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Talking To Myself #2
. 1988 to present (in progress). Super-8mm; 3+ minutes; color; sound/filmmaker-in-performance (Robertson).
Talking To Myself #3
. 1988. Super-8mm; 17 minutes; color; sound/filmmaker-in-performance (Robertson).
Weight
. 1988. Super-8mm; 55 minutes; color; sound-on-tape (Robertson).
Measurements
. 1988. Super-8mm; 20 minutes; color; sound (Robertson).
Diet
. 1988. Super-8mm; 24 minutes; color; sound (Robertson).
The Sign of Jesus Is the Fish
. 1989 to present (in progress). Super-8mm; 3+ minutes; color; sound (Robertson).
Apologies
. 1990. Super-8mm; 16 minutes; color; sound (Robertson).
Suicide
. 1990. Super-8mm; 8 minutes; color; sound (Robertson).
Melon Patches, or, Reasons to Go On Living
. 1990 to present (in progress). Super-8mm; 24+ minutes; color; silent/voice narration (Robertson).
Anne Severson (Alice Anne Parker)
I Change IAm the Same
. 1969. 16mm; 40 seconds; black and white; sound (CC).
Riverbody
. 1970. 16mm; 7 minutes; black and white; sound (CC).
Nineteen Bygone Sweethearts
. 1971. 16mm; 47 minutes; color; sound (Severson, 59075 Paula Rd., Haleiwa, HI 96712).
Introduction to Humanities
. 1972. 16mm; 5 minutes; black and white; sound (CC).
Near the Big Chakra
. 1972. 16mm; 17 minutes; color; silent (CC).
Animals Running
. 1974. 16mm; 23 minutes; black and white; sound (CC).
The Struggle of the Meat
. 1974. 16mm; 4 minutes; color; sound (CC).
Michael Snow
A to Z
. 1956. 16mm; 4 minutes; black and white; silent (CFDC, FMC).
New York Eye and Ear Control
. 1964. 16mm; 34 minutes; black and white; sound (CFDC, FMC).
Short Shave
. 1965. 16mm; 4 minutes; black and white; sound (FMC).
Wavelength
. 1967. 16mm; 45 minutes; color; sound (BFI, CC, CFDC, FACETS, FMC, MoMA).
Standard Time
. 1967. 16mm; 8 minutes; color; sound (CFDC, FMC, LFC).
[
«
](
Back and Forth
). 1969. 16mm; 52 minutes; color; sound (CC, CFDC, FMC, LFC, MoMA).
Dripping Water
(co-made with Joyce Wieland). 1969. 16mm; 10 1/2 minutes; black and white; sound (CFDC, FMC).
One Second in Montreal
. 1969. 16mm; 26 minutes (17 minutes, if projected at sound speed); black and white; silent (CC, CFDC, FMC, LFC, MoMA).
Side Seat Paintings Slides Sound Film
. 1970. 16mm; 20 minutes; color; sound (CFDC, FMC, LFC).
La Région Centrale
. 1971. 16mm; 190 minutes; color; sound (CC, CFDC, FMC, LFC, MoMA).
Two Sides to Every Story
. 1974. 16mm film installation, using two 8-minute loops