. retain, O man! in all seasons a temperature of thine own.
– Herman Melville, Moby-Dick
Russell and Candace watch the recorded show together, in her apartment, on her tiny flat-panel television, after Gabe goes to bed. Neither has the nerve to watch the segment alone. Nor do they have the nerve to see each other again, without pretext.
They kiss each other experimentally on Stone’s arrival, to Gabe’s disgust. “What is this, France or something?” But Russell appeases the boy by spending a little while in Futopia with him, before lights-out for children and showtime for adults.
Then Russell and Candace settle in, deployed eighteen inches apart on her living room sofa. They kiss again, riskier, as the recording starts. “Thanks,” Candace says. “Helps. Much better than a tranquilizer.”
Stone almost jumps out of his skin. He has taken half a milligram of Ativan, from a little plastic bottle full of them borrowed from his brother, just before arriving.
The woman smoothes her hair and stares at the screen. Under her breath she tells herself, “Maybe just as habit-forming, Candace.”
“It’ll be fine,” he says. He can’t figure out what he’s talking about. He finds her mouth again. A moment later, he’s not sure if he really said anything at all.
Both of them are helpless and pounding by the time “The Genie and the Genome” starts. Each tries to concentrate, but they’re throbbing in unison, audible to each other. They try to follow Kurton’s argument, the one about our vast increase in the ability to improve people. The man seems somehow different from the person they saw onstage, the one who lured Thassa to Boston. “He is charming,” Candace concedes, her hand tracing circles on Russell’s thigh. “There’s no arguing that.”
Stone should say something. “There isn’t?”
The show sweeps them headlong, rushed by CGI, rapid crosscuts, and a ruthless synth soundtrack. Everything about the show makes science as sexy as sports. Neither of them watches enough TV to be inoculated. The message floods them: strengthen, sharpen, enhance your chromosomes, be smarter, healthier, and truer. Thrive and be what you want, feeding every need. Live forever, suffused in joy.
Kurton mentions Thassa by pseudonym, near the show’s end. He talks of her like some design template for the future. “We cured smallpox,” he says. “We eradicated polio. We can hunt down and wipe out misery. There’s no reason why every one of us can’t be equals to our ideal.” In the last lines of the profile, the scientist says, “I don’t believe in God, but I do believe that it’s humanity’s job to bring God about.”
By then, the two viewers are long gone, the television muted, Candace up and astride Russell, bobbing herself to a pulse they find together, Russell her fuse beneath her. They end up shattered, crumpled into each other, a double collapse, both so grateful to be back here, after so long away.
Then they’re in her bed. The second time is slow. They turn each other all ways, tasting, playing, giving over-all either of them ever wanted. Whatever the first reason, there’s no other point now than to fit together. It takes all his will not to tell her he loves her, over and over. And he would, if words weren’t as hindering as fur on fish. But this is what he thinks, curled up safely into her amazing back, plummeting into sleep: Thank you. Thank you for raising me from the dead.
They wake in light, to a disoriented Gabe calling, “Mom? Don’t we need to get up? Mom? Why is the TV on?”
Candace springs up and startles when she sees Russell. She covers her mouth with her hand, half in this morning’s start and half still in the ocean of last night. She kisses him, chastely now, her breath loamy and close, stale with slept-on bliss. Her neck and pits, too, smell fusty but familiar. Fitting. She grins and shies a finger to her lips. She shouts to the door, “Morning, sweetie. I’ll be right out!” She pantomimes to Russell, Wait here, then laughs again at the idiot gesture. She tumbles into long johns and a sweatshirt and disappears.
So-a French farce: yet another story you know by heart. Only in this one, the other man is four feet tall.
Russell stretches out diagonally in her sheets, territory he has already marked. The sheets still hold her gamey scent. He has read how people choose their mates on smell and some sixth sense, a pheromone whiff off histocompatibility complexes other than their own, but recognized. He was doomed to end up here, in her bed, from the moment they sniffed each other.
For months he’s watched the film in his head, sure that this inevitable collision would end in fumbling disaster. Sure he’d come away from a night with Candace condemned forever to the life of an impotent poet, without even the consolation of writing poems. Now all the focused force of dread vanishes in a rush of surprise fitness, leaving him vast amounts of surplus energy with which to enjoy the woman again, at the earliest possible opportunity. All the best writing is rewriting.
He feels good. Contemptuously good. Every inscrutable thing that Thassa has ever said about how easy this state is to achieve now feels stunningly obvious. And yet this burst of happiness will be deducted from any remaining share owed to him in the afterlife.
Beyond the door, a mother makes right again the world of her child that has come apart a little in the night. Russell breathes in; only the memory of last night’s television persists in rasping him. And even that burr is obscured by the side effects of the Ativan and the image of a woman lifting and lowering herself gratefully on him.
She lets herself back into the room, flushed. She leans against the door, a makeshift barricade. “I’m so sorry about this! I’ll just get dressed and take him to school. Then I have to head in ”
“Sounds good. I’ll just lie here like a satiated drone.”
She grins, comes to the bed, and climbs all-fours on top of him. “You are wonderful. Simply wonderful.”
She means someone else. Or some other word. But maybe he is, this morning. For this moment, anyway, full of something much like wonder.
He watches her stand in her closet and do a demure reverse striptease until she is Candace Weld again, pleated, rose-colored college psychologist. The moment she’s dressed, they lose each other again. He pulls the covers over his thin chest. She looks everywhere but at him. “Stay as long as you like,” she says. “You know where the coffee is. I’ll check in with Thassa from work. See what she thought about the show.”
“Good plan.”
She crosses to him and kisses him on the forehead. He kisses her on the chin. In afterthought, she sits on the edge of the bed and rests her hand on his sternum. “I hope ”
“Yes,” he says. “Me, too.”
She goes to the door, touches her lips, sends his germs back to him on the carrier air. The door opens and she stumbles out into the hall, into a bolting ten-year-old.
When Candace called, Thassa had already recovered from the show. She laughed at the scientific pseudonym that Dr. Kurton gave her. “He must have stolen it. From a film I showed him.”
The Algerian seemed as resilient as her alleles made her. “It’s not so bad as I feared. Kind of science fiction, right? Nothing to do with me, anyway. Now it’s Jen’s problem! Although, did you see that anime of my brain? My own brain, working. Very strange, that.”
That night, at their usual time, Candace checked in with Russell.
“How did she sound?” he asked.
The psychologist sighed. “Happy. As usual.”
“I know the feeling. Except for the ‘usual.’ ”
And the two of them went on to speak of more pressing things.
The scientific community’s reaction starts noisy and amps up fast. A madly democratic chorus weighs in on radio, television, and the Internet, and in newspapers and university lecture halls.
The press leaps on the usual expert witnesses. In the States, they swarm around Jonathan Dornan. Three internationally bestselling books explaining evolutionary genetics to the intelligent layperson make him the automatic go-to for anything spelled with the letters G, A, C, and T. Dr. Dornan gives a guardedly appreciative quote to the AP: “Ten thousand genes get expressed in the human brain. We understand fewer than one percent of them. This research begins to give us a handle on what happens in forming baseline temperament.”
Others doubt the paper’s details can be redeemed, let alone refined. In laboratories from Tübingen to Beijing, skeptical researchers object to the idea that anything so complex could derive from so small a number of genes.
Nobel laureate Anthony Blaze writes a much-reproduced Guardian op-ed:
We must once and for all outgrow our obsolete ideas about heredity. Genes don’t code for traits. They synthesize proteins. And single proteins can do incredibly different things, depending on where and when they’re produced We have no gambling gene, no intelligence gene, no gene for language or walking upright or even a single gene for curly hair, for that matter. We certainly possess no set of genes whose function is to make us happy.
This piece just feeds Truecyte’s original firestorm. Geneticists on four continents caution about overstating the case for nurture. There’s nothing magical about behavior or temperament. When the crucial genes are missing, no amount of outside stimuli can compensate. Maybe FOXP2 isn’t a gene “for language,” two German researchers point out in an Economist reply, but the lack of a good copy of it prevents the development of speech.
Other speakers come to Blaze’s defense in dozens of international forums rushed together in the wake of the story. The Kurton-doubters concede that a single gene defect can knock out a complex behavior. But that doesn’t mean complex behaviors derive from a single gene. One bad allele can cause depression. But a few good ones don’t necessarily cause bliss.
Researchers whose greatest social stress consists of writing grant proposals slink out of their labs and into broadcast studios. They summarize the complex article using short, digestible sentences of simple words. On cue, across the big three monotheistic target markets, creationists flood the call-in lines, leading the discussions into threads more tangled than any enzyme pathway.
A hard-core genetic determinist from the University of Leiden, interviewed on BBC Four, points to the haunting twin studies: the more genes any two people share in common, the more likely they are to share dispositions, no matter how or where they’re raised. A nurturist colleague from Hamburg refutes that “hardwire hype,” suggesting that any individual’s emotional highs and lows probably differ as much as any two people’s baselines.
In the scattered sniping, both sides commit crimes of passion. A symposium at the University of Florida generates a complex exchange of ideas that culminates in face-slapping. An outspoken engineer from MIT who champions Kurton’s paper as an important early step in the future structural improvement of humans receives death threats.
The most damning critique comes from the epigenetics community. A revolution is afoot, one that looks almost like retooled Lamarckism, calling into question the centrality of the gene and all the old dogma of fixed inheritance. The genome seethes with extragenetic inherited mechanisms, environmentally altered chemical switches. The gene-centric view looks increasingly like the domain of fifty-seven-year-olds still in the grip of obsolete paradigms. Nurture can directly affect germ cells. Old-style gene-association studies like Kurton’s may be not even irrelevant. Temperament may be in the water, food, and air, as much as in the chromosomes
For a few strange days, neither right-wing nor left-wing talk radio knows whether they should be for this discovery or against it. Both wings flap over the notorious footnote, Jen. Is she real, or just some kind of research artifact? Is she the poster child for the coming, new human? Or is she just some chick who’s more chipper than she should be?
The consensus, if any, is vague. Most talking heads agree that the sculpting of affect is lifelong and fluid. But most also concede that people’s bedrock emotional skills vary as greatly as their skills in math. For proof, witness the chaos of this public argument.
But in all the din, no one comes forward with any substantive criticism of the original paper’s methodology. The statistics withstand scrutiny. Other studies will take years to confirm or contradict the outcome. The story could vanish in shame. It could be put to rest once and for all in a new definitive study. And still the genes of happiness will knock about in the collective marketplace for generations.
Candace Weld did, at least, have the foresight to run one definitive experiment that spring. At the beginning of April, she entered into Google the quoted phrase “happiness gene.” The search engine returned 727 hits, one-fifth of them false positives. She tried again near the beginning of May, when even the TiVo-and-leave-o people had gotten their first hive-mind vibe of Thomas Kurton. By then the hits had reached 162,315. Come June, she didn’t have the nerve to try again. Nor did she have the need.
In short, Truecyte’s announcement produces the usual scientific free-for-all. No one is shocked but the general public. Science has never hidden the fact that truth is red in tooth and claw. Blood has flowed over the question of inherited temperament since Paleolithic humans started breeding dogs.
Usually the shouting takes place behind closed doors, out of earshot of the press. Few families bicker in public. The gap between any two scientists pales next to that between science and the science-hating public. But once betrayal is involved, all bets are off.
The betrayal in question splits along generational lines. In one corner, the old-style university geneticist, hands full of reagent, head full of a slowly accreting body of knowledge. In the other, the molecular engineer, hands on the computer simulations and head full of informatics, working for a start-up drug company that reduces even the research professor to a licensed client. Patience versus patents, say the old-style professors. Law versus awe, say the upstarts.
Like the worst of family fights, this one gets uglier as the stakes rise. But in the weeks following publication, Kurton sails above the fray. If he and Truecyte have indeed discovered deep foundations of human emotion, then they’ve just made themselves indispensable. And if they’ve moved a little too quickly or hopefully, the damage will be smaller than the potential gain. They’re a private company after all, accountable to no one but their investors. Write off the loss, manage the resulting publicity, and stake a new claim.
The mastodon has evolved. It’s a whole new elephant.
