Page 456
Liberty's Booty,
254-255
Leibeneiner, Wolfgang, 81
Life and Other Anxieties,
269
Lifton, Joan, 165
The Lighted Field,
176, 185, 186, 190, 197-204
Line Describing a Cone,
4, 5, 9, 65, 157-158, 160-162, 164-166, 167
Literaturnaya Gazeta,
104
The Little Fugitive,
85
Lives of Performers,
344
Living Theater, the, 78, 79, 93-96, 107
LMNO,
17, 48, 49
Locomotion,
211
London Contemporary Dance Theater, 160
London Film-makers Co-operative, 160, 161, 174
London School of Film Technique, 111
Long Film for Ambient Light,
157, 162-163, 165
Long Film for Four Projectors,
9, 157, 164
Lost Lost Lost,
79, 80-92, 102-103
Love,
144-145
A Lover's Discourse,
75
Love Story,
408-409
Lucas, George, 10, 399, 401
Lucchi, Angela Ricci, 12
Lucier, Alvin, 38
Lucier, Mary, 38
Luddy, Tom, 399
Ludwig,
168
Lumière Brothers, 79, 87, 179, 190, 388
Lust, Virginia, 142
Lye, Len, 15, 23, 36-38, 40
Lyotard, Jean-François, 75
Lysis,
87
M
Maas, Willard, 142, 155
McBride, Jim, 175, 180
McCall, Anthony, 4, 5, 6, 8-9, 51, 65;
bibliography, 441;
filmography, 428;
interviewed, 159-174;
introduced, 157-159;
on ''business" vs. "career," 166-167;
on public arts grants, 165, 171-172;
on Carolee Schneemann and
Fuses,
165-166
McCay, Winsor, 15
McDonald, Makea, 307
McElwee, Dr. Ross, 10, 272-274
McElwee, Ross, 6, 10;
bibliography, 441;
filmography, 428-429;
interviewed, 267-282;
introduced, 265-267;
on being a Southern filmmaker, 279-280;
on filming the !Kung with John Marshall, 269-271;
on first person vs. detached cinéma vérité, 274-275;
on Southern race relations, 268-272, 273-274, 276-277;
on "Southern womanhood," 278
"The Machine As Seen at the End of the Mechanical Age," 18
Maciunas, George, 79, 140, 150, 155
McLaren, Norman, 36, 61
Macmillan Films, 117
McNulty, John, 160
A Madman's Defense,
413
Magazine Mouth,
206
Magnelli, Alberto, 18
"Male gaze," the, 71-72, 183-184, 249, 257-258, 261-262; 287, 321-322, 338-339
A Man and His Dog Out for Air,
16, 21, 36
Mangolte, Babette, 159
Manhattan Transfer,
221
Mannoni, Maud, 335-336
Manupelli, George, 136, 173
The Man Who Envied Women,
344, 345, 351
The Man With the Movie Camera,
378-379
Marinetti, Filippo Tommaso, 404
Markopoulos, Gregory, 78, 87, 92, 96
Marshall, John, 269-271, 356
Martin, John, 55
Marx, Karl, 368
Mary Boone Gallery, 166
Massachusetts College of Art, 208, 213, 215, 216
Mass for the Dakota Sioux,
109-110, 118, 124-125
Match,
140, 141, 145
Matisse, Henri, 55
Maughan, Dr. Thomas, 333
Maya Deren Award, 137
Maysles Brothers, 265
Mead, Margaret, 289
Mekas, Adolfas, 78, 79, 80-82, 83, 84, 89, 92-93, 94-95, 156
Mekas, Jonas, 5, 6, 7-8, 11, 16, 28, 62, 66, 114, 116, 145, 151, 156, 171, 178, 207, 210, 284;
bibliography, 441-442;
filmography, 429;
interviewed, 80-108;
introduced, 77-80;
on beginning over in the United States, 81-87, 89-91;
on his poetry, 83, 87, 88, 104;
on home movies, 99;
on returning to Lithuania, 103-104
Méliès, Georges, 197
Menefee, Emery, 114
Menken, Marie, 31, 78, 91, 114, 379
Merleau-Ponty, Maurice, 75
Meshes of the Afternoon,
223-224, 319
The Metamorphosis,
20
Metz, Christian, 73-74