Dawn was breaking over the Temple of Poseidon when the two cars pulled off the coast road close to the skeletal hotel building site. Nick drove the Mercedes with Tweed beside him. Behind them Newman drove a hired Peugeot with Marler as his passenger.
'I'll drive,' he'd told Marler when they started from Athens in the dark. 'We want to get there in one piece.'
'I was a racing driver once,' Marler informed him.
'I know. You must have been a menace to the other contestants. I don't want to end up in the sea…'
Tweed stepped out of the Mercedes and stretched. He was wearing a pair of mountaineer boots purchased in Kolonaki. He'd worn them for the rest of the previous day to break them in.
Nick lifted up the travelling rug on the rear seat, took hold of the twin-barrelled shotgun. He had a fresh Browning strapped to his leg, a. 38 Smith amp; Wesson in a hip holster under his loose jacket.
'A walking armoury,' Tweed had joked.
'We'll need it,' Nick had replied without a smile.
While Nick was collecting the weapon, locking the car, Tweed gazed at the fantastic colours of sky and sea. A spectrum of rose pink, cobalt and sapphire sea. An incredible sight you wouldn't find anywhere else in the world.
'Ready?' asked Nick.
'On a job like this the thing is get moving. No palaver.'
Nick led the way behind the complex and they plunged into the wilderness of limestone bluffs looming above donkey trails which twisted and climbed. There was no sound once they'd left behind the screech of the gulls over the sea which soon vanished from view Nick placed his feet carefully, treading wherever possible on tufts of grass to deaden the sound of his footfalls. Behind him Tweed followed suit, watching for any sign of human life.
He wore a wide-brimmed straw hat, his safari jacket, tropical drill trousers tucked into the tops of his boots. Despite Nick's long sloping strides, Tweed had no trouble keeping up with him. In London he'd taken to rising very early, walking two miles round the deserted streets every day. At the weekends he drove down to Surrey, parked his Cortina and climbed the North Downs. He was in better shape than for years.
They crossed the pass and began to descend into Devil's Valley. The tortuous path twisted as it dropped rapidly round boulders of limestone. Both Nick and Tweed carried water bottles slung over their shoulders. Nick carried the shotgun in his left hand and paused as he came to each man-high boulder. He peered round it cautiously, waved to Tweed to proceed, and walked on.
The sun was climbing in a clear turquoise sky. Already it was becoming very hot: the heat from the previous day had never dissipated during the night. As they progressed deep inside the valley Tweed cast frequent glances up at the ridges enclosing them to east and west. No sign of movement. Only the occasional sheep came into view, head down as it searched for nourishment among the scrub grass.
Tweed saw a weird squat structure perched on the ridge against the eastern skyline. He guessed it was the abandoned silver mine where Newman had had his nightmare experience. They arrived at the base of the valley and the path ran to left and to right. Nick paused, drank from his water bottle, wiped sweat off his forehead. Tweed wrapped a large silk handkerchief round his own neck to mop up the sweat.
'What's that thing?' Tweed asked, pointing to a crumbling high building. A series of chutes ran at angles and all the metal was rusty. The derelict structure stood at the foot of a path climbing up the eastern slope.
The old ore-crushing plant where they extracted the silver,' Nick explained. 'Hasn't been used for years. Donkey trains brought down the ore. Have you noticed how quiet it is? And no sign of anyone.'
It was the first conversation they had had since they started out. They had agreed in the car they wouldn't speak during the descent into the valley. Nick had explained that voices carried a long distance.
'Well, isn't that our good luck?' Tweed commented and drank from his own water bottle.
'It's too quiet. And I have not seen one single shepherd. That I do not like.'
'Why not?'
'It is almost as though they know we are coming. Fifteen more minutes' walk along this path to the left and we see Petros' farmhouse
…"
It was creepy. Despite the glare of the sun burning down Tweed found the silence unnerving. Now they had to pick their way among a bed of stones and rocks and he realized they were walking along the path of a stream. In winter it would be a gushing flood.
Tweed paused to glance round. Dante's Inferno. That was what it reminded him of. The deep valley, the mountains closing in, the heat trapped in the wide gulch they were moving through. It was the sheer aridity of the slopes which appalled him. Scrub, nothing but scrub.
By now his boots and clothes were coated with fine limestone dust. It clung to his wet face. Nick turned and walked back to him. He scanned the slopes and shook his head.
'Maybe we should go back,' he suggested.
'Why?' asked Tweed.
'Look at that flock of sheep grazing high up on the mountain. No shepherd. There should be a shepherd. Something's wrong.'
'How many shepherds has Petros?'
'Between twelve and fifteen. It is a big farm. And all those men are armed.'
'I'm not turning back now. I have to see Petros. Let's keep moving.'
