37553.fb2 Chef - читать онлайн бесплатно полную версию книги . Страница 8

Chef - читать онлайн бесплатно полную версию книги . Страница 8

Acknowledgements

I am grateful to the Canada Council for the Arts, the Corporation of Yaddo, the Markin-Flanagan Distinguished Writers’ Program, le Conseil des Arts et des Lettres du Québec, and the Banff Centre for the Arts for providing assistance to create this work.

The poem ‘Afterwards’ appeared originally in danDelion (vol. 33, #1). Irem is modeled partially on Shahnaz Kauser, someone I read about in newspaper articles by Mannika Chopra: ‘A Pakistani Mother Speaks of Life in Indian Jail Limbo’ (The Boston Globe, June 2002) and Khalid Hasan: ‘Jailed in India, Unwanted in Pakistan ’ (Friday Times, August 2002). ‘Had Saadat Hasan Manto been alive, he would have written a story about Shahnaz Kauser.’ This one line moved and inspired me throughout the creation of this work. Shahnaz’s story has been best told in Sumantra Bose’s Kashmir: Roots of Conflict, Paths to Peace (Harvard University Press, 2005). Thanks to Pankaj Mishra (New York Review of Books) and Basharat Peer (Curfewed Night) for bold reporting on Kashmir that brought attention to ‘interrogation camps’ like Papa-1 and Papa-2. I relied on several publications to understand Siachen or Rose Glacier, starting with the 1912 expedition accounts of Fanny Bullock Workman. No one has written better on Siachen than Amitav Ghosh in Countdown (Ravi Dayal, 1999) and Kevin Fedarko, ‘The Coldest War’ (Outsider, February 2003). I am indebted to both for valuable information. Other books I found useful include: Conflict Without End (Viking, 2002) by Lt. Gen. (Retd.) V. R. Raghavan, War at the Top of the World (Key Porter, 1999) by Eric Margolis, and Behind the Vale (Roli, 2003) by M. J. Akbar. Thanks to the outspoken Indian army soldiers and officers for sharing Kashmir stories. Every flake of snow (and if I may, every glacier) begins with a nucleation site, a tiny particle. That tiny particle (for this book) was my inability to comprehend the early death of the poet Agha Shahid Ali (1949-2001). These pages are immensely inspired by his life and work.

I would like to thank everyone at Véhicule Press (Montreal), especially Nancy Marrelli, Bruce Henry and Simon Dardick. To Bloomsbury, and Penguin India. For their generous advice on early drafts thanks to Umarraj Singh Saberwal, Chef Olivier Fuldauer, Renuka Chatterjee, Robert Majzels, Lissa Cowan, and Nidhi Srinivas. Thanks (for many reasons) to Adi, Rosa, Amit Pal, Janice Lee, Dilreen Kaur, Farhat Rehman, Denise Drury, Agatha Schwartz, Aparna Sundar and Taras Grescoe. To Chef Cameron Stauch, whom I interviewed in New Delhi, to Jerome Lowenthal, my ‘Beethoven consultant’, to Lorna Crozier (the line in italics on page 95 is inspired by her poetry collection The Sex Lives of Vegetables), to Maria José de la Macorra for the sketch on page 31, to Negar Akhavi for sharing the Dalai Lama ‘Chinese gulag’ story, to Nadia Kurd, Riaz Mehmood and Wajahat Ahmad for the Kashmiri translation and Perso-Arabic script on page 128.

Special thanks to Andrew Steinmetz, Jackie Kaiser, Natasha Daneman and Alexandra Pringle.