Locked up. Yet, if prior to life we had
Been able to imagine life, what mad,
Impossible, unutterably weird,
220Wonderful nonsense it might have appeared!
So why join in the vulgar laughter? Why
Scorn a hereafter none can verify:
The Turk's delight, the future lyres, the talks
With Socrates and Proust in cypress walks,
The seraph with his six flamingo wings,
And Flemish hells with porcupines and things?
It isn't that we dream too wild a dream:
The trouble is we do not make it seem
Sufficiently unlikely; for the most
230We can think up is a domestic ghost.
How ludicrous these efforts to translate
Into one's private tongue a public fate!
Instead of poetry divinely terse,
Disjointed notes, Insomnia's mean verse!
_Life is a message scribbled in the dark._
Anonymous. Espied on a pine's bark,
As we were walking home the day she died,
An empty emerald case, squat and frog-eyed,
Hugging the trunk; and its companion piece,
240A gum-logged ant. That Englishman in Nice,
A proud and happy linguist: je nourris
Les pauvres cigales - meaning that he
Fed the poor sea gulls! Lafontaine was wrong:
Dead is the mandible, alive the song.
And so I pare my nails, and muse, and hear
Your steps upstairs, and all is right, my dear.
Sybil, throughout our high-school days I knew
Your loveliness, but fell in love with you
During an outing of the senior class
250To New Wye Falls. We luncheoned on damp grass.
Our teacher of geology discussed
The cataract. Its roar and rainbow dust
Made the tame park romantic. I reclined
In April's haze immediately behind
Your slender back and watched your neat small head
Bend to one side. One palm with fingers spread,
Between a star of trillium and a stone,
Pressed on the turf. A little phalange bone
Kept twitching. Then you turned and offered me
260A thimbleful of bright metallic tea.
Your profile has not changed. The glistening teeth
Biting the careful lip; the shade beneath
The eye from the long lashes; the peach down
Rimming the cheekbone; the dark silky brown
Of hair brushed up from temple and from nape;