Nick shrugged. 'OK. Petros' farm is round the next bend. We approach very cautiously…'
The long tumbledown building with a veranda stretching its full frontage came into view. Nick stopped abruptly. The desert-like atmosphere was transformed. Tweed gazed at the olive groves climbing up behind the farmhouse, small stunted trees with tortured twisted trunks. On the empty veranda stood a large wickerwork chair. Tweed noticed the cushions were depressed – as though someone had sat there recently. The silence was even more oppressive.
'I am responsible for your safety,' said Nick. 'I think that we should turn back at once. We are walking into a trap.'
When Newman had introduced Paula to Christina the previous day and left them alone the atmosphere had been frigid. Christina eyed Paula up and down, lit a cigarette and then asked her casually, 'You're Tweed's woman?'
Paula tensed, then relaxed. 'Not in the sense you mean.' She decided she'd start as she meant to go on. 'Let's get one thing straight between us. I'm here to protect you. Just like Newman and Marler were. We're going to be penned up inside this room. Even at night because I'll be sleeping in the other bed. We'll use room service for all meals, including breakfast. Two women cramped together like that is a recipe for an explosion. There won't be one. Now, shall we start all over again?'
By the following morning they were chatting like old friends. It was Christina who brought up the subject when the waiter had taken their breakfast things away.
'Have they gone into Devil's Valley?'
'I think they're somewhere in Athens. On some checking job.'
Christina sat close to Paula, laid a hand on her arm. 'I can tell you are fond of Tweed. I like him myself. If he's gone into Devil's Valley he'll be killed. Petros hates what he calls English. He thinks an Englishman killed both his sons during the war.'
Tweed can look after himself…'
'Then that is where he has gone?'
Paula bit her lip. She'd been indiscreet: Christina was quick. And very worried. Which increased the anxiety Paula was feeling. Christina gripped Paula more firmly, her tone emphatic.
'I know the area. Petros and his men know every inch of that Godforsaken wilderness. Even if they've all gone – Tweed, Newman and Marler – they won't survive. Your friends are committing suicide. Their bodies will never be found. They'll be dropped down the old silver mine shaft…'
'Don't.' Paula began to feel sick. Christina had conjured up such a vivid picture. 'I didn't say that's where they were going.'
'But it is, isn't it? You said Tweed can look after himself. Petros is crazy. He has no mercy, no feelings. He lives only for revenge. Don't you understand? He's obsessed.'
Obsessed. Paula was shaken. Tweed, also, she felt was obsessed. What would happen when the two men confronted each other? She got up out of her chair, began to pace round the room. I'm doing what Tweed does, she suddenly thought.
'You have to do something,' Christina insisted. 'Now.'
Paula stopped by the telephone and smiled. 'I think I'm going to do something which will lose me my job.'
'Do you mind? If it saves Tweed – and the others?'
Paula checked the phone book, picked up the receiver, dialled police headquarters, asked for Captain Peter Sarris.
Keeping well away from the farmhouse which was overshadowed by a limestone crag, Tweed walked slowly forward over the dusty ground. Nick walked alongside, gripping his shotgun in both hands, the muzzle parallel with the earth.
'You interpret for me,' Tweed said. 'I'll try to make it a quickfire conversation.'
'With who?'
'I sense there are people here – all around us…'
He stopped speaking as a large tall man emerged from the farmhouse. He had a hooked nose and thick eyebrows, a lined face. For a man of eighty his movements were vigorous. He carried a double-barrelled shotgun similar to Nick's and was followed by two much younger men. From Newman's description they were Dimitrios and Constantine. Both carried rifles.
'I am Petros,' the old man announced as he descended the steps. 'Bring me a chair, Dimitrios,' he ordered.
Nick translated as Dimitrios carried the wicker chair into the sun. Petros sat in the chair, crossed his legs, laid the gun over his lap, the barrel aimed at Tweed's stomach. The safety catch was on. Seated in the open, Petros reminded Tweed of an Old Testament patriarch. His presence radiated authority and domination.
Dimitrios padded well to the right while Constantine also came into the open, taking up a position on the left -making it impossible for Nick to cover both men. He aimed his gun direct at the old man's chest.
'You were expected,' Petros said, and grinned.
'My name is Tweed. I hold a senior position in the British Special Branch. That is our version of a secret police force. I am investigating the deaths of Andreas and Stephen Gavalas, among others.'
'Listen to him!' Petros threw back his great head and roared with laughter. 'He expects me to believe his lies.' His manner changed, became menacing. The main thing is you are English. I hate all English. You made a big mistake coming here, a fatal mistake.'
'You are blind, old man? You can't see my friend has a gun aimed at you point-blank?'
'At the first sign of movement you are both dead. You must be blind. Have you overlooked Dimitrios and Constantine?'
