body, kneading her breasts, separating her legs. The executioner’s organ protruded from the cloth of his trousers; he was inflicting the final indignity before he carried out the sentence of death.
“Get out, you son of a bitch!”
There was a massive shattering of glass; the man raping Marie St. Jacques saw the obvious.
Bourne could not fire the gun for fear of killing the woman; he had spun off her, crashing the heel of his shoe into the window of the small car. Glass flew out, sharp fragments blanketing Jason’s face. He closed his eyes, limping backward to avoid the spray.
The door swung open; a blinding spit of light accompanied the explosion. Hot, searing pain spread through Bourne’s right side. The fabric of his coat was blown away, blood matting what remained of his shirt. He squeezed the trigger, only vaguely able to see the figure rolling on the ground; he fired again, the bullet detonating the surface of the asphalt. The executioner had rolled and lurched out of sight ... into the darker blackness, unseen.
Jason knew he could not stay where he was; to do so was his own execution. He raced, dragging his leg, to the cover of the open door.
“Stay inside!” he yelled to Marie St. Jacques; the woman had started to move in panic. “Goddamn it! Stay in there!”
A gunshot; the bullet imbedded in the metal of the door. A running figure was silhouetted above the wall. Bourne fired twice, grateful for an expulsion of breath in the distance. He had wounded the man; he had not killed him. But the executioner would function less well than he had sixty seconds ago.
Lights. Dim lights ... squared, frames. What was it? What were they? He looked to the left and saw what he could not possibly have seen before. A small brick structure, some kind of dwelling by the seawall. Lights had been turned on inside. A watchman’s station; someone inside had heard the gunshots.
“Was ist los? Wer ist da?” The shouts came from the figure of a man--a bent-over, old man-– standing in a lighted doorway. Then the beam of a flashlight pierced the blacker darkness. Bourne followed it with his eyes, hoping it would shine on the executioner.
It did. He was crouched by the wall. Jason stood up and fired; at the sound of his gun, the beam swung over to him. He was the target; two shots came from the darkness, a bullet ricocheting off a metal strip in the window. Steel punctured his neck; blood erupted.
Racing footsteps. The executioner was running toward the source of the light.
“Nein!”
He had reached it; the figure in the doorway was lashed by an arm that was both his leash and his cage. The beam went out; in the light of the windows Jason could see the killer pulling the watchman away, using the old man as a shield, dragging him back into darkness.
Bourne watched until he could see no more, his gun raised helplessly over the hood. As he was helpless, his body draining.
There was a final shot, followed by a guttural cry and, once again, racing footsteps. The executioner had carried out a sentence of death, not with the condemned woman, but with an old man. He was running; he had made his escape.
Bourne could run no longer; the pain had finally immobilized him, his vision too blurred, his sense of survival exhausted. He lowered himself to the pavement. There was nothing; he simply did not care.
Whatever he was, let it be. Let it be.
The St. Jacques woman crawled out of the car, holding her clothes, every move made in shock.
She stared at Jason, disbelief, horror and confusion coming together in her eyes.