Page 430
Frida Kahlo and Tina Modotti
(co-made with Peter Wollen). 1983. 16mm; 30 minutes; color; sound (ACGB; MoMA).
The Bad Sister
(co-made with Peter Wollen). 1983. Video; 90 minutes; color; sound (Channel 4, U.K.).
New Horizons
(co-made with Chris Welsby). 1987. 16mm (transferred to video and presented on 36-monitor video wall); 2 1/2 minutes (longer in video wall version); color; sound (Mulvey).
Andrew Noren
A Change of Heart
. 1965. 16mm; 81 minutes; black and white; sound (lost).
Say Nothing
. 1965. 16mm; 30 minutes; black and white; sound (Noren, 76 Cypress Lane, Aberdeen, NJ 07747-2222).
Recognitions
(a series of eight portraits). 196567. 16mm; 240 minutes (30 minutes/portrait); black and white; sound (all lost except Say Nothing: see separate listing).
The New York Miseries
. 1966. 16mm; 180 minutes (in interchangeable 3-minute, 100-foot, single-take rolls); black and white; sound (lost).
Untitled
. 196667. 16mm film loops; indeterminate running times; black and white/color; silent (lost).
Untitled
. 196667. 16mm (found footage compilation films); various running times; black and white/color; sound (lost).
Bathing
. 1967. 16mm; interchangeable 10-minute, 400-foot, single-take rolls; color; sound (lost).
The Wind Variations
. 1969. 16mm; 18 minutes; color; silent (Noren).
Huge Pupils
(Part I of
The Adventures of the Exquisite Corpse
). 1968. 16mm; 61 minutes; color; silent (LFC, Noren).
Scenes from Life
. 1972. 2 screen 16mm; 30 minutes; color; silent (Noren).
False Pretenses
(Part II of
The Adventures of the Exquisite Corpse
). 1974. 16mm; 67 minutes; color; silent (Noren).
The Phantom Enthusiast
(Part III of
The Adventures of the Exquisite Corpse
). 1975. 16mm; 70 minutes; color; silent (Noren).
Charmed Particles
(Part IV of
The Adventures of the Exquisite Corpse
). 1979. 16mm; 78 minutes; black and white; silent (FMC).
The Lighted Field
(Part V of
The Adventures of the Exquisite Corpse
). 1987. 16mm; 61 minutes; black and white; silent (FMC).
Yoko Ono
During the sixties and seventies, Ono conceptualized and, in some cases, executed installation pieces and works in other forms, often in connection with Fluxus. Many included film (including some that recycled films listed here). For a description of Ono's installations and of all her work with Fluxus, see Jon Hendricks,
Fluxus Codex
(New York: Harry N. Abrams, 1988), pp. 415426.
Eyeblink
(a.k.a.
One
and
One Blink, Fluxfilm
#15 and #19). 1966. 16mm; 5 minutes; black and white; silent (FMC, as part of
Fluxfilm Program
).