Tweed had not overlooked them. They stood, feet slightly apart. Dimitrios had his rifle aimed at Tweed, Constantine aimed his weapon at Nick. Sweat was running down Tweed's neck into the already sodden handkerchief. More sweat trickled from his armpits. But inside he was as cold as ice as he held the old man's eyes.
There have been more murders. One of my men, Harry Masterson, came here. He ended up at the foot of Cape Sounion. Don't say you've never heard of him. It was in the papers. You were responsible for his murder?'
Petros' eyes gleamed, locked on Tweed's. He patted his shotgun, as though to check it was there. There was pure hatred in the dark eyes.
'No,' he said eventually, 'I know nothing about that. He must have been the man who came into Devil's Valley by night weeks ago. We couldn't find him. You should have asked Florakis.' He waved his left hand towards the western ridge. 'He owns a scrap of land over there, two hundred hectares or so.'
'You call that a scrap of land?' Keep him talking, Tweed was thinking.
'I own two thousand hectares here.' Petros made a grand gesture. 'Another thousand in Macedonia. If I had killed your man I would tell you. Why not? You will not leave here alive…'
'You are a member of the Greek Key?'
Petros scowled, screwed up his thick eyebrows. 'You know too much, Mr Tweed. Yes, during the Civil War I was a member. But when I found they were controlled by Moscow I left them. You think I want some commissar telling me what to do?'
'So you won't like the idea that Anton is a member?'
'You lie!' Petros' face was distorted with fury. He uncrossed his legs and his shotgun barrel shifted, pointing into space. 'You dare to say that to me, English? Your time has come. I will listen to no more of your filthy accusations. You are at the end of your life…'
Tweed said the first thing that came into his head, something which would distract the old ruffian. 'You know about those diamonds which were taken from Andreas' dead body on Siros? A fortune.'
He reached up, removed his hat, scratched at his head, smoothed down his hair. 'Order your grandsons to freeze.' Nick translated rapidly.
The first shot hit the ground between Petros' splayed feet, kicked up a puff of dust. The second bullet struck within inches of Dimitrios. The third a foot behind Constantine. Petros' gnarled hands gripped the sides of his chair. He sat motionless.
On the top of the eastern ridge Marler squinted through his telescopic sight, the crosshairs centred on Dimitrios' chest. At the summit of the western ridge Newman held his own rifle, aimed at Constantine. The telescopic sight brought up the Greek so close he felt he could reach out and touch him.
Tweed put his hat back on his head. There was a dry smile on his face. 'You really think I'd wander into this place without protection? My men are marksmen, as you may have realized. They could have killed both Dimitrios and Constantine – their bodies would be lying in the dust. Had you moved, Nick would have shot you dead. Who would have carried out your mission of vengeance? If anyone attempts to move they will be shot. Now, can we continue?'
'You are a brave man.' Petros spoke slowly, glancing up at the ridge crests. 'You are also a clever man. OK. Talk.'
'Let's talk about Anton. He went to England many weeks ago by a secret route. You sent him, I suspect. His mission? To locate three men. Colonel Barrymore, Captain Robson and CSM Kearns, the same three men who accompanied Andreas on the fatal raid on Siros. Am I right?'
Petros drew a hand across the grey stubble of his unshaven face and stared at Tweed. It was a long minute before he replied. Tweed could feel the furnace-like heat radiating up from the ground.
'You are right,' Petros told him. 'That was the first stage in my plan to kill the man responsible.'
'You know which one did it? Anton found these men?'
'We don't know which one. Yes, he found them. All living so close together. I thought that strange.'
'Then Anton returned, told you what he had discovered. But it took you only part of the way. Because you still didn't know who murdered Andreas on Siros, stole the diamonds, then returned to Cairo and killed Stephen, masquerading as Ionides? The killer must somehow have found out his real identity. That worried him sufficiently for him to decide Stephen also must die. Why was Stephen living in Cairo under an assumed name?'
Tweed waited while Nick translated. He was trying to keep his questions short, to encourage Petros to continue the conversation, but he had to extract the whole story.
'You are right,' Petros said again. 'About Anton's first trip to England. And the rest. The EDES mob sent Stephen to Cairo as a spy. They gave him false papers under the name Ionides.'
'Maybe it was the right-wing EDES which killed Andreas?' Tweed pressed on.
'No. They had their headquarters on Siros, under the nose of the German commanding general, Geiger. They wanted the diamonds. They would never have killed one of their own.'
'What about the Germans? Maybe one of them did the job, found the diamonds, took them?'