Thassa’s genome slips into the wild, joining the list of laboratory escapees from killer bees to SARS. A fifth of the popular articles about The Journal of Behavioral Genomics cite the footnote woman from the obscure ethnic population who has won the happiness triple crown. One million people hear Kurton marvel about “Jen.” Ten million hear about her from that one million. And so the imaginary woman comes to life, growing from anonymous childhood to cult adolescence in about five days.
Of course, the bloggers get to her first. There’s a funny piece on Queen Elizabeast (high authority ratings from all user indexes) called “No Cry, No Woman,” suggesting that
anybody who is that far above the human baseline-anyone whose brain scan looks like a symphony-probably should already be considered her own honorary species. If Jen truly is without sadness, then she’s missing out on something profound, mysterious, and essentially human. That’s my feeling, and I’ll go on saying as much, at least until I get the Paxil tuned
The piece gets a few dozen trackbacks and spawns four times as many uncredited imitations across sites large and small. The online magazine Betatest runs a longer, philosophical rumination, “Jen Mind, Beginner’s Mind.” It’s a careful piece, distinguishing between destiny and predisposition. It paints a rich picture of positive psychology’s current understanding of emotional set points. It surveys the huge body of research about environmental contributions to happiness and argues that from any point of view, we ought to be much more interested in the part of our mood that’s under our control than in the part that’s not. It concludes:
Any contentment that Truecyte’s mutant of happiness feels, the rest of us can also experience, much more meaningfully, because more intermittently, through daily effort.
The article gets e-mailed tens of thousands of times around the Net, and with every copy of the article comes a full-length color portrait of a woman in a pose suggesting euphoria. Her features have been Photoshopped out and replaced by the ubiquitous sunny smiley face.
Countless Internet top feeders follow the happiness-gene kerfuffle in detail. They browse to the Behavioral Genomics site and give up in frustration halfway through the abstract. They surf to the Truecyte home page and take the Flash guided tour. They add a few new key terms to their newsreaders, plunge into numerous user groups, or lurk invisibly around the corners of the crazier brawls. They post questions on various Answers Forums, asking whether Jen is for real or some kind of medical composite.
A Facebook user named OtherAngie confesses to being Jen. Her pokes explode, and within three days, her friend count skyrockets from 500 to 8,000+. Half the people leaving comments on her page dare her to prove the claim. She’s holding her own, spinning out elaborate accounts of her irrepressible psychohistory and her recent discovery by science, when three other Facebook users announce that she’s full of shit, because each of them happens to be Jen. Then a dozen people on MySpace jump the claim, and the game wipes out as fast as it started.
The tag phrase “u r so jen” disseminates through the mobile texting community. By the end of the month, the word graduates from adjective all the way to verb. I jen you not.
Sometime near the invention of writing, a single mutation began making its way through the human gene pool. The variant may have arisen once, somewhere in the Middle East. Or it may have appeared independently in the Arabian Peninsula and somewhere in Sweden. Whatever else the gene variation does, it prevents the lactase enzyme from being shut off after weaning. Those with the variation enjoy a prolonged digestive infancy and can drink milk their whole life long.
When tribes began to keep domesticated cattle, the variant humans had a novel advantage: a food source the others couldn’t digest. Some three hundred generations later, most adults of Northern European ancestry can consume milk with impunity, with the skill still spreading around the globe like a pandemic.
I want to know how long three hundred generations is, on an evolutionary scale. I want to know how fast lactose tolerance will move through the rest of the dairy-fed globe. I need to know how fast a tolerance for the lactose of human kindness might spread-how long it might take for the generosity haplotype to run through the race and fit us out with a new, stunning skill.
Thassa gets wind of her anonymous renown. You’d have to be an off-the-grid Tuareg not to come across the happiness gene somewhere in some medium. And people who react to stories about the happiness gene also react to stories about the woman who has it in spades.
She follows the mounting Jen speculation on blogs across the Web. She even leaves comments here and there, saying that no such creature exists. In fact, Jen is more imaginary to her than Gabe Weld’s little digital angel. If people want mystery and imagination and inexplicable temperament, they should just read Assia Djebar. The whole “genetically perfect happy woman” story will disappear as fast as last month’s runaway curiosity-a young man from Maryland who can tell with 98 percent accuracy when any other human being is lying. And Jen will leave no more lasting a trace.
The doings of Thassa’s alter ego are the least of her worries. The spring semester is nearing its climax, and she’s struggling. The demands of the film curriculum and her own appetite leave her overstretched. She’s taking Advanced Production; Culture, Race, and Media; History of Documentary; Location Sound Recording; and Ecology, the last of her general-education requirements. She’s singing in the Balkan choir and trying to form a Maghrebi one. She’s showing Kabyle films to the weekly CineClub, where she’s already given elaborate presentations on Bouguermouh’s La Colline oubliée, Meddour’s La Montagne de Baya, and Hadjadj’s Machaho. She’s fallen in with bad mah-jongg influences. And she’s started what can only be called a liaison.
It begins when Kiyoshi Sims, seated next to her in the media lab, shows her a transitions trick in the digital-video editing software. She, in turn, shows him how to sit for fifteen minutes in the school cafeteria without having a panic attack. Almost by chance, they develop a routine. He helps edit her semester studio project, a short composited sequence called Come Spring. And she slowly desensitizes him to going out deeper into public.
By late April, they’ve graduated to the point where he can sit with her in that famous blues club on South State on a Friday afternoon, long enough to eat something. They share fried catfish and okra with honey-mustard sauce and beers that neither of them touch, listening to the Delta twelve-bar keening over the sound system. Kiyoshi has grown so bold as to drum along on the tabletop. Now and then he even rips a little air-guitar lick, although his riffs are so discreet it’s more like air ukulele. He stops when anyone nearby makes a sudden move.
They sit in the shallows of contentment, just about to wrap things up and return to their respective Friday-night film editing, when Sue Weston discovers them. Neither of them has seen Artgrrl for weeks. They share a minireunion, after which a terrified Kiyoshi slips away and barricades himself in the men’s room.
Sue shoots Thassa an I’m-onto-you grin. Thassa braces, preparing an explanation of the Sims-Amzwar special relationship. Surely the art-school ecosystem is broad enough to permit such a symbiosis.
But Artgrrl blindsides her. “It’s you, isn’t it? The woman with the happiness genes. You’re all over the Net. Jen is Miss Generosity.”
Thassa flips a fork across the table, decidedly ungenerous. “Jen is a scientific hallucination.”
Artgrrl steps back, her face crinkling. “Of course it’s you!” She swallowed a little stimulant twenty minutes earlier, a prelude to Friday night, and it’s juked her up a notch. “I can’t believe nobody’s made the connection. I mean, those other stories about you, last winter? The whole hyper thing ”
The Kabyle lowers her head and places her ear on the tabletop. “There is nothing special in my blood.”
Weston sits down in Kiyoshi’s abandoned chair and places a hand on her shoulder. “Maybe not. But what difference does that make? This whole Jen thing is on the verge of being, like, the It deal of the season, and it’s not going to last much longer. You should go for this. Think of the eyeballs. You could post your films and get thousands C’mon, girl. Fame is the new sex!”
Thassa lifts her head, a dry little glint. “Hey! What about the old sex, first?”
“Are you for real?”
“I can’t help. I come from a repressive culture.”
“Oh, my God.” The American covers her gaping mouth. “They didn’t like, cut you or anything, over there?”
“Oh, not that repressive culture! I mean Quebec.”
Sue’s grin tries to steer into the skid.
Thassa touches two fingers to her elbow. “You shouldn’t believe everything you think!”
The suckered American fingers her lips. “You lying little minx!” She steps back from the Algerian, approving. “You’re messing with me.” But before Sue can right herself, Kiyoshi returns, hoping to retrieve his computer bag and make a clean getaway before the human-contact thing gets out of hand. Sue reappraises the shrinking boy and giggles with new admiration.
Thassa follows Kiyoshi in escape. But before she can flee, Sue squeezes her goodbye, gauging her again with that gleam. You can’t hide from me, the look says. Have fun with Invisiboy, if you don’t kill him first.
Later that night, Sue Weston logs in to her blog and posts her new entry: “Bird of Happiness, Tagged.” She spells out the argument with a clarity that would make her onetime writing instructor proud. She links to last November’s StreetSharp transcript, the Reader article, and all the noise of a few months before. Just the facts. Nonfiction, without the creative. Her own kind of science, with first prize for priority.
It’s not like she’s making facts public; the facts were never private to begin with. She’s twenty-one, young enough to know that there is no more public or private. There are only slow facts and fast facts, linked and unlinked, and every two sequences of value will eventually be correlated. Someone will publish the connection in another few days anyway, if she doesn’t. And why should someone else’s blog get all the eyeballs?
Schiff arrives in El Kef with her guts emptied and her brain in a similar state. She stands at the window of her hotel room in the Ville Nouvelle, above the Place de l’Indépendance, too light-headed to make out much more than the massive Byzantine fortress looming up out of a tumble of stone and whitewashed plaster. The streets of the medina twist down from the Casbah’s foot. More town spills down the other slope, a jumble of white-and-tan blocks watched over by minarets and domes. The tip of a cellular radio tower peeks out above the fortress, puncturing Tonia’s Orientalist fantasy. Coming here was mad. She’s like a time traveler from the golden age of pulp science fiction, trying to change a future that has already happened.
Schiff stands motionless, looking, until a heavyset man with a paintbrush mustache comes out on a balcony across the Place and returns her inspection. She turns back into her stale room. The detailed discovery of the town will wait a day, until she can do it right. As Thassa once told her, tomorrow will be there, as soon as you need it.
Schiff sheds her crumpled road clothes and takes a lukewarm shower in the tiny, open stall. Her head still spins from the louage, and she never wants to eat again. She wraps herself in a towel and stretches out on the bed. She finds her ratty pocket spiral notebook and writes: We talk tomorrow. For a moment, the whole expedition seems almost plausible. If I can record ten minutes, I’ll be happy.
All the while, she pretends she isn’t jonesing to discover whether the world as she knows it has continued to exist during her day away. At three minutes to the hour, she casually flips on the television (a broken remote left ceremoniously on the bedside table by the hotel staff) and trawls the channels like the worst of quidnuncs.
This two-star hotel in an outpost of forty thousand people in a remote western province of a little country wedged between the chaos of Algeria and the void of Libya pulls in more cosmopolitan broadcasts than she gets in New York. She pounces on the BBC like a starving person. The world is much as she left it. The day has gone like any other, held hostage by the past and doomed by coming appointments. In that closet hotel, each news story announces either imminent extinction or embryonic breakthrough. Hotel residents everywhere-any passenger in transit this night-must be forgiven for thinking that life will be solved at last, one way or the other, by the time they get home.
She flicks off the set and, in the highland silence of that molding room, opens her carry-on. She pulls out a plastic case packed with disks like makeup mirrors, each one storing hours of video. She’s packed only three days of clothes, but more digital clips than she could watch in three weeks. The secret of happiness is meaningful work.
She flips through her archive, the clips she’ll splice together to make her own real firstborn. In the middle of the stiff bed, surrounded by time capsules, she loads a short feature on the most notorious infant in living memory. The girl with that perfectly archaic middle name: Joy.
Whiplashing to think that the footage is three decades old. But the basic trope goes back millennia: a dangerous, destabilizing baby smuggled clandestinely into an unsuspecting world. The doctors don’t even tell the prospective parents that their little girl will be the first of her kind. Tonia sits on the bed, watching the videotaped birth, a message posted forward to whatever people might inhabit the evolved future. The infant head crowns on Schiff’s screen, and there is Louise Joy Brown, an impossibly slight five and three-quarters pounds, crying her lungs out in that first crisis, air.
The birth cries are nothing, compared to the ones they touch off. Perfectly moderate commentators face the camera and declare the doom of the human race. Almost ridiculous now, this dated hysteria. But almost right.
Schiff sits up in the bed and glances back out the window. A corsage of yellow lights now trace Kef’s edges all the way up the jagged mountain. This town’s basic cure for sterility may often still involve a prayer at the local zaouia. But then, so does New York’s.
Tonia turns back to the warnings posted forward from a previous planet. Later technologies make that first artificial conception look like a Hail Mary play. Intrafallopian transfer, intracytoplasmic sperm injection: a dozen of her friends have shopped from that list. A few hundred thousand IVF babies make their way through this night, as dark swings around the globe. The process is nothing now, and the real show is only getting started. A new industry, following only voluntary guidelines, already screens embryos for hundreds of genetic diseases. And Tonia Schiff will bet her return ticket that some billionaire, somewhere, is already paying to have his offspring screened for good traits. The race will take to selling characteristics on websites, like downloadable songs, the day it becomes possible.
