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Acknowledgments
Thanks to the following journals for permission to reprint interviews and, in some cases, my introductory comments:
Film Quarterly,
for "Southern Exposure: An Interview with Ross McElwee," vol. 41, no. 4 (Summer 1988), pp. 1323; "Yoko Ono: Ideas on Film (Interview/Scripts)," vol. 43, no. 1 (Fall 1989), pp. 223; ''Illuminations: An Interview with Andrew Noren," vol. 44, no. 3 (Spring 1991), pp. 3043; "Demystifying the Female BodyTwo Interviews: Anne Severson
Near the Big Chakra
/Yvonne Rainer
Privilege,
" vol. 45, no. 1 (Fall 1991), pp. 1832.
Afterimage,
for "Interview with James Benning," vol. 9, no. 5 (December 1981), pp. 1219; "Interview with Anthony McCall," vol. 15, no. 5 (December 1987), pp. 69; "Damned If You Don't: An Interview with Su Friedrich," vol. 15, no. 10 (May 1988), pp. 610.
The Independent,
for "The Nuclear War Film: Peter Watkins Interviewed," vol. 7, no. 9 (October 1984), pp. 2224, 32; "Daddy Dearest: Su Friedrich Talks about Filmmaking, Family, Feminism," vol. 13, no. 10 (December 1990), pp. 2834.
Cinematograph,
for "A Picture a Day Keeps the Doctor Away: An Interview with Anne Robertson," vol. 4 (1991), pp. 5366.
Feminist Studies,
for "Interview with Lizzie Borden." Article reprinted from
Feminist Studies,
vol. 15, no. 2 (Summer 1989), pp. 327345, by permission of the publisher, Feminist Studies, Inc., c/o Women's Studies Program, University of Maryland, College Park, MD, 20742.
Journal of Film and Video (Journal of the University Film Associa
-