'I thought of that.' Petros paused. 'This will sound peculiar. I arranged a truce with General Geiger. He agreed. He did not want a bloodbath. A Greek killed in battle is one thing. But killed by a German soldier who steals from him, that is another. We met under a flag of truce. He was a reasonable man. He said he knew which patrols were near the area that night. He would question them himself. I knew I could trust him. Later he sent me a message. Only one patrol was near the place where we found Andreas. None of them had even discovered the body.'
'So that leaves the three commandos?'
'Yes. Now, I think we end this…'
'Wait! Anton is now in England again. Did you send him – or was it his idea? Did he persuade you it would be a good idea?'
For the first time Tweed saw doubt in Petros' expression. The old man stirred uncomfortably, looked away from Tweed towards the farmhouse and beyond.
'It was his idea,' he said slowly. 'He pressed hard for me to agree. Mr Tweed, do not remove your hat again. Do not make the signal a second time. Look behind the farmhouse…"
Tweed turned his head. Then he knew the reason for the absence of shepherds when they had made their tortuous way into Devil's Valley. A group of about a dozen men in shepherd's clothes stood scattered above the farmhouse, concealed beneath the overhang of the crag where neither Marler nor Newman could possibly see them. He had been out-manoeuvred.
'I have only told you all this because I knew you would never leave this place alive,' Petros told him. 'You see they are all armed.' He stabbed a finger at Nick. 'Now you are marked for the first shots. As you drop I shall move very quickly – which I can – inside the house. Away from your marksmen who will not react until you make the signal. Then it will be too late. So. Mr Tweed, you should never have come here…"
'Keep him talking for just a minute,' Nick whispered in English.
Tweed did not ask why. 'You haven't asked about Christina. I know where she is. She is under my care. And not in Greece.'
The fury returned. The hands clutched at the chair. 'You hold her as a hostage? I do not believe it. I would do that, but you are not such a man…'
'A different subject,' said Tweed, seeking the maximum distraction, 'Why did you wait for so many years before trying to locate the three commandos? It doesn't make sense.'
Petros' eyes seemed to start out of his head. His right hand clenched the chair as he spat out the words. A streak of near-madness glittered in his expression. Obsessed, Tweed thought – I'm facing a man obsessed…
'First there was the Civil War… then the years of work to make money, to build up the farm… you need money to conduct a manhunt. I had my family to bring up. The years passed quickly, too quickly. And all that time the thought never left my head. I must track down the killer of my sons. I live with that each day. That is what keeps me going. Revenge. And now your time is up…'
Marler was a long way below the eastern crest where he had shot from. He knew he was taking a desperate gamble – that he was leaving one flank unguarded. But he had heard the tumble of rocks sliding, which meant someone was moving beneath the overhanging crag protecting the farm.
He knew he had assessed the geography correctly: Newman, perched high on the western ridge, couldn't possibly see beneath the great crag. As he made his rapid descent, his rifle looped across his back, he was helped by his small stature, by his slim build, by the fact that he was moving down the sandy bed of a dried-up stream – which enabled him to move silently.
He avoided shifting even the smallest pebble which might give away his presence. His small feet skipped down the twisting bed. Then he slowed down, peered round the precipitous wall of the crag. The roof of the farm lay below. Under the shelter of the crag stood a group of shepherds, well spaced out, each holding a rifle or shotgun to his shoulder. Marler unlooped his own weapon.
Tweed could now hear the sounds which Nick's acute ears had picked up. The putt-putt beat of helicopter motors approaching fast. The machines appeared suddenly and at the same moment. One Alouette came over the western ridge, the second appeared over the eastern crest. Police choppers.
Petros stared upwards, exposing his thick neck. The chopper which flew in from the west was already dropping. Sarris was behind the swivel-mounted machine-gun, the glasses he had used looped round his neck. The window was open. A policeman beside him used an amplified loudhailer to shout the message in Greek.
'Drop your weapons or we open fire…'
A shepherd concealed behind a large boulder raised his rifle. He aimed for the pilot's cabin. There was a single report. The shepherd crumpled, shot in the back. Marler switched to another target. The shepherds panicked, hoisted their rifles to shoot at the chopper. Sarris' machine-gun began its deadly chatter, sweeping across those at the highest level. Shepherds threw up their hands, sagged to the ground.
'Run, Tweed…'
Nick darted forward, rammed the muzzle of his shotgun under Petros' jaw, shouted at him to get inside the house. The old man jumped out of his chair, fled for the veranda. Tweed was already running towards the house. On the western crest Newman saw one shepherd aiming his rifle over the rooftop at the running figure. He squeezed the trigger. The shepherd dropped his weapon, took two paces forward, fell flat on his face.
Both Alouettes had landed. Uniformed police holding guns dropped to the ground, ducked under the whirling rotors, spread out, surrounded the farm. Sarris strode up the steps and into the farmhouse. Tweed held an axe he had snatched from the kitchen wall.
'Better late than never,' said Sarris.