She ejects the disk and flips through the stack, looking for the second half of tonight’s double feature. She has documentaries and biographies, old news clips on engineered bacteria, gene transfer, the world-famous photogenic sheep, xenotransplantation, embryos from skin DNA transplanted into eggs, embryos with two mothers and a father, and, from last week, the application for exclusive ownership of a wholly synthetic organism.
Apocalypse has become too commonplace to feel. Of the scribbling in books, there is no end. And all our writing will in time come alive.
She takes notes until she falls asleep. And falling asleep, she’ll tell herself that she asks for almost nothing: one more documentary, one more interview, one more clandestine infant named Joy. But the rim of cliffs guarding this ancient town mock any theme she might care to film.
Because Donna Washburn, the author of the Reader feature, googles her own name only once every two days, a full twenty-one hours pass before she sees herself mentioned in Sue Weston’s blog. Immediately Washburn leaves a message on Thassa’s voice mail, asking for confirmation. But Thassa doesn’t reply by the time the next week’s Reader is put to bed. So the paper runs an “unconfirmed rumor” squib. By the time the bit runs, it’s redundant. Jen’s secret identity has started to proliferate through the Web. Within a week, she’s pretty much a publicly traded commodity.
Three weeks before final exams, and Thassadit Amzwar is working flat out on Come Spring, trying to get a rough cut done before semester’s end. She hardly even notices the ripples. In this country, where continent-wide cultural transformations root, take over the biosphere, and go extinct several times in every twenty-four-hour news cycle, all she has to do is hunker down, finish the term, and wait until the public attention drifts back to celebrity divorces and custody fights, where it belongs.
The first assault is a simple repeat of last fall. She tries her best to answer the surge of e-mails. A few dozen fanboys and postpartum mothers write to ask, Is Jen really you? How old were you when you first realized that your genes were making you joyous? Does it still work late at night in winter? Could we meet for coffee, for a chat, for just forty-five minutes? I could be there on Thursday. Minneapolis isn’t all that far from Chicago
She’s gentle with these people; it’s not their fault they’ve been misled. After a few days, she reverts to a form letter. It breaks her heart, but she has no choice. She tries to add a personalized sentence at the end of every reply. When she begins to get replies to her replies, she grits her teeth and ignores them.
Then the phone starts ringing. It’s Self magazine. Then People. Then Psychology Today. She gives a couple of phone interviews without even realizing she’s doing so. She gives another one, just by trying to explain that she doesn’t want to talk about what’s not worth talking about. A journalist from the Trib begs her to come down to Rhapsody and just have a sandwich. She can hear in his voice that he’s a fine man with a wife and children who only wants to do his job as best as he can; having a sandwich while explaining the massive misunderstanding can’t do any more harm. When Thassa gets to Rhapsody, there’s a photographer lying in wait alongside the journalist. And this photographer woman-a graduate of Mesquakie-is also just doing her job and living her art.
The interviewers keep asking her to describe exactly how it feels to be exuberant. She asks them, “You have never been?” Yes, they say, but all the time? No, she says. Cheerful often. Exuberant sometimes, perhaps frequently, depending on the tally. Everyone alive should feel richly content, ridiculously ahead of the game, a million times luckier than the unborn. What more can she tell them?
They want to know whether she inherited her bliss, whether it comes from the environment, or whether she’s simply willed herself to be happy. She tells them honestly: she hasn’t a clue. They ask if other people in her family are as happy as she is. She says she’d never presume to say how happy anyone else might be.
After four days of the circus, she stops answering her phone. But it tears her up to hear the messages left on her voice mail. She can’t listen to them and not call them back. At the same time, she’d dearly like to finish the semester without flunking out. The only answer is to cancel her phone service and start a new one.
This doesn’t prevent total strangers who see the Tribune photo from stopping her in the street and greeting her warmly. But then, she used to stop total strangers in the street and greet them the same way. So it’s a wash, and she meets some nice people as a result. Many people she meets tell her how exhilarating it is, just to talk to her. That feels like considerable evidence, to her unscientific mind, that the disease is more contagious than genetic. But no venture capitalists step forward to fund a double-blind controlled study.
Where are Candace and Russell during all of this? They’re slipping off to lunch like international pleasure smugglers. She’s teaching him to cook. He’s sketching her portrait. They’re eating junk food on Navy Pier. They’re listening to Scandinavian reggae at the Aragon. They watch a Chinese gangster film in a hole-in-the-wall Chinatown theater, without benefit of English subtitles. They take Gabe to the Living Toys of the Future exhibit at the Science and Industry.
On nights when Gabe is at his father’s, they lie on Stone’s narrow futon on the oak floor, reading out loud to each other. They do scenes from Shakespeare-Rosalind and Orlando in the Forest of Arden. Jessica and Lorenzo under the floor of heaven. On such a night as this, they might be anywhere.
They carry Thassa around between them, always, blessed by the girl who has brought them together. They see her in every passing curiosity, all the sharp, bright details that now fill their days, feeling a gratitude as obligatory as taxes and death. “We should call her tomorrow,” Candace tells Russell, more than once, as they fall asleep holding each other.
They draft an imaginary book together. The force with which Candace urges the idea on Russell overwhelms him. It doesn’t feel like therapy at all. It feels like remodeling the house. It feels like gardening. It feels like having old friends over for dinner, only without having to clean up.
“Come on,” she cajoles, nudging him with her hip and settling down next to him on his futon. She brandishes his canary-yellow legal pad. “Come on, Mr. Wordsmith. Our one good chance to have things our way. So what do you want to call this thing?”
He can’t stop marveling at her. She’s turned into a goofy twenty-year-old. A grin as infectious as any virus. “Don’t we have to make a few choices first?”
“Like what?”
“Oh, I don’t know. Like whether we’re writing a novel, memoir, history, how-to, self-help, or cookbook?”
“Of course! You mean, like, facts or make-believe. Still a difference nowadays?”
For a while, anyway. Soon it will be all one thing or all the other, although Stone isn’t willing yet to predict which.
Time to choose. “Make-believe,” he declares.
“Great. That’s the one where they can’t sue you, right? So where do we start? We need a cast list. Dozens of three-dimensional, unforgettable characters who bleed when you cut them. People so real you can smell their toenails.”
Unit two on his obsolete syllabus: mannerisms, traits, and core inner values.
“Do we really need characters?” he bleats. “I hate characters. It’s such a cliché, characters.”
“Okay, fine. No characters. That’s new. That’s fresh. I like it. So what’s this thing about?”
On the second Sunday after Easter, Mike Burns, one of the inner circle of younger, magnetic ministers at the two-hundred-acre campus of an interdenominational megachurch in South Barrington, preaches a sermon at the third of four mammoth weekend services on the theme: Do we still enjoy God’s most-favored-nation status? The analysis is blunt-blunter than any recent balance sheet from Washington. Pastor Mike lists the symptoms of a national fall from grace. Drugs, promiscuity, and the occasional massacre plague the nation’s schools. Whole communities are drowning in the Internet’s cesspools. The Chinese economy is set to eat our lunch, along with most of our between-meal snacks. The banking industry has vanished into imagination and unemployment is booming. Violent crime and homosexuality are everywhere, and by any objective measure-standard of living, health care, and general quality of life-the whole country is scraping chassis.
At the climax of his daunting catalog, with a storyteller’s timing, Pastor Mike shifts to a checklist of bounties remaining to those who have kept faith. Americans are still God’s elect, the vicious envy of the rest of the world. Just as the lost could not abide Christ’s serene power and had to put Him to death, so, too, do other clans, terrified by the freedom of America, long to harm it.
But who cares what the enemy wants? the preacher chants. God wants your joyful noise. The best thing you can do for Him here on Earth is to parade His elation. And in the closing minutes of his sermon-a commanding moment cut into the highlights reel for inclusion in the church’s weekly videocast-Pastor Mike gives his flock a true-to-life parable:
“Now let me tell you about a young lady you may have heard about in the news, a girl from a persecuted minority family who somehow escaped from the fanatical, Islamo-sectarian hell of Arab Africa, a pilgrim soul who managed to make her way safely to college in one of the luckiest cities in the luckiest country on earth Science gives this survivor’s joy a medical name and tries to pretend that her perpetual bliss is nothing more than a random, chemical accident. My math- my science-works differently. Do you think it’s just an accident that this woman, who has been through horrors that make our own safer souls shudder to imagine, that this recipient of God’s unstoppable love just happens to be Christian? Do ya Huh? Just chance?”
The laughter of the congregation plays loud and long, on desktop and handheld devices everywhere.
Candace and Russell lie flank to cold flank, facing heaven, effigies on the lid of some Renaissance marble tomb.
“National novel-writing month coming up,” she whispers. “Fifty thousand words in thirty days. Last year they had 95,000 entrants and 19,000 finishers. What do you think?”
“Excuse me for a moment,” he tells her. “I have to go take my own life.”
Shortly after the megachurch posts Pastor Mike’s sermon to their site, a member of its sprawling congregation shares the results of her research in the church’s online forum: the street address of the pilgrim soul herself, should anyone wish to share with her their appreciation of God’s blessing.
Response is swift and enthusiastic. Even faith enjoys economies of scale.
Stone is sanguine enough these days to pick up the phone, even when he doesn’t recognize a new number on his caller ID.
“Mister Stone! You have to help. They’re after me!”
Her. The ground goes soft around him. “Who?”
“Very Christian people with too much free time. They’re mailing me gifts. Bringing me things. They want to meet with me for prayer!”
She tells him about the sermon and its aftermath. Even now, she’s more amused than panicked.
“You are the native,” she says. “Tell me what am I to do with this.”
He starts filing furious lawsuits, taking out restraining orders, threatening to prosecute everyone who mentions her name in public. “Are you all right?” he asks, mimicking Candace’s competence. “Is anyone harassing-”
“I’m perfectly fine. It’s just embarrassing. They’re sending me stickers and pins, pretty guitar-music discs, and crazy little Jesus trophies. One lady brought a whole nest of leftover chocolate Easter eggs in a little green-and-pink basket for my dorm room. I told her that chocolate eggs are a fertility ritual. At least that one didn’t stay too long!”
“Wait.” He feels as if a nearby gunshot has just dragged him up from the dead of sleep. “They’re coming by your place?”
“Tell me how I’m supposed to stop them. Help me! I’m running out of tea and cakes. And you know, I have finals coming up. I need one hundred more hours to finish, and I have only sixty left.”
“They’re What do they want from you?”
“Simple. They haunt me for being born a Christian. They want me to be their team what do you call the funny little things ”
“Mascot.”
“Exactly. I’m some kind of Jesus mascot. Or I’m going to cure their lives. Mister, it’s pitiful. Some of them think I’m a messenger angel, sent down to earth with a secret message about the future. Tell them, Russell. I’m no fucking angel!”
The word stops him dead on the line. She doesn’t swear. She must not know what she’s saying. The French or Arab equivalents are just costume jewelry, and Tamazight can’t even have a word that taboo. But, come to think of it, neither does English anymore: the word is fucking everywhere.
She breaks his silence. “Hey. You’re not a Christian, are you? I’m sorry. I didn’t mean to hurt.”
He has dreamed of mailing her things himself-old folk mix tapes, guides for surviving America, essays that her essays reminded him of, dizzy little books of Hopkins and Blake. “No. I was born My parents brought me up It doesn’t matter. I’m not really anything, really.”
“Good. I’m nothing, either. I’m a Maghreb Algerian Kabyle Catholic Atheist French Canadian on a student visa. I can’t help these people.”
“We should ask Candace.”
“I don’t know, Russell. I love Candace. That’s not the point. But Candace always tells me to do just what I think is right. She’s a big one for self-discovery, that Candace. I’ll simply pretend I already asked.”
He could suggest other solutions. But he doesn’t. He’s weakened by his recent bout with joy. Joy does little to increase one’s judgment. Happiness is not the condition you want to be in when you need to be at your most competent.
He asks if she has someplace in the city to hide out until finals. She can think of no place, and he doesn’t offer any. He tells her to protect herself, to be gentle but firm about her time. The main thing is to get over the semester finish line and get back home.
“Home,” she agrees. “That would be a beautiful place to get back to. One small problem, Mister. No trips home anytime soon. I’m enrolled in Summer One courses!”
They share an awkward pause. He thinks about offering her his place. But that’s crazy. They both hold still. For a moment, it’s so quiet I’m afraid they’ll hear me listening in. Then she asks him how his book is going, and we’re all safe again.
“Great.” He laughs. “I have a coauthor. Friend of yours.”
“Candace? Are you serious?” He can’t read her, her nonnative register. But he can hear her doing the math. “You and Candace are together?”
As together as anything, he supposes. “Yes. Yes, we are.” His answer surprises him more than her question.
“That’s wonderful, Russell. I’m happy for you. I’m happy for Candace. You are great with Jibreel. And I’m happy for this book you’re working on together. Now could you please tell me what it’s about?”
He smiles at her petulance. Sunniest petulance ever. “It’s an adventure story. It’s about someone breaking out of prison.”
“Really? You should talk to me. I have a cousin who broke out of prison. I can tell you stories.”
Imagination dies of shame in the face of its blood relation.
“I miss you, Mister Stone. Miss how you are. We should go somewhere together, sometime. See some sights.”
He has to remind himself. It doesn’t mean anything. She would take even the Christians out sightseeing, if there weren’t so many of them.
A buzzer rasps on her end. “Oh my God. More visitors. Wait a moment.” She’s off to the intercom and a short chat. She comes back laughing. “It’s two sweet old women. I can see three more spinning around, down in the street. They want me to autograph some magazine clippings and talk about blessings.”
“Tell them you’re studying for exams.”
“I give them ten minutes. Then I ask if they would like to sacrifice some goats together, out on the balcony. That sometimes speeds them up.” She makes a kissing sound into the phone. “Thank you for everything, Russell. Love you. Bye!”
This mutant Second City is home to a talk show. Lots of world cities and even some non-world ones have talk shows to call their own. The genre dates back to the book of Job, and it has spawned more variants than wolves have spawned dogs. But the world has seen no talk show like the one that has evolved in this particular Chicago.
It’s less a show than a sovereign multinational charter. And its host is, by any measure, the most influential woman in the world. Her own story is a remarkable mix of motifs from American creative fiction, from Alger to Zelazny. Say only that she has grown from an impoverished, abused child into an adult who gives away more money than most industrialized nations. She has the power to create instant celebrities, sell hundreds of millions of books, make or break entire consumer industries, expose frauds, marshal mammoth relief efforts, and change the spoken language. All this by being tough, warm, vulnerable, and empathetic enough to get almost any other human being to disclose the most personal secrets on international television. If she didn’t exist, allegory would have to invent her. Her name is O’Donough and she is the richest Irish American woman in history, but she, her show, her publishing house, and her chain of personal-overhaul boutiques are known the world over simply as Oona.
The guiding principle of her program-the one that has made Oona the most-watched human of the last two decades-is the belief that fortune lies not in our stars but in our changing selves. She has told several thousand guests that blaming any destiny-whether biological or environmental-just isn’t going to cut it. Even in her own much-publicized battles with moods, mother, and metabolism, Oona has always insisted that anyone can escape any fate by a daily application of near-religious will. Every person has at least enough will on tap to overcome any statistically reasonable adversity and to become if not intercontinentally successful, then at least solvent.
So when the national media circulates the discovery of congenital happiness, it catches the attention of Oona’s extensive stable of program developers. A predisposition to disposition: it’s exactly the kind of fatalism the boss is determined not to be determined by. And nothing boosts the viewership like a good fight. When Oona’s staff learn that the Happy Gene Woman lives in a dorm room in the South Loop not sixteen blocks from The Oona Show’s studio, it reads like fate.
Thassa’s name appeared in Weld’s appointments calendar: a half-hour walk-in slot on the Thursday afternoon of finals week. The tidal bore of pre-finals desperation that surged annually through the counseling center had tapered off, and most of Candace’s clients were crawling back home to piece themselves together over summer break. Weld hadn’t spoken with Thassa for longer than she could count. She’d seen the swell of public nonsense, of course. But a student could face worse crises than a momentary deluge of anonymous love.
Yet there Thassa was, her 3:00 p.m. counseling appointment. Weld wondered how she could have let so many days pass without contact. In the seven years that Candace had worked at Mesquakie, she’d made three major miscalculations, one of them resulting in an attempted, thankfully inept suicide. Weld went into therapy herself after that, and Dennis Winfield and other colleagues helped restore her professional confidence. She learned a great deal from these slips, and she battled back from each one to become stronger at what she did and better at who she was. But every so many months a note or news or a surprise name on the appointments calendar grazed her, and she returned to that eroding state where everything was incomprehensible mistake and cascading consequence. The state in which many of her clients permanently resided.
Candace knew what she had to do: Listen carefully for any immediate danger. Sympathize with the disorienting stress Thassa must be under. Then suggest that Thassa make an appointment as soon as possible with one of the other counselors. Friendship and professionalism both demanded the switch.
The knock came promptly at three o’clock. Candace opened the door on the first student ever to enter her office and hug her. Thassa shook Weld’s shoulders and kissed her on both cheeks. “So-you are still alive!”
“I’m sorry,” Candace said. “Things have been so crazy lately, haven’t they?”
“Total folie.” Thassa’s eyes could not stop moving. She glided around the office in her white muslin dress, inspecting the bookshelves, the Hopper print, and the photographs, as if this were the first she’d seen them. She settled into the leather chair, home at last.
Candace sat in the adjacent armchair, trying to place what was different about Thassa. Her aura had changed. She wasn’t nervous: just the reverse. She radiated some intense urge toward stillness. Every conversational starter Candace could think of felt foolish.
“A colleague of mine showed me the People magazine piece.”
Thassa shook her head to an inner rhythm and closed her eyes. “I can’t even think of it, Candace. C’est fou. C’est absolument fou.”
“Are you Is it wearing you down?”
The Kabyle looked off into a year’s distance, at the distinct possibility that this might be the case. “These days have been so strange. A kind of funny hell. I never realized this before. I can make total strangers miserable, just by being well. I never thought this could happen, and I don’t know what I am supposed to do with this.”
“Is that what you came to talk about?”
Thassa’s head jerked back, slapped. Candace heard the stupidity of her words. The two women blinked at each other for a raw instant. Thassa rallied first, covering for them both.
“Of course not! Do you think I would be that tedious, Candace? I made an appointment because you are too busy to see me anymore!”
They stumbled into a laugh. Then a little vanilla gossip. There was no other word for it, and although it felt mildly criminal to indulge, especially in her office, Candace proceeded to give the only other woman who would care a brief account of just what it felt like to be with Mr. Russell Stone.
The session timer chimed softly, much sooner than it should have. Thassa rose to go, Miss Generosity again, a perfect clone of the young woman whom Stone had introduced to Weld, as recently as last fall. The small damage from Weld’s stupidity had healed. Candace would call her next week. They would do something together. Maybe a gallery opening. Maybe theater.
“By the way,” the Kabyle said, her accent thickening, “I need to tell you. I’m going on The Oona Show.”
Candace froze halfway to the door. Her face did a time-lapse Lon Chaney before settling on professional curiosity.
Thassa dropped her eyes and toyed with the inlaid Japanese pencil box on Candace’s desk. “I know. You must think I’ve lost my mind. I was going to ask your opinion.”
Seven years of psychological training, and Candace Weld had no reply. “Do you know that show?”
“My God, Candace. What do you think? South Sea island people have Oona fan clubs.”
“Have you thought about this? Do you really think ”
The younger woman reached out and touched two fingers to Candace’s wrist, helping the patient through denial. “This is the right thing. The fastest way to make everything end. I made them ask Thomas Kurton, too. This way, I talk to that man face-to-face, in front of everyone. I only want my life back, Candace. This can clear up everything, once and forever.”
Thassa left, but not before embracing Candace with such resigned encouragement that it scared the counselor. Thassa on the most-watched television show in history: Weld felt as if a Greek chorus had predicted that development all the way back at the start of Act 1.
A knock came five minutes too early to be the next student client. Before Weld could collect herself to answer, Christa Kreuz poked her head through the door. Her colleague’s eyebrows struggled with the empirical evidence. “Excuse me. Was that who I think it was?”
Complimentary tickets admit Stone and Weld to the most coveted studio-audience seats in the country. The gift is wasted on them-like a 1993 Petrus Bordeaux at a frat party. They aren’t aware of the four-year waiting period. They know nothing about that famous pancreatic-cancer support group who banded together to request emergency tickets-the one thing the group all wanted to do while still together. They’ve never heard about the episode where Oona gave every person in the audience a fifty-inch television. They’re just here to watch Thassa prove she’s not a freak.
Russell is a mess. He’s wrapped around Candace’s upper arm like a blood-pressure cuff. He’s way out behind hostile lines, in the core of an empire that would turn on him in an eyeblink if it knew his insurgent heart. He’s clammy and numb, as if Colonel Mathieu has captured him in The Battle of Algiers and is about to hook him up to wet electrodes.
“She’ll be fine,” Candace says, peeling his claw off of her arm and taking it in her hand.
Of course, she will. He’s never doubted that Thassa would be anything less.
The soundstage is a low-ceilinged box packed with raked theater seats. It’s filled with dolly-mounted cameras, floodlights, boom mics, flat-screen monitors, and skeins of cabling as thick as anacondas. In a glass-encased mezzanine, Stone can see banks of mixing boards-a private space program or an underground command bunker. The whole show is operated by tattooed, headset-wearing kids who look like his former students. They probably are Mesquakie students, from a few years ago at most.
The audience sits in a dark oubliette. In the center of the LED-speckled blackness, bathed in grow lights so bright it hurts Stone’s eyes to look, sits a cozy living room ripped out of someone’s mission-style home: a flower show in the middle of an airplane hangar.
Five camera crews dolly around like crack artillery emplacements. One of the squads is smaller, their gear more mobile. Russell knows the woman standing next to the cameraman before he recognizes her. He looks away, somehow guilty.
Candace notices. “Is that who I think it is?”
“Who?” he says. But she’s impossible to mistake: Thomas Kurton’s television interviewer. Popular science’s most striking public face. The woman who presided over their first moments of sexual exploration.
“What are they doing here?” Candace asks. “Didn’t they film their show already?”
Her question is lost in an audience swell. Someone walks out onstage, but it’s not Oona. It turns out to be the audience’s personal trainer. He starts with a few jokes that soon have the audience in the aisles. Stone gets only half of them. He turns to Candace for explanation. She’s pinching the bridge of her nose and smiling stoically. At what, Stone can’t say.
The trainer talks the audience through the next forty minutes. He explains how important it is that everyone be themselves and respond honestly to any meltdowns that Oona and her guests get into. Monitors spread throughout the room will give simple cues to help indicate where laughter or surprise might be appropriate. “So let’s try out a couple of responses, all right? I said, ‘All right?’ I can’t hear you ”
The audience eats it up. Stone shoots a dazed look at the woman on his right. She’s a kindly forty-year-old pukka elf who reminds him exactly of his sister, if he had a sister. She sneaks him a grin while shaking her head and applauding along with everyone. Stone starts to clap, too. He keeps his eyes on the trainer, afraid even to glance at Candace.
The personal trainer takes them through a gamut of responses. They get quite good at shared dismay, shock, and pleasure. When the audience is one finely tuned globe of communal good feeling, the trainer tells two more jokes and leaves to an ovation. Music starts up, brassy and buoyant. A voice comes out of nowhere and the audience starts pumping, even before Stone can check the monitors for a cue.
Oona skips into the glowing living room, warm and confident and a little abashed by the affection flowing from her hundreds of studio friends. Exhilaration courses over the rows of seats. When she steps to the front of the stage and smiles, Stone feels he’s known this woman forever. She’s someone he’d like to have as a friend-girl in an adjoining cubicle at Becoming You. She’s the person his mother was, when his mother was young and still went out in public. He wants to reassure Oona, to thank her for her wry normality. She scares the hell out of him, and she hasn’t even started talking.
Something pulls at his fingers. He looks down at Candace, who is trying to free her crushed hand from his grip.
Stop worrying, she mouths, over the applause. It’ll be fine.
He’s shot through with gratitude for this woman. He couldn’t even sit in this place without her, let alone pretend that anything might be fine.
Oona waves her hands, helpless with pep. “Thank you, everybody. You’re all simply amazing!”
The uproar crests again.
“Today on the show Thank you! Today on the show ”
The word sends Stone into a fugue. They’re on a show. Show, don’t tell. All for show. If bad things come down while they’re here, they can just return to the unshown.
“. we’re going to talk with several experts in different fields who’ll tell us-ready for this?-the secret of happiness.”
The audience erupts again, as if they already possess it.
“Yep. How about that? That’s got to be worth your price of admission, right there!”
She makes several more promises, all in the voice of everyone’s favorite high school English teacher. A great surge of appreciation ends in a sudden mood drop. Stone looks around, confused.
“Commercial break,” Candace whispers.
Stone struggles with the idea. Out there, in the world, the show never wavers. In here, it ebbs and flows, like any bipolar creature.
In minutes, the thrill is back. Oona’s first guest arrives with fanfare. He’s a broadcast and Web psychologist whom everyone in the room friended long ago. His message: We’re incapable of predicting what will make us happy. Consequently, it’s best to stay loose and keep revising the plan. Socialize, volunteer, listen to music, and get out of the house. The man’s witty pragmatism makes Russell want to bunker down with the shades pulled. Stone checks Candace. She screws up her mouth and sighs. The audience laughs and claps and resolves to forgive themselves more and live a little freer.
The broadcast psychologist and Oona debate about whether it’s harder to be happy or to lose weight. They drop into another brief depressive interval, followed by a more manic return. Then Oona gets serious and asks her worldwide audience, “Could it be we’re simply hardwired for happiness? Our next guest, a leading genomic researcher, believes he has the answer. Friends, please welcome Dr. Thomas Kurton.”
Kurton’s five minutes agitate even Candace. Every time the Donatello man speaks, she tugs at Stone’s sleeve with silent objections. Kurton talks so rationally about dopamine receptors and inherited good cheer that the audience must see he’s dangerous. But the monitors keep their counsel, and each guest is left alone to take her private cues directly from Oona’s face.
And Oona’s face harbors the wary hope coded into those humans who lie smack in the middle of the normal distribution curve. “So you can look at my DNA and tell me how upbeat I usually am, relative to the rest of humanity?”
Kurton grins into the studio lights. “We can make a reasonable guess at where, on the spectrum of human buoyancy, a given constellation of genetic variation will probably fall.”
The broadcast psychologist tumbles forward in his chair and tries to interrupt. But Oona waves him down. “Hold on. And you can do this for how much?”
Her half-guilty, half-greedy comic timing is perfect. The audience laughs, and Thomas Kurton laughs with them. “Gene sequencing is getting a hundred times cheaper and faster every year. Someday you’ll be able to order behavioral-trait tests for less than you’d pay a psychological testing service. And the answers won’t depend on self-reporting.”
It hits Stone: the man can say anything at all. Sober measurement or wild prediction-it makes no difference. He’s on the show. And the show, not the lab, is where the race will engineer its future.
The psychologist can contain himself no longer. “Is knowing my happiness quotient going to make me any happier?”
His timing is not as good as Oona’s. She blows by him again, fascinated with Kurton. “Here’s what I’m wondering. You see, I’m dating this guy? Yeah Some of you may have read about that?”
The audience goes wild. Stone sees the future. The race is going to go down. But it will go down laughing. Oona blushes like only the Irish can. Along with 140 million other people, Stone wants to protect this woman from her own heart.
“So, yeah. I’m dating this guy, and I’m wondering if you can tell me whether he’s really as cheerful, way deep down, as he seems to be right now?”
Kurton’s smile isn’t afraid to hint. Someday we’ll all know more about one another than anyone knows about herself.
Oona passes the mic. One of the few men in the audience asks if constant happiness might actually be risky. The audience applauds. The radio psychologist nods and says that people who rate themselves as a ten are less productive than those who call themselves an eight. Kurton asks, “Is that such a bad thing?” The monitors murmur HMM just before the audience does.
A pretty, terrified brunette not much older than Thassa asks how soon science will be able to turn sad genes into happy ones. Kurton grins and says he’s never been very good at predicting the speed of science.
Then a slim, tall, poised woman nearing forty stands and addresses Kurton. “My husband and I are trying to have a child through in vitro fertilization.” The audience falls quiet. “Genetic counselors say we can determine which of the fertilized embryos might have incurable monogenetic diseases. Can we now also tell which ones have the best chance of being happy?”
Oona’s arms are all over the place. “Oh my God! Can you do that?”
It’s not clear whether she means technically or legally. Kurton demurs, apologizing. And the audience murmurs something the monitors don’t prompt.
A creature grips Stone’s arm. He turns to Candace. Her face blanches. Her life’s work is slipping away from her in an arms race of bliss. “They’re buying it,” she whispers. The wisdom of crowds has turned on her. All Stone can do is reach across his chest and touch one limp hand to her right shoulder. She grabs it in both of hers.
“Okay. Hold on!” Oona the sane and suspicious, Oona the levelheaded avenging angel of common sense crosses her hands in a T. And Yes, my two throwback characters hope: she’ll stop the madness now. The most influential woman in the world will buy humanity another twenty years of grace before the species splits into Ordinary and Enhanced. “So what’s the catch? I mean: screening embryos? How much is something like that going to cost?”
An Ah! escapes the audience, then ripples through millions of people in seven time zones, at the speed of broadcast.
“Good question,” Kurton says, rubbing his head. “My company is thinking hard about exactly that question.”
“What do you think?” Oona asks, peering out into the black abyss of dollying machines. Stone thinks she’s putting the matter up for public auction. But she narrows her gaze to the slender forty-year-old on the verge of in vitro. “How much would you pay to pick your child’s profile?”
“I don’t know,” the woman says. “Parents already pay hundreds of thousands to give their children advantages.”
Everyone talks at once. Oona takes forty seconds to reestablish order. She’s dazed, like she doesn’t believe any of this, and then like she does, like we’ve just set out from this world toward something glorious and paradisiacal. At last she falls back into her Everywoman look, still crash-tested but conditioned by a lifetime of biannual breakthroughs to believe that every story will still happen, in time. Through the corner of a mouth that can no longer tell which way to twist, she says, “You heard it here first, friends. The question is whether you’re ready for it! Are we closing in at last on the thing we’ve been looking for from the beginning? More, after this.”
During the commercial break, a start-up down in New Mexico publishes an association study on predisposition to insomnia. An Illinois university lab secures more funding to study the suicide risks of three leading antidepressants. And a Bay Area biotech company prepares to announce a genetic test that will tell anyone their odds of developing bipolar disorder. “We’re not claiming this is our ticket to Stockholm,” the CEO tells his board. “We do, however, believe it offers people more value than any other diagnostic now on the market.”
While the cameras rest, Oona lets her guests debate, just to keep everyone happily on edge. Candace leans over to Stone in the dark. Her warm breath swirls in his ear. “Can we move to another planet?” He wants to tell her yes, anywhere. But multibillion-dollar deep-space probes have already laid claim to all the best reachable ones.
The audience starts to cheer before Stone realizes the real show has returned. “Welcome back,” Oona says, perched on the arm of the emerald sofa. “Today we’re all about the secret of happiness! And right now, I want you to meet a remarkable young woman you may have heard about. Until now, she’s been known only by her pseudonym, Jen. She’s the woman who our guest, Dr. Thomas Kurton, after a four-year study, says may just possess one of the best genetic signatures for personal well-being. How does it feel to be born with what the rest of us can only dream about? Let’s find out. Friends, please welcome the woman with all the right happiness genes, Miss Thassadit Amzwar.”
Thassa stumbles from the wings, squinting in the klieg lights’ blaze. A gasp comes from the house: she’s foreign. She’s wearing a pair of tight green straight-leg jeans and a puffy white Berber blouse embroidered with rainbow around the collar and wrists. She has on every piece of good-luck silver Russell has ever seen her wear. Those onstage clap along with the audience. Thassa sits on the sofa, leaning forward, legs together, peering out into the blackness. She spots her friends and waves. When the clapping quiets, she says, “Why are you all cheering? I haven’t said anything yet!”
Stone presses his eyes and Candace starts to cry. Everyone around them breaks out in a new, delighted ovation.
Nine minutes of television-a broadcast eternity. Watching the scene unfold over the shoulder of her own show’s cameraman, Tonia Schiff couldn’t help feeling, I’ve seen this film before. She could have written the spectacle’s script herself. Thassadit Amzwar came out onstage to a rock anthem, as if some trained seal of elation. The ingenue sat down, surrounded by her examiners, before an audience cranked up on a network high, teetering between the two primal feeding frenzies of hope and doubt. And as in every version of this movie that Schiff had ever seen, some well-meaning but helpless figure lurked on the boundaries of the audience, filled with shameful complicity. At least she was off camera this time.
The Algerian woman sat in the eye of the churning show, far away in an impenetrable place, pulling an imaginary shawl over her shoulders. Schiff marveled at the self-possession, freakish for a woman of any age, let alone twenty-three. In another era, Thassadit Amzwar might have been celebrated as a mystic. The famous host dangled questions in front of her like twine before a cat.
O: Would you call yourself one of the happiest people ever born?
TA: Of course not! Why would I call myself that?
O: You know what I’m asking.
TA: I feel very well. Very happy to be alive.
O: And you feel like that all the time?
TA: Naturally, no. I’m often sleeping.
O: How much of your personal happiness is in your genes?
TA: Ask this man. He knows everything about genes.
O: We’ve asked him already. What do you think?
TA: How can I know, Oona? What does it even mean? One hundred percent? Fifty? Zero?
Confusion gathered in the room behind Schiff, the buzz of a stirred hive. Even the prompting monitors were perplexed. Schiff made Keyes pan around the restive room.
O: Were you born happy? Were you a happy baby?
TA: Listen. I was thinking. Maybe happiness is like a virus. Maybe it’s one of those bugs that sits for a long time, so we don’t even know that we are infected. A virus can even change your genes, can’t it?
Here the woman appealed to the scientist, who smiled so broadly that anyone just tuning in would have thought that he was the one guilty of inherited pleasure. Keyes caught both faces in close-up at just the right moment. He also managed to catch, in the iconic host’s reaction, the first awareness that she faced a guest rebellion.
O: Okay, let me ask it this way. Were your parents happy?
TA: My parents? My parents lived through war their whole lives. They never knew their own language. Everyone was their enemy, and then they died. How happy are most Americans?
The Americans in this room were less than pleased. Many of them looked ready to demand an emotional refund. Someone had misled the general public. The woman with the perfect genetic temperament wasn’t even amusing. This woman was testy. And the audience had been set up for some elaborate practical joke.
The famous host made further jabs, increasingly desperate. She shifted to Kurton, asking him to talk about Miss Amzwar’s neurotransmitter levels and her fMRI. Miss Amzwar interrupted. Why are you looking for our spirits in molecules? Very old wine in new bottles!
Her exasperation turned contagious. The program headed toward precisely the kind of disaster that kept audiences addicted to live broadcasts.
O: Sister, if you’re telling us that you’re as miserable as the rest of us, why did you come on this show?
The audience exploded into cheers and catcalls. The despondent Jen bent her neck oddly away from the camera, as if someone had her soul pinched between his thumb and forefinger and was twisting it. Her face clouded, and she sank into a darkness that bordered on bitter. Schiff felt the woman drift to the brink of a public breakdown. Yet even the descent seemed a work of art-repugnance as robustly enjoyed as any mood.
Keyes’s camera, along with the four Oona Show units, nailed what happened next. With another shoulder twist, the Algerian shook off temptation and passed into a state more solid than anger. She rose up on the couch and surveyed the room. Something large hijacked her irritation, some uncontainable affection for everything that grew from twenty-three chromosomes. Her enzymes aligned, she began to speak, and in one surge her easy tide lifted all the boats.
Digital clips of her outbreak hit the Web for worldwide consumption as early as that evening. They multiplied for days after the air date. And by the following week, the YouTube imitations began to appear. The otherworldly glow of the soliloquy came less from Thassa Amzwar’s words than from her posture, the quiet knowledge that poured out of the woman, despite her best efforts. And this was the aura that teenage girls everywhere attempted to copy, in an epidemic of two-minute DV viruses that broke out on machines across all the advanced countries.
Later, Schiff spent hours hunting down the proliferating performances, which had by then become one of the most popular amateur theatricals on the Net.
“Oona, listen,” a pretty Vancouver Eurasian lip-synchs, in her own shot-perfect re-creation of the segment. “I promise you: This is easy. Nothing is more obvious.”
A stocky blond high school junior wearing a Berber blouse in her Orlando bedroom recites for the lens, “People think they need to be healed, but the truth is much more beautiful.”
Atlanta: “Even a minute is more than we deserve.” Spokane, Allentown: “No one should be anything but dead.” San Diego, Concord, Moline: “Instead, we get honey out of rocks. Miracles from nothing.”
“It’s easy,” all the Thassa Amzwars across the globe swear to anyone who’ll listen. “We don’t need to get better. We’re already us. And everything that is, is ours.”
Stone and Weld snatch her from the clamoring studio audience and whisk her off to a hidden soft-serve ice cream dive somewhere west of Greek Town. Neither of Thassa’s foster guardians has the courage to ask anything but whether she’s all right.
Her all-rightness extends to being ravenous. She wolfs down nine hundred calories while wondering out loud, “What exactly is my crime, do you think? I simply enjoy this world. Why do they treat me as some kind of threat to civilization?” She says nothing about her teetering in front of the camera, that brittle moment when she seemed half in love with nihilism. But she confesses to thinking she’d never escape the post-show crush alive.
When she comes up for air two waffle cones later, she mentions, a little embarrassed, her pre-show meeting with Tonia Schiff. “You remember her? The funny narrator from the genomes program? Of course you do!”
Stone and Weld nod, red.
“She wants to make another film. The other side of this so-called destiny story. She thinks there’s much more to tell about my feeling well. She thinks I’m being made into some kind of prophecy. She wants to help, I think.”
Stone checks with Candace, who chooses this precise moment to clam up. He sees in her face exactly how it is: too scrupulous to give the advice she wants to, too committed to trust to intervene. He pleads with her: Don’t leave me here alone. But Candace’s eyes blink with a first little ten-dollar dose of fear.
“Do you think that’s a good idea?” he asks Thassa. If Weld won’t be herself, he’ll have to be her. “With all this exposure right now ”
Thassa pets his shoulder with her paper cup. “You’re right, Russell. Of course you are. But this is the woman who I want to be when I grow up. She can teach me a lot about film. Maybe more than school can.”
With a glance, she implores Candace. All the psychologist can do is raise an eyebrow.
Methodically, Thassa shreds her napkin. She murmurs a few Tamazight words of encouragement to herself. “It’s a funny thing. I’m Kabyle. We’re supposed to be so private by nature. Ach-nature! It’s meaningless, isn’t it? I know what you think. But maybe another show can finish all this nonsense. Jen must disappear. Maybe Miss Schiff can help kill her.”
She looks to her friends for their approval. She’s forgotten, in the moment’s stress, how no one needs to decide more than God. And God decides at just that minute to send through the door of the ice cream joint a pair of retired women who instantly recognize the foreign creature they just saw on television an hour ago. It takes the trio twenty minutes to escape from Thassa’s admirers.
They say goodbye to one another back in the South Loop. Thassa is restless again, her eyes casting in all directions for the sequel that might extricate her. They drop her off at her dorm, where a cluster of superchurch Christians and Mesquakie Oona Show fans already gather for autographs. Thassa goes stoically to her fate. “Russell, Candace: you are wonderful. Let’s meet again, on a calmer day.”
They watch the recorded show again that night, in Edgewater. Gabe watches with them. The boy is so excited he almost levitates. “We know her, Mom. She’s my friend. This is like six stars. Seven!” He’s a little upset by that moment when Thassa threatens to implode. But he knows how a good ending needs a brush with disaster in order for it to mean anything. When the strong finish comes, it’s like he’s willed it into being.
On his way off to bed, the happy boy asks Russell, “You staying over again tonight? Whatever. My dad says he’s cool with it.”
In bed, Russell and Candace reprise the argument they’ve been rehearsing all day. “The stress is getting to her,” he says. A second look at the show convinces him. “I’ve never seen her like that. She was this close to losing it.”
Candace, meanwhile, has recovered. Her own little worm of fear has put out wings and become some beautiful gadfly. “Russell. It’s over. She won’t have to do it again. So she hit a shaky patch. Rough edges, same as anyone. I don’t think she was in real trouble, even for a minute. Look how she ended!”
But all he can think about are those thirty seconds when Miss Generosity lay pinned under a boulder as heavy as any that has ever crushed him. He sees something new in her, something better than he ever expected.
“Leave it,” the woman in bed next to him says. “Stop worrying. She was fine.”
He rolls over and straddles her. He presses his body down across her length, cupping her shoulders, pressing his mouth between her breasts. How wrong can this counselor be? The girl wasn’t fine, not by a long shot. She was susceptible. Desperate. Magnificent. Exhilarating.
The note from Dennis Winfield reached Weld two days later. A note, not a visit: trouble. Weld knew what it had to be about. The only mystery was why it took so long in coming. Perhaps the counseling center needed time to make an airtight case.
At least Dennis showed the decency to reprimand her privately before convening the whole tribunal. She could work with Dennis one-on-one. He had a thing about her. She didn’t even need to play him; he played himself, whenever the two of them sat in a room together.
She came to his office at the appointed time, all sails trim and ready to navigate any accusation.
Dennis opened conventionally enough. “You’re in a relationship with this man? Sleeping together?” He sounded more than professionally hurt.
Weld reminded Dennis that she’d consulted him. Both he and Christa Kreuz had green-lighted her dating Russell Stone.
“We did not give you license to violate ethics.”
She fell back in her chair. “Violate ” Dennis fended off her glance with his chin. She no longer recognized him. She tried to slow her heartbeat and take stock. “I have never violated professional ethics in my life.”
She’d blurred a boundary once or twice. Let clients need her more than was good. But that was early on, before she graduated from her own temperamental weaknesses. “How dare you, Dennis. I’ve done nothing that you and your morals policewoman didn’t sign off on. Just what are you accusing me of?”
“Inappropriate emotional intimacy with a client.”
She jerked forward, indignant. “He’s not a client. We’ve been all over this-”
“Not your boyfriend,” Dennis said. “Your boyfriend’s girlfriend.”
Candace slumped back into her chair. Panic plumed through her chest. Someone held her head underwater. Even before Dennis spelled out the accusation, she saw it, complete. And indisputable. She sobered horribly, like she’d been on a jag with some wild, five-minute party drug and she was just now coming to, witnessing her sluttish behavior from a distance.
“She isn’t a client,” Weld said, pathetic even to herself.
“She’s a student at this college. She was in your office for an appointment last week.”
“That wasn’t an appointment,” Candace bleated. “That was ” But all she could think to say was personal.
“You’re in a severely impaired position here.” Dennis examined a legal tablet full of evidence.
Candace looked away to the window, into the dappled sunlight of the west. No objection possible. How had she managed to hide the truth from herself for so many months? It had all seemed genuine, legitimate. In truth, she’d backslid massively into her own worst trait, sought the love and approval of someone she should never have been more than professionally considerate to. She’d fancied herself the girl’s big sister, her guide and protector. What had she been, really? Her flatterer. Impaired. Years’ worth of self-correcting effort, and Weld had gone nowhere. Her character had her chained, forever complicit.
“Dennis?” she said, finding his eyes. “Yes. You’re right. I need to go back into counseling.”
He kept his gaze on his legal pad. “You need more than that. This is license-threatening stuff. This student is on national television, on the edge of emotional disaster, and she’s sleeping over at your house? She’s your pal? And all the while you’re dispensing advice like some kind of fairy godmother, setting her up with private research outfits ”
Candace Weld sat and watched as the future stripped her of meaningful work. Everything she’d struggled to become would be held against her. She cast about for pr n y ma , but her lungs were crushed. She dropped her head, cupped her hands around her engorged throat, and dissolved in tears.
Dennis studied his notes, pretending composure. “You will go into therapy,” he said. “Christa will get you referred.”
She almost stood up then and walked out of the office. Only the mortgage prevented her.
“And of course you’ll have no contact with Thassadit Amzwar.” He pronounced the name like something from Iowa. “If she approaches you for advice of any kind, you will refer her to Christa and curtail any further interaction.”
Neither bearable nor possible. She fully granted the wrongness of her action and the validity of every reprimand that Dennis threw at her. But she did not merit punitive action. Not reprimand for what she’d fought so hard to correct.
“And my relationship?”
Dennis looked at her at last, his eyes narrowed in what any student of human psychology could only call disgust. “That’s between you and him. You think he’s willing to give her up for you?”
I always knew I’d lose my nerve in the end. Kurton set free by his data; Thassa turning brittle; Stone an easy mark in the crosshairs of love. Now Candace, on the auction block. A part of me wanted to love this woman since she was no more than the sketchiest invention. I thought she would be my mainstay, and now she’s breaking. I don’t have the heart to learn her choice.
All I want is for my friends to survive the story intact. All the story wants is to wreck anything solid in them. No one would write a word, if he remembered how much fiction eventually comes true.
The genomicist, too, has a rough night. I’ve said so little about him that you may not care. That’s more cowardice on my part. In the absence of detail, you’ve been seeing him as an uncle, an old biology teacher, some more solid scientist you recently came across in another book or film. You might feel anything toward him-curiosity, hatred, attraction. The world’s two camps of readers, split by inborn temperament, need two inimical things, and each has long ago decided to love or loathe this man according to those needs.
But feel this much, anyway:
Thomas arrives back in Logan on the flight from Chicago, mystified as to why Thassa Amzwar would lash out at him on national TV. The audience outcry also baffles him. He’s satisfied enough with his own performance: hopeful but accurate. He’s confident that public controversy can’t hurt science. Nothing, really, can hurt science. All the Luddites in the country turning out with torches and pitchforks would succeed only in sending research abroad. Everything discoverable will be discovered; he’d bet his lab on that. And every truth that research turns up simply becomes more environment, part of survival’s calculus, no less than air, food, climate, or water.
Yet this backlash takes him on the chin, as bad as the first fray he landed in, back at the Cardinal Hayes High School science fair. He understands the tribal fear and self-protection behind this aggression. But his work aims only to relieve ill health, free people from the body’s caprice, and crack open the prison of inherited fate.
He strolls through the mobbed baggage claim with his single carry-on. The airport loop is a snarl of shuttles, taxis, and cars. The matter transporter will not come a day too soon. Two people on the Blue Line back into the city think they recognize him from The Oona Show. But they decide no; the founder of seven biotech companies, adviser to six scientific journals, and discoverer of the major genetic contribution to human well-being can’t possibly be riding the subway.
He gets out at Government Center and walks to his brownstone on Beacon Street; walking reduces the risk of many major disease predispositions. It’s late afternoon, and the streets fill with the change of shifts. Vendors, Bible-waving preachers, one-man bands, and stump speakers cluster at the foot of the hill beneath the State House, as crowds pour down the subway steps at Park Street. He cuts across the lustrous Common, exhilarated by the human pageant. Fifty yards away from his front door, he sees that his first-floor bay window has been smashed. He trots the rest of the way, saving a few seconds by rushing to a crime committed hours earlier.
He finds a paver pulled up from the sidewalk sitting in his living room. He turns it over in his trembling hands, looking for the attached note. There is no attached note. He sits down, light-headed, confused. Why send someone a message, if there’s no message?
He knows the message. Are we not men? Leave us the hell alone. He sits for a few minutes, afraid to call the police. He shuts off the light, to hide his silhouette. After a while, he goes down into the cellar and brings up a piece of pressboard large enough to cover the broken window. He tacks it into place, a barrier, at least. Then he leaves a voice mail with his handyman.
He makes himself a blueberry soy shake, which calms him a little. He goes online to see what kind of hate-mongering the show produced. Reaction is all over the map, from morose to ecstatic. But he sees no violent threats, at first glance. He logs off the browser and occupies himself with the surge of waiting correspondence. But he works at no more than half efficiency. He recoils at every floorboard creek, waiting for the follow-up message. After an hour of twitching, rather than continue to spin out, he decides to drive up to Maine.
It’s late already, but a night drive will clear his head. He throws his still-packed bag into the Insight, the most fuel-efficient vehicle ever sold on the mass market. He’d have bought it for the engineering achievement alone. Only innovation, now, will buy the race enough time to work its next escape.
He drives for hours, into the night. He keeps himself awake listening to an audiobook of The Plague, the novel that defeated him at Stanford, when his ex-wife made him read it. You want to devote your life to life science? Read this first.
He’s gone back to Camus after talking with Thassa about the man. She filled him in on all the context he missed when reading the work in his twenties. She quoted the author’s notorious declaration, at the height of the savage war: If I have to choose between justice and my mother, I would choose my mother. Kurton’s justice is the freedom of research, rapidly decamping to the western Pacific Rim. His mother has been in a home in Westchester County for the last four years, ever since her defective APOE allele caught up with her. The choice would still not be easy, but it would be clear.
As a young man, Thomas never thought to wonder why Camus’s Oran had so few named Arabs in it. Thassa set him straight on that as well. I do love him, the Algerian said. He was both beautiful and humane. But also as blind as anyone with his background. Thomas finds him blindly humane, too, as he drives up to Maine in the dark. But the problem is not with the enlightened pied-noir. The problem is with the craft of fiction.
The whole grandiose idea that life’s meaning plays out in individual negotiations makes the scientist wince. Intimate consciousness, domestic tranquility, self-making: Kurton considers them all blatant distractions from the true explosion in human capability. Fiction seems at best willfully naïve. Too many soul-searchers wandering head-down through too many self-created crises, while all about them, the race is changing the universe. That much is clear to Kurton, as he slips off the interstate and onto the winding, coastal Route 1.
Worse, fiction’s perpetual mistaking of correlation for causation drives Kurton nuts. Even Camus can’t help deploying bits of his characters’ histories as if they explained all subsequent behaviors and beliefs. The trick smacks of an environmental determinism more reductive than anything that has ever come out of Kurton’s labs. My upbringing made me do it
Kurton knows never to give his own biographical details to any reporter, or if he has to, to make them up. That’s what the brain-body loop does, anyway: it’s not the traumas Thomas remembers that shape Thomas-not so long as Thomas shapes the traumas Thomas remembers. He has never tried to hide his background; it’s just irrelevant. Kurton’s discoveries are only interesting if someone with completely different needs can reproduce them. The double-blind study frees human history from the trap of bias and sets it loose in a place beyond personality.
He wants to live long enough to witness a new, post-genomic fiction, one that grasps the interpenetrating loops of inheritance and upbringing so tangled that every cause is some other cause’s effect. One that, through a kind of collaborative writing, shakes free of the prejudices of any individual maker. For now, fiction remains at best a scattershot mood-regulating concoction-a powerful if erratic cocktail like Ritalin for ADHD, or benzodiazepines for the sociophobe. In time, like every other human creation, it will be replaced by better, more precise molecular fine-tuning.
The Plague ends about half an hour outside of East Boothbay. The road by then is black and barely two car widths. Through the speakers scattered around the capsule of Kurton’s car, the narrator speaks those words that so puzzled Thomas as a grad student:
He knew what those jubilant crowds did not know but could have learned from books: that the plague bacillus never dies or disappears for good; that it can lie dormant for years and years in furniture and linen-chests; that it bides its time in bedrooms, cellars, trunks, and bookshelves; and that perhaps the day would come when, for the bane and the enlightening of men, it would rouse up its rats again and send them forth to die in a happy city.
He parks his car halfway up the driveway and stands for a while on the sloping hill, looking down toward his dock. He scouts the sheltered cove just to the left of the dock, where once again tonight, from the dark water (although not so dark that day as now), his eleven-year-old brother Brad emerges, bathed in a magic blue light, an electrostatic globe that jerks him about like a livid puppet before kicking him up limp, forever, onto the pebbled beach. Brad, so skeptical and taciturn that even a sky full of thunderheads could not rouse him from the water. And Tommy, empirical Tommy, long out of the water and halfway up to the house, and life
Upstairs in what was for decades his parents’ old bayside bedroom, the smell of cedar and musty quilts sends Kurton instantly to sleep.
He wakes refreshed but a little hangdog that something so small as a paving brick could send him so far for safety. Over a breakfast of half a scoop of steel-cut oats, he checks his BlackBerry feeds. His aggregator for the name Amzwar produces so much junk he is forced to skim. He’s stopped by an item that has already started to multiply and mutate. Several print and Web journalists are reporting an offer by a midsized Bay Area biotech firm of $14,000 for ten of the Algerian woman’s eggs.
He looks up from the device in disbelief. Down the hill on the rock-scattered coast, a stand of spruce bends out over the contesting water, as they have for longer than people have been here to see them.
Twice more in the days after the broadcast, Stone tries to get Candace to talk about Thassa’s on-air transformation into Joan of Arc. He watches the segment again online. Candace does, too, or he doesn’t know her from Eve. But each time he brings up the performance, Candace-by taint or training one shade saner than Russell-shunts him onto healthier topics.
But now he’s okay with her dodge. Okay with everything; not even her growing yogic retreat bothers him. These last three nights, his appetite for her has been embarrassing. He’s taken her above, behind, in front, below. And she lets him. She’s been painfully beautiful, in the wake of Oona. She has been his keel, since even before they were lovers. She helps him see himself, helps him have a say over who he wants to be. Whatever the world insists on dragging them into, he is with her, and her bubble of self-possession is big enough for three.
He, Candace, and Gabe sit at her kitchen playing Yahtzee. She’s given the boy unlimited gaming time, so long as the game has physical bits and he’s playing with real, present humans. Russell is on a literal roll, pushing his luck far beyond what the dice should allow and getting away with it. He hits number after number, as if controlling the pips telekinetically. His odds-defying streak sends the boy into thrilled fits. “You’re cheating! Mom, tell him to stop!” When the game ends, they leave Gabe sitting at the kitchen table, still rolling the dice, trying to crack the secret of Stone’s spectacular run.
In her bed, Candace is sapphire, something he does not know in her. She runs her hands all over him, hunting from a distance for a key she has misplaced. After much searching, her need is answered. They lie together, emptied out. She curls away from him, tucks her backside into his belly, but holds on tight to his encircling arm. In the still room, she says, I love you. It’s simple discovery, all surprise forbearance, like she’s just been assigned a difficult but necessary journey.
Her head nods a minute confirmation on the pillow next to him. He fills with a certainty such as he has only felt twice in his life. The thought rushes him. Whatever this brings, he wants it. “That sounds very good to me,” he whispers to her spine. “Can we put that in our book?”
She clasps his arm tighter: a given. The scene has already been written. He watches her fall from confirmation into sleep, by intervals too small to change anything. There is no fear; there is no elation. Only the fact of this shared day.
He watches her asleep. What could he say about her face, emptied of look, that would make it live for someone a hundred years from now? Or a hundred hundred. A sleeping face forgets every waking technology; sleep at 2020 should be intelligible to the Neolithic. Her eyes start to twitch a little, and then her lips. He could make her say anything at all, in her sleep, in their growing, coauthored volume.
She starts to snore. Small, seersucker, Laura Ashley snores. If he was fighting his love for her at all up until this moment, he now loses. The snores crescendo, and although he holds perfectly still in his joy, her own sound rouses her. She wakes confused, defensive. “I wasn’t!” she says, still asleep. She opens her eyes, turns to look at him. “Was I?”
“Hey,” he tells her, nuzzling her downy neck. “Let’s get engaged, or something.”
She sits up and inspects the room, puzzled. Someone has rearranged all its furniture in her sleep. “Russell? I have to tell you something. We can’t see Thassa anymore.”
The footage of Thassa on The Oona Show made an eerie art film in its own right: her far-focusing eyes, the ecstatic fear, the angelic irritation shaking free of all human markets. Schiff couldn’t get enough. She studied the shots of the genetically blessed woman, already splicing them into a much larger script: a single forty-two-minute hour about how the eons-long pursuit of happiness was at last cutting to the chase.
She and the Over the Limit crew worked from a rough outline: nine minutes on the chemical bases of moods; eight on neurogenetics; eleven on hyperthymia and its now famous mascot, Thassa Amzwar; and ten on the coming ability to manipulate genetic disposition. That left four minutes for transitions and Schiff’s interludes. She’d already done two interviews with key researchers in the biology of contentment. The show interns were busy raiding the archive for usable footage, while the art team set to work on fantastic animation.
The day after The Oona Show, Schiff and Garrett arrived to film Thassa in her dorm. The building had thinned out for the summer break, but a cluster of Jen-spotters loitered in the entrance. They clamored around Garrett’s tripods and lights, bugging him for information. A sallow ectomorph asked Schiff to sign his iPod with a Sharpie. One woman of about thirty, puffy and near tears, tried to force her way into the building alongside them, saying it was absolutely essential that she talk to the happiness girl right away. The lobby security guard turned her away, not for the first time.
Upstairs, in Thassa’s narrow, film-filled efficiency, they found a woman far from ecstatic. She sat holding her elbows on a small, three-colored kilim that stretched across the room. Garrett barely had space to mount the camera and lights, unfurl the reflectors, and still get both women into the shot. As he started filming, Thassa wrapped herself in stoicism. Schiff, stripped of sass, transformed into some kind of acolyte. She asked Thassa about her upbringing. Garrett, nonplussed, kept shooting. But when the two women began to talk about Kabylia, Thassa relaxed and showed the first sparks of a spirit that might be worth filming, let alone engineering.
Schiff asked, “Do Algerians trust happiness?” Garrett almost knocked the tripod over. But Thassa fielded the question on the fly. “We say, Ki nchouf ham el nass nansa hami: ‘When I see someone else’s desolation, I forget mine.’ Every Algerian knows that every other Algerian has seen great miseries. And that is consolation? Do any of my countrymen hope that science will discover a solution to the sorrow of history? Please! How can even Americans believe this?”
Instead of volleying, as she usually would have, Schiff gave one of the lamest follow-ups Garrett ever heard her deliver. “What makes you happy?”
Before Garrett could stop shooting, the Algerian woman smiled for the first time all interview. She lifted one thin, brown finger, and pointed at him. “That. Oh my God! If I could do what this man does, all day long? That would be a life. I love to look at the world through a viewfinder. I just love it. The worst things about life are beautiful on film.”
Garrett killed the camera and asked to talk to Schiff out in the hall. He started in before she could defend. “You aren’t exactly advancing the frontiers of science here.”
Schiff leveled him with her unnerving hazel eyes. “Not my job, Nick.”
“No? What exactly is your job? I thought it was to give me something engrossing to-”
“We’re telling this woman’s story.”
The words slowed him. But only a little. “You’re supposed to interview hyperthymia, not befriend it. This woman is not exactly a bottomless wellspring of cheer.”
“We’re supposed to film whatever is really there.”
“Oh, shit. Don’t get righteous on me. Not the time for philosophy, Ton. We’re on a deadline here.”
“This girl is not what Kurton says she is. I just think our viewers want to see-”
“Our viewers want science. It’s a science show.”
A voice called from inside the apartment. “Everything okay out there?”
When they slunk back into the room, they found Thassa filming Garrett’s camcorder and lighting gear with her own MiniDV. “Someone wants to pay for my eggs,” she told them. She lifted up her camera coolly and filmed their faces as understanding spread across them: Her eggs. Her eggs.
Garrett asked her to repeat the fact on film. Thassa laughed him off. “Interviews must be spontaneous. You can’t tell your subjects what to say. That’s what they teach in film school, en tout cas.”
Russell Stone lies in his beloved’s bed, stilled by her bombshell. I step through his possible choices. Every combination of heritage and upbringing dooms him to keep pulling at the sheets and smiling. “What do you mean?”
Candace tells him, in mature phrases, the law as laid down to her. She explains what her job dictates. She lays it out the way she might tell a client that he needs to undergo certain stringent therapies. She goes down the list of Russell’s possible objections, addressing each one sensitively.
“You can’t be saying this,” he says. “She’s a friend, isn’t she?”
She nods her head, helpful. “I suppose that’s the point. By any responsible standard of behavior, I should never have become Thassa’s friend in the first place.”
He isn’t getting this. “Are you just worried about your job? Because, Jesus: the whole country’s a nut case. It’s a buyer’s market for what you do. You could work anywhere.”
She explains about personnel files, letters of reference, and all the realities of adult life for which he’s never had much innate aptitude.
“I see,” he says. He sees nothing, except the accusation that he doesn’t make.
She trembles and tears up. But her shoulders and torso remain strangely marble. He puts his arm around her and pulls her flush to him. He murmurs up near her ear. “Don’t worry,” he tells her. “It’s all right. Sleep. You need to work tomorrow. We’ll talk about it in daylight.”
In daylight, they say nothing. She gets Gabe off to school while Stone is still clearing his head and trying to decide if she really said, in the middle of the night, what she really said. His best response is the billion-year-old, time-tested method of freezing up. If he does nothing, the whole thing may pass overhead without incident. So he keeps still and waits, like the rodent in a raptor’s shadow with whom he shares so many genes.
He doesn’t have the luxury of waiting long. Three days later, he gets an e-mail from Princess Heavy Hullinger. Half a year ago, he shared a weird intimacy with this woman three nights a week. Now her name in his Inbox seems like a fable. The note is a cruel slash at all the writing conventions he once urged on the woman:
hi there, u know there bidding on her genes now? the bid is up to 19K; no u dont and maybe dont care since u havent been in touch but shes getting a bit sick of everything coming down on her at the moment. dont worry were taking care of her, someone has to. I know shed like to hear something so if u have any teachery advice (;)) just e me, im sure shell appreciate.
The note wraps him in a gray cocoon. All of Charlotte’s pieces for him were just exercises in deceit. This is how the woman really writes. Writing has become some mutant thing that will eat him alive and shit him into fertilizer.
He calls Thassa. There’s no answer and no voice mail. He hops on the Red Line and rides down to Roosevelt. It takes a fiscal quarter. He jogs to her dorm building, the pedestrian streams cursing as he wades through them. He turns the corner at Eighth Street and stops.
A knot of people flock the entrance to her building. It’s some kind of ad-hoc Flag Day. A woman with her hands and face painted cerulean sports a hand-lettered poster mounted on her head: No Jenetic Jimmying. A younger female, perhaps her daughter, painted to match, wears a sandwich board that reads Sad and Proud. A man struggles to remove the helmet of his cartoony hazmat suit. Three college kids in matching Gee, I’m a GMO T-shirts exchange raucous laughter. Policemen make two others take down a first-story banner with the two-foot-high words Bio-Value-Add Me. A short, hoary black woman-eighty years old if she’s a day-jabs her finger at a white gnome a decade her senior, who holds a limp megaphone at his thigh. Even as the police try to break up the geriatric scuffle, the woman keeps shouting, “Where the hell is the law in all of this?”
Around the edges, the parade trickles out. But the core of the spectacle holds steady, and other bystanders stop to watch. A woman Stone’s age toting a stack of pamphlets mistakes his expression for disappointment. “You just missed the StreetSharp News. They sent two vans. They pulled out about fifteen minutes ago.” She hands him a pamphlet; it’s about how virtually anyone can atomize their egos, dissolve the boundary between their cells and the rest of creation, and tap into the nirvana that spiritual leaders have known about for millennia, all with little medical intervention to speak of. She smiles, like she wants to be his friend.
“Is she here?” Stone asks, his voice veering.
“Who?”
Helpless, he points upward, toward the plate glass of Thassa’s apartment.
“You mean her?” The pamphlet woman laughs, like he’s making a joke she doesn’t quite understand yet. “Nobody has seen her for days. That guy says she was at the window on Thursday night. But he’s probably lying.”
Russell Stone clamps both sides of his forehead. “How long have you been here?”
The pamphlet woman seems ready to help, if only she could follow him. “Me? Here? You mean, all together?”
He pauses in the doorway of the music shop where he once hid out from Thassa’s gaze. For the first time in his life, he wishes he had a cell phone. He jogs to the Roosevelt stop, waits for a train, and rides it back up to Logan Square. He calls her latest number, which he’s surprised to find he has memorized. No one answers, of course, and there is no voice mail.
Schiff called Thomas Kurton from the concourse at O’Hare. Garrett sat in the scoop chair next to her, eavesdropping.
“I figured I’d hear from you,” Kurton said, before she could identify herself. “Did you call to gloat?”
“Is it true?” she asked.
“I’m wondering if I’m really your best go-to person for that question.”
“Someone is trying to auction her gametes? I thought it was illegal to bid on body parts.”
He chuckled without mirth. “Thousands of coeds are paying their way through school by ‘donating.’ It’s a bazaar, online. One hundred and fifty ads a day on Craigslist. The question is: What’s a fair market price, for someone with her genetic profile?”
“What’s the going rate?”
“Up to $10,000, if you’re 1300 or higher on the SAT.”
Lots more, apparently, for off-the-chart scores in well-being.
“But are these bids coming from commercial scientists, or just ”
“Just rich, infertile couples running their own experiments?”
She could hear the water kneading the rocks and the wind slipping through the evergreens.
“I can think of no use of her sex cells that is both scientifically legitimate and legal. This year, that is. But put them in the freezer for a while-”
“Where are you?” she asked. If he were within shooting distance of LaGuardia, they could get him in front of a camera that evening, while this wistful, penitent mood still ran him. Science. Real science.
“Front porch. I’ve been holing up here all week. I answered when I saw it was you. Tell me, Tonia. Should I have predicted this?”
She was merciful and did not quote back any of a dozen incriminating things he’d said to her on camera. She only wished she had a recorder running now.
He said, “You know, I’m sorry if this complicates the woman’s life. But choices are coming that we all simply have to hammer out.”
Paradise, his voice maintained, was still just down the road. And to bring it about, even suffering was a civic duty.
Then Thomas Kurton’s tone turned, tilted by some small change in the quality of light. “I heard from a colleague at MIT who has been looking over her fMRIs. He thinks there might be something distinctive about the way her hemispheres are communicating. It might help explain ”
Tonia Schiff gestured madly in the air to Garrett-a computer, a pad of paper, a wiretap, anything. “I don’t understand. Something structural, or just something she’s learned to ”
Kurton started to come alive again. “That’s not entirely clear. A good team needs to take a closer look.”
Say that the six thousand years of writing are a six-hundred-page novel, suitable for getting you through the longest captive flight. Romance, mystery, thriller: a little something for everyone. At a decade a page, it’s a slow starter. Only belatedly does the opening hook-secret marks that hurl meaning magically through time and space-reveal itself to be a Trojan horse. By
The plot starts to pick up on page 350. After a ridiculously long exposition, the development section starts at last. Characters emerge, cities clashing in the freshness of youth, driven by the varied needs of their patron gods. Wars spread and trade expands. The characters harden and age. They join together into sprawling clans. Freed from the present, papyrus starts to spawn new subplots. By page 400, the basic conflict becomes clear: preservers against revisers, sufficers against maximizers, those who think the book is coming apart versus those who think it’s coming together.
There are a few longueurs for some readers in the middle two-thirds. But this is when the story is at its most desperate: when techne and sophia are still kin, when the distant climax is still ambiguous, the outcome a dead heat between salvation and ruin.
Page 575 starts a series of quick reveals (although each one foreshadowed, early on). Every discovery triggers two more. The cast of characters explodes, as do the sudden reverses. The book makes one of those massive finish-line sprints-twenty-five pages to wrap up all the lingering plot points and force a denouement. The last chapter is filled with deus ex machinas, and on the very final page, the very last paragraph, the characters throw off the limits of the Story So Far and complete their revolt. The ultimate sentence is a direct quote-“Author, we’re outta here”-the happy ending of the race’s own making.
Russell and Candace are clearing the table for Gabe’s choice of evening off-line methadone-Monsters and Mutants: Personal Edition-when she arrives. They all know it’s her, just from the rhythm of the buzzer. Candace implores Russell with a look, as if they might pretend that no one’s home. But all the lights are on, jazz piano trickles out through the windows, and where else would they be, on a work night, after dinner?
Gabe bounds up and presses the intercom. A homunculus voice comes through the tiny speaker, “Jibreel, Jibreel. As-Salaamu ’Alaykum.”
The boy practically shouts back “Wa ’Alaykum As-Salaam,” and buzzes her in, in triumph. He’s scolding the woman by the time she reaches the top of the stairs. “I thought you decided we were scum or something.”
Her hands run through the boy’s hair, and he abides them. Her limbs move through a thicker liquid than air. “Jibreel, life has been teaching me.”
Stone holds back in the dining room, trying not to look relieved. He stands between the two women, hands in pockets, facing neither.
“Are you all right?” It must be all right to ask. An awful freedom infuses him, like that day at sixteen when he came home and told both parents he was agnostic. His father went to his grave neither forgiving nor believing him.
Thassa’s eyes close and her chin rises and falls. Her face is primal acquiescence. “I am,” she says, with a peace bordering on irony. She opens her eyes and fixes Candace, timidly. “I’m so sorry to stop in. I am living without a plan these days. My friends are moving me around the city.”
She steps forward and kisses both adults, four face-sides in all. Candace is hospitality itself. She gestures for Thassa to sit, which the Algerian does, as if the tiny dining room is sanctuary.
“Tea?” Candace offers. “Something herbal?” It scares Stone, how easy she is. “Gabe, if you want to put in ten minutes on the machine, you can.”
Pleasure ambushes the boy from all sides. “Can she come?”
“Maybe in a little bit, bird.”
Thassa nods, and he speeds off in a rapture. As soon as he disappears, the Kabyle announces, “I think I must sell these eggs of mine.”
She takes the couple’s shock for disapproval.
“Don’t hate me. The top offering is now $32,000, American. I know: this is insanity. But I could give half to my brother. Five times what he earns in one year! He could quit his killing job and find a good one. And half for my uncle and aunt, to pay on my student loans.”
“You can’t,” Stone says. He recoils at his own voice.
“Apparently you can, in this country. Our friend Sue Weston has done it twice, up in Evanston.”
“No,” Stone says. “I mean, you can’t do it to yourself.”
The woman turns to him, pleading. She claps the table with one palm. “Russell, what is the difference? You told me yourself you don’t believe my genes are the key to anything. So if some crazy person wants to pay for hallucinations, is it my job to stop them? The more they pay for this, the happier it will make them. And that is the product they want to buy, anyway!”
The argument repels him. He can’t believe she’s making it. “You can’t sell your own offspring.”
Her face crumples in pure bewilderment. “My what? You say these eggs So you do think these genes are the secret real me!”
Thassa turns to Candace. Stone is mortified to see his girlfriend stand motionless between the table and wall, clutching her elbows. Then Weld comes out of her clinical coma and sits down across from Thassa. A dozen years of classes, research, and professional training have all prepared the counselor for this moment. Candace speaks, and for a moment, her voice drives all the madness from the room.
She explains her compromised position, the protocols of her profession, and the decision her superiors have taken on her behalf. It stuns Stone: the woman is a model of maturity, matter-of-fact, even-keeled. For a moment he thinks: Yes, this is what they should have done months ago. Just the sound of Candace’s voice shows the way back to port.
She stands, goes into her study, and returns with a glossy pamphlet. “This explains everything you need to know about the consultation facilities available to you. Here are the numbers of people you can call. This woman is very good; she can refer you to a reproductive medical counselor.”
“But I want to talk to you, Candace.”
Candace nods, in complete agreement. “I can’t help you anymore, sweetie.”
The Algerian sits blinking as at the news of some FIS attack. “Candace? You’re sending me away?”
Weld touches her arm, rubs it. Open and honest. “You know how I will always feel about you.”
The words explain everything. The words are gibberish. Thassa looks to Stone to interpret. Stone stares at the pamphlet in her hands, unable to remember even what he’s doing there.
Thassa looks back and forth between them, insight blossoming. “If this is what you’ve chosen, Candace, I’m sure it’s the right thing. I’m sure it’s best. But I think I should go now.”
She backs toward the door. Candace steps forward to embrace her, but Thassa holds up one palm. She’s down the stairs at a trot before either adult can say anything.
Candace sits, passing her quaking fingers over her eyes. Stone takes awhile to realize that she’s crying, those blank tears that might as easily have been made by biking into a cold wind. He wants to step forward and place his arm on her frozen shoulders. He wants to chase down the stairs and find Thassa, tell her that nothing is as it seems. Candace rises and begins putting away dinner dishes. Stone is still standing on his tiny, germ-free island when Gabe comes back into the room.
The boy is crushed. “She left? Where’d she go? She said she was going to play. She lied!”
Stone looks to Candace, who pauses in her chores. Her voice comes out more trebly than her child’s: “I think it went pretty well. How